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Bibliography

Genres

Kirkpatrick, John

Year: 1939
Complete Citation:
Kirkpatrick, John. Program Notes. Recital, Town Hall, New York.” January 20, 1939, 85-101.
Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
Year: 1956
Complete Citation:
Kirkpatrick, John. Tentative Outline for 5 March 1956 of Hymns Used in Ives’s Third Symphony, the Camp Meeting (1901-1911). Cornell University Archives, Ithaca, NY. Unpublished typescript, March 5, 1956.
Source: Archive
II. Reference Materials
F. Selected Archival Materials
Year: 1958
Complete Citation:
Kirkpatrick, John. Charles E. Ives (1874-1954)—2nd String Quartet (1907-1913): A Tentative Comparison of Ives’s Autograph Pencil Sketch with the Published Small Score (New York: Peer International, 1954). Cornell University, Ithaca, NY, 1958.
Source: Unpublished Typescript
II. Reference Materials
F. Selected Archival Materials
Year: 1961
Complete Citation:
Kirkpatrick, John. 1961. “Ives, Transcendentalist in Music.” Typescript for talk given October 26. John Kirkpatrick Papers. Mss. 56, folder 568, box 61. Irving S.Gilmore Music Library. Yale University. New Haven, Connecticut.
Source: Talk transcript
II. Reference Materials
F. Selected Archival Materials
Year: 1963
Complete Citation:
Kirkpatrick, John. Typescript. “Charles E. Ives, 1874-1954: Trio for violin, cello and piano (1904-1911 in Ives's list). Comparison of sources compiled in 1962-1963, using the measure-numbering of the Peer edition,” 1963, Cornell University Library, Ithaca, New York.
Source: Book
II. Reference Materials
F. Selected Archival Materials
Year: Year unlisted
Complete Citation:
Kirkpatrick, John. “Players Apology.” Preface to the unpublished edition of Charles Ives’ Concord Sonata. Unpublished manuscript.
Source: Unpublished preface
II. Reference Materials
F. Selected Archival Materials

Kirkpatrick, John, comp./ed.

Year: 1964
Complete Citation:
“Additional Ives Letters, Mostly 1907--1908,” compiled and edited by John Kirkpatrick (July 1964). Charles Ives Papers. Irving S. Gilmore Library, Yale University, New Haven, CT. Microfilm copy.
Source: Archival Material
II. Reference Materials
F. Selected Archival Materials

Kirzinger, Robert

Year: 2000
Complete Citation:
Kirzinger, Robert. “Classical Recordings: Cowell - “Exultation”; “Aeolian Harp”; “The Lilt of the Reel”; “Tiger”; “Dynamic Motion”; “What’s This”; “Amiable Conversation”; “Advertisement”; “Antinomy”; “Time Table”; “The Banshee”; Ives - “The Alcotts”; 3 Improvisations; Study No. 22; “The Celestial Railroad”; Harrison - Piano Sonata No. 3; Prelude for Grandpiano; “Homage to Milhaud”; “New York Waltzes”; Large Ostinato; “May Rain”; Saraband. Fanfare: The Magazine for Serious Record Collectors, Vol. 24, No. 2 (2000): 255-256.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kislinger, Peter

Year: 2005
Complete Citation:
Kislinger, Peter. “Echo: “I hear America singing”: Projekt Thomas Hampson.” Österreichische Musikzeitschrift, Vol. 60, No. 4 (2005): 46-47.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Klein, Howard

Year: 1966
Complete Citation:
Klein, Howard. “Symphony no. 4 by Ives Recording is Extraordinary.” The Atlanta Constitution, January 1, 1966, 2G.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kolodin, Irving

Year: 1934
Complete Citation:
Kolodin, Irving. “American Composers and the Phonograph.” Modern Music 1 (March--April 1934) 1/3: 128--133.
Source: Journal
II. Reference Materials
F. Selected Archival Materials
Year: 1965
Complete Citation:
Kolodin, Irving. “Music to My Ears.” The Saturday Review 48, no. 20 (May 15, 1965): 32.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Konold, Wulf

Year: 1972
Complete Citation:
Konold, Wulf. “Charles Ives—eine Nachlese.” Musica 26/4 (July-August 1972): 410-411.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1972
Complete Citation:
Konold, Wulf. “Schallplatten: Werke von Charles Ives.” Musica 26/3 (May-June 1972): 296-301.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Koob, Lindsay

Year: 2004
Complete Citation:
Koob, Lindsay. “Guide to Records: Ives - “The Celestial Country; Silence Unaccompanied.” American Record Guide, Vol. 67, No. 2 (2004): 139-140.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kostelanetz, Richard

Year: 2008
Source: Online Article
II. Reference Materials
F. Selected Archival Materials

Kozinn, Allan

Year: 1999
Complete Citation:
Kozinn, Allan. “American Music’s Coming of Age.” New York Times, October 10, 1999, sec. 2, 29.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kreigsman, Alan M.

Year: 1968
Complete Citation:
Kreigsman, Alan M. “Record Player: A.U.’s Mandel Adds to Ivesiana.” The Washington Post and Times Herald, April 14, 1968, E8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kruger, Steven

Year: 2015
Complete Citation:
Kruger, Steven. Review of IVES: Symphonies Nos. 1 and 2. Fanfare: The Magazine for Serious Record Collectors, Vol. 38, No. 6 (2015): 255-256.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

LaFave, Kenneth

Year: 2002
Complete Citation:
LaFave, Kenneth. “Ives CD Bellows Pride in being an American.” The Arizona Republic, February 2, 2002.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews