Nelson, Mark Douglas
Year: 1984
Complete Citation:
Nelson, Mark D. “Beyond Mimesis: Transcendentalism and Processes of Analogy in Charles Ives’ ‘The Fourth of July.’” Perspectives of New Music 22, Nos. 1-2 (1984): 353.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Nushi, Dafina Zeqiri
Year: 2011
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
Oliver, Michael, Vivian Perlis, Wilfrid Mellers, and David Nicholls
Year: 1996
Complete Citation:
Oliver, Michael, Vivian Perlis, Wilfrid Mellers, and David Nicholls. “Panel Discussion: Charles Ives: The Unanswered Question.” The Unanswered Question [Festival]. Barbican Centre; Leadenhall Market; St. Giles Church, Cripplegate; London, United Kingdom, January 19 to 21, 1996.Source: Panel Discussion
IV. Individual Studies by Genre
A. Orchestral and Band Works
Olson, Kenneth E.
Year: 1981
Complete Citation:
Olson, Kenneth E. Music and Muskets: Bands and Bandsmen of the American Civil War, 83. Contributions to the Study of Music and Dance, 1. Westport, CT: Greenwood Press, 1981.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Owens, Tom (editor)
Year: 1996
Complete Citation:
Owens, Tom, ed. “Selected Correspondence 1881-1954.” In Charles Ives and His World, 199-270. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials
Patterson, Frank
Year: 1927
Complete Citation:
Patterson, Frank. “The Circus.” Musical Courier. February 10, 1927, 28.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Perlis, Vivian
Year: 1972
Complete Citation:
Perlis, Vivian. “Ives and Oral History.” Notes 28 (1972): 629-642.Source: Journal
II. Reference Materials
F. Selected Archival Materials
Year: 1991
Complete Citation:
Perlis, Vivian. “Charles Ives and Oral History.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
II. Reference Materials
F. Selected Archival Materials
Perlis, Vivian and Libby Van Cleve
Year: 2005
Complete Citation:
Perlis, Vivian and Libby Van Cleve. “Charles Ives: 1874-1954.” In Composer's voices from Ives to Ellington: an oral history of American music, 8-21. New Haven, CT: Yale University Press, 2005.Source: Book
II. Reference Materials
F. Selected Archival Materials
Year: 2005
Complete Citation:
Perlis, Vivian and Libby Van Cleve. Voices of America’s Musical Cen-tury. New Haven, CT: Yale University Press, 2005.Notes: Volume 1 has an accompany ing compact disc from the Yale Oral History Archives with Ives -related interviews.
Source: Book
II. Reference Materials
F. Selected Archival Materials
Perlis, Vivian, and Libby Van Cleve
Year: 2005
Complete Citation:
Perlis, Vivian, and Libby Van Cleve. Composers' Voices from Ives to Ellington: An Oral History of American Music. New Haven, CT: Yale University Press, 2005.Source: Book
VI. Topical Studies
F. Selected Archival Materials
Pergament, Moses
Year: 1933
Complete Citation:
Pergament, Moses. “Fourth of July.” Svenska Dogbladet [Stockholm], November 1933, 35.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Phelps, Thomas
Year: 1997
Complete Citation:
Phelps, Thomas. “‘As I Look Back on These Times’—über Charles Ives und seine Musik in drei Satze.” In Musik/Revolution: Festschrift für Georg Knepler zum 90. Geburststag, edited by Hanns--Werner Heister, 209-240. Volume 2. Hamburg, Germany: Von Bockel Verlag, 1997.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Phelps, William Lyon
Year: 1922
Complete Citation:
William Lyon Phelps, “The Glorious Year Nineteen-Twenty.” Yale Alumni Weekly (December 17, 1922): 308.Source: Magazine
II. Reference Materials
F. Selected Archival Materials
Porter, David
Year: 1998
Complete Citation:
Porter, David. “Reconstructing the Emerson Concerto.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
Reprints: “Reconstructing the Emerson Concerto.” College Music Symposium (1999) 39: 27--42.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Porter, David G.
Year: 1998
Complete Citation:
Porter, David G. “On the Reconstruction of Charles Ives’s ‘Emerson’ Piano Concerto.” Unpublished commentary, 1998.Source: Unpublished commentary.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Porter, David Gray
Year: 1980
Complete Citation:
Porter, David Gray. “The Third Orchestral Set of Charles Edward Ives.” M.A. thesis, California State University, Fullerton, 1980.Source: M.A. Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1996
Complete Citation:
Porter, David Gray. Typescript of article. “Six articles on the works of American composer Charles Edward Ives,” 1996, University of California, Los Angeles Library, Los Angeles, California.Source: Archival Material
II. Reference Materials
F. Selected Archival Materials
Pozzi, Raffaele
Year: 1985
Complete Citation:
Pozzi, Raffaele. “Polemica antiurbana ed isolamento ideologico in ‘Central Park in the Dark’ di Charles Ives.” Nuova Rivista Musicale Italiana 19 (1985): 471-481.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Rathert, Wolfgang
Year: 1982-1983
Complete Citation:
Rathert, Wolfgang. “Charles Ives: Symphonie Nr. 4, 1911-1916.” Neuland 3 (1982-83): 226-241.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works