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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
(-) XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Winternitz, Emanuel

Year: 1955
Complete Citation:
Winternitz, Emanuel. “Ives, Charles E.” In Musical autographs from Monteverdi to Hindemith. Volume I-II. Princeton, NJ: Princeton University Press, 1955.
Source: Book
II. Reference Materials
F. Selected Archival Materials

Yates, Peter

Year: 1967
Complete Citation:
Yates, Peter. Interview by Adelaide Tussler. Untitled series of interviews. Oral History Department Project in Community History, Univer-sity of California at Los Angeles. Los Angeles, California, January 30, 1967.
Notes:

Discusses “Concerts on the Roof” series and Ives programs in the series.

Source: Unpublished Interview
II. Reference Materials
F. Selected Archival Materials

Yates, Peter and Adelaide G. Tusler

Year: 1972
Complete Citation:
Yates, Peter and Adelaide G. Tusler. Oral History Transcript. “Evenings on the roof, 1939-1954,” 1972, Los Angeles: Oral History Program, University of California, Los Angeles, Los Angeles, California.
Source: Oral History Transcript
II. Reference Materials
F. Selected Archival Materials

no author listed

Complete Citation:
“Music: Central Park in the Dark; Hallowe’en; The Unanswered Ques-tion’, Scherzo: Over the Pavements’, “In the Inn”; “In the Night.” Comment: George Balanchine. “Ivesiana, G. Balanchine.”” Center: A Magazine for the Performing Arts 1/5 (August--Septem-ber 1954).



Prf: 1954 September 14: New York; New York Center of Music and Drama; Leon Barzin and Hugo Fiorato, conductors.
Source: Magazine
Reprints:

Reprint: George Balanchine and Francis Mason. Balanchine's Com- plete Stories of the Great Ballets. Garden City, NY: Double- day, 1977: 341--343.

XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Complete Citation:
Other prf: Netherlands Ballet Orkest; Combustion Chamber in the Netherlands; Relach Ensemble in Philadelphia; Noamnesia in Chicago.
Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Complete Citation:
Review: Robert. Cue (1914). The piece is "marked by turbulence...and commands respect."
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Complete Citation:
Mandel, Howard.
“Review: Mark Tucker. “Behind the Beat.”” Institute for Studies in American Music Newsletter (Fall 1995) 25/1: 13.
Source: Newsletter
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1965
Complete Citation:
“San Francisco Ballet Sets Dances to Hindemith, Ives.” The Atlanta Journal and the Atlanta Constitution, March 14, 1965, 11D.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1968
Complete Citation:
“Hartford Ballet Co. to Dance New Works.” The Hartford Courant, March 24, 1968, 23E.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1974
Complete Citation:
“Ives Score Found.” The Washington Post, January 5, 1974, D4.
Source: Newspaper
II. Reference Materials
F. Selected Archival Materials
Year: 1974
Complete Citation:
“Missing Musical Score of Composer Ives found.” The Hartford Courant, January 4, 1974, 2.
Source: Newspaper
II. Reference Materials
F. Selected Archival Materials
Year: 1974
Complete Citation:
“Missing 1st Movement by Ives Discovered.” Los Angeles Times, January 10, 1974, D16.
Source: Newspaper
II. Reference Materials
F. Selected Archival Materials
Year: 1976
Complete Citation:
Steinberg, Michael. “Arts & Films: Foster and Ives Blended at Dartmouth Review/Music.” Boston Globe, 1976, 29.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1977
Complete Citation:
“Concert Programs of the Festival-Conference.” In An Ives Celebration: Papers and Panels of the Charles Ives, edited by H. Wiley Hitchcock and Vivian Perlis. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials
Year: 1979
Complete Citation:
October 23, 1979. (Hallowe’en): New York. Telecast over WNET as Peter Martins, Principal Dancer.
1980 February 20: WNET's Dance America Series. See also Jennifer Dunning. "Venturing Out to the Limits of Part-nering." New York Times (1998 June 13) B: 7.
Source: Telecast
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1988
Complete Citation:
“Stages of Life, from Ives and the City Ballet: Nassau and Suffolk Edition.” Newsday, February 6, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
“New York: Dance Notation Bureau, Incorporated.” Dance Not-ation Journal 3/1 (December 1988).
Notes:

Labanotated

Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1989
Complete Citation:
Fata morgana (1989); for Jerome Robbins Archives. Music: The Pond; The Rainbow,Tone Roads No. 1; Tone Roads No. 3; Like a Sick Eagle; and "From Hanover Square" from Orchestral Set No. 2.

Prf: 1989 May 19-14: New York; Joyce Theater.
Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 2013
Complete Citation:
“‘Charles Ives’ Showcases Strife, Music, Basketball.” The Pittsburgh Tribune-Review, November 14, 2013.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2013
Complete Citation:
“Father Takes the Stage; Daughter, the Court.” The New York Times, June 13, 2013.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other