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Bibliography

Hume, Paul

Year: 1954
Complete Citation:
Hume, Paul. “Ten Songs.” Notes 11, no. 3 (June 1954): 449-450.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1964
Complete Citation:
Hume, Paul. “Review of Ten Early Songs.” Music Library Association Notes, Second Series, vol. II, no. 3 (June 1964).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Ives, Charles

Year: 2004
Complete Citation:
Ives, Charles. “Charles Ives.” In Modernism and Music: An Anthology of Sources, edited by Daniel Albright, 155-162. New York, NY: Schirmer Books, 2004.
Notes:

Reprints excerpts from Ives’s writings: Essays Before a Sonata, Postface to 114 Songs, and Music and Its Future.

Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials

Johnson, H. Earle

Year: 1950
Complete Citation:
Johnson, H. Earle Johnson. Symphony Hall, Boston, 352. Boston, MA: Little Brown, 1950.
Source: Concert program
II. Reference Materials
F. Selected Archival Materials

Johnson, Lockrem

Year: 1960
Complete Citation:
Johnson, Lockrem. “Reviewed Works: Robert Browning Overture, for Large Orchestra by Charles E. Ives; The Rainbow (After the Poem by William Wordsworth), for Chamber Orchestra. [Flute, Basset or English Horn, str. and Piano] by Charles E. Ives; Persian Set. [Picc. (Or Fl.), Cl. Tar. (Or Guitar or Mandolin), Dr. (Persian Dr. or Tom-Tom), Vlns. I, II, III, Vc., Cb., Piano] by Henry Cowell.” Notes, vol. 17, no. 4 (September 1960): 656-657.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Kahn, Eve M.

Year: 2014
Complete Citation:
Kahn, Eve M. “Charles Ives’s Workroom, Pencil Shavings Preserved: Movies, Performing Arts/Weekend Desk.” The New York Times, February 28, 2014.
Source: Newspaper
II. Reference Materials
F. Selected Archival Materials

Keys, Ivor

Year: 1952
Complete Citation:
Keys, Ivor. “Sonata No. 3.” Music & Letters 33, no. 1 (January 1952): 91-92.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Kirby, Fred

Year: 1967
Complete Citation:
Kirby, Fred. “Ives Boom Boon to Peer- Southern.” Billboard 79 (April 22, 1967): 32--33.
Notes:

Includes comments from Wladimir Lakond, international director of musical education and serious music department of Peer- Southern. States that Peer- Southern has over 100 copyrights of Ives’s music.

Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Kirkpatrick, John

Complete Citation:
Kirkpatrick, John. Ives’s Transcendental Achievement. John Kirkpatrick Papers. Mss. 56, Folder 568, Box 61. Irving S. Gilmore Music Library, Yale University. Unpublished typescript, July 4, 1958.
Notes:

Typescript for talk given at Tanglewood on July 4, 1958.

Source: Manuscript
II. Reference Materials
F. Selected Archival Materials
Year: ???
Complete Citation:
Kirkpatrick, John. “Chronology of the life and work of Charles Ives, 1874-1954.” Unpublished manuscript, microfilm. Irving S. Gilmore Music Library, Yale University Library, New Haven, Connecticut.
Source: Manuscript Collection
II. Reference Materials
F. Selected Archival Materials
Complete Citation:
Typescript for talk given July 4. John Kirkpatrick Papers. Mss. 56, folder 568, box 61. Irving S. Gilmore Music Library, Yale University. New Haven, Connecticut
Source: Talk transcript
II. Reference Materials
F. Selected Archival Materials
Year: 1936
Complete Citation:
Kirkpatrick, John. “Program Notes-Recital, Town Hail, New York.” January 8, 1936: 35-36.
Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
Year: 1939
Complete Citation:
Kirkpatrick, John. Program Notes. Recital, Town Hall, New York.” January 20, 1939, 85-101.
Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
Year: 1949
Complete Citation:
Kirkpatrick, John. “Review of ‘Three-Page Sonata,’ [etc.].” Music Library Association Notes, Second Series, Vol. 6, No. 3 (June, 1949).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1956
Complete Citation:
Kirkpatrick, John. Tentative Outline for 5 March 1956 of Hymns Used in Ives’s Third Symphony, the Camp Meeting (1901-1911). Cornell University Archives, Ithaca, NY. Unpublished typescript, March 5, 1956.
Source: Archive
II. Reference Materials
F. Selected Archival Materials
Year: 1958
Complete Citation:
Kirkpatrick, John. Charles E. Ives (1874-1954)—2nd String Quartet (1907-1913): A Tentative Comparison of Ives’s Autograph Pencil Sketch with the Published Small Score (New York: Peer International, 1954). Cornell University, Ithaca, NY, 1958.
Source: Unpublished Typescript
II. Reference Materials
F. Selected Archival Materials
Year: 1961
Complete Citation:
Kirkpatrick, John. “Ives as Revealed in His Marginalia.” Cornell University Music Review, Vol. 4 (1961).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1961
Complete Citation:
Kirkpatrick, John. 1961. “Ives, Transcendentalist in Music.” Typescript for talk given October 26. John Kirkpatrick Papers. Mss. 56, folder 568, box 61. Irving S.Gilmore Music Library. Yale University. New Haven, Connecticut.
Source: Talk transcript
II. Reference Materials
F. Selected Archival Materials
Year: 1963
Complete Citation:
Kirkpatrick, John. Typescript. “Charles E. Ives, 1874-1954: Trio for violin, cello and piano (1904-1911 in Ives's list). Comparison of sources compiled in 1962-1963, using the measure-numbering of the Peer edition,” 1963, Cornell University Library, Ithaca, New York.
Source: Book
II. Reference Materials
F. Selected Archival Materials
Year: 1965
Complete Citation:
Kirkpatrick, John. “Preface.” In Charles Ives — Symphony No. 4. New York, NY: Associated Music Publishers, 1965.
Source: Preface
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices