Henck, Herbert
Year: 1992
Complete Citation:
Henck, Herbert. “Klavierwerke von Charles Ives: Werkkommentare.” In Experimentelle Pianistik: Improvisation, Interpreta-tion, Komposition: Schriften zur Klaviermusik (1982 bis 1992), 167-183. Mainz, Germany: Schott, 1992.Notes: Contents: Einfuhrung (167-168), Biographisches (168-169), Piano Sonata No. 1 (170-172), Piano Sonata No. 2: "Concord, Mass., 1840- 1860" (172-177), Ausgewählte Klavierstucke (177-183).
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Henck, Herbert. “‘Do whatever seems natural or best to you’: Noten- text und Interpretation von Charles Ives’ Concord Sonata.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 116-122. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Hertz, David Michael
Year: 1996
Complete Citation:
Hertz, David Michael. “European Influences: Ives and the Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 43-46. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1997
Complete Citation:
Hertz, David Michael. “Ives's Concord Sonata and the Texture of Music.” In Charles Ives and His World, edited by J. Peter Burkholder, 75-117. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Hinson, Maurice
Year: 1974-1975
Complete Citation:
Hinson, Maurice. “The Solo Piano Music of Charles Ives.” Piano Quarterly 88 (Winter 1974-1975): 32-35.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1983
Complete Citation:
Hinson, Maurice. Music for More Than One Piano: An Annotated Guide, 96-91. Bloomington, IN: Indiana University Press, 1983.Notes: Discusses Three Quarter-Tone Pieces for two pianos and Calcium Light Night.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Hinson, Maurice and Wesley Roberts
Year: 2014
Complete Citation:
Hinson, Maurice and Wesley Roberts. “I.” In Guide to the Pianist's Repertoire, Fourth Edition, 4th ed., 528-537. Bloomington, IN: Indiana University Press, 2014.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Hunnicutt, Ellen
Year: 1987
Complete Citation:
Hunnicutt, Ellen. “The Practical Uses of Emerson: Charles Ives.” Soundings: An Interdisciplinary Journal, vol. 70, no. 1/2 (1987): 189-198.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Ives, Charles
Year: 2004
Complete Citation:
Ives, Charles. “Charles Ives.” In Modernism and Music: An Anthology of Sources, edited by Daniel Albright, 155-162. New York, NY: Schirmer Books, 2004.Notes: Reprints excerpts from Ives’s writings: Essays Before a Sonata, Postface to 114 Songs, and Music and Its Future.
Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials
Ives, Charles; J. Bernlef, trans.
Year: 1969
Complete Citation:
Ives, Charles. “Epilogue from Essays Before a Sonata [Epiloog from Essays voorafgaand ann een sonate].” Translated to Dutch by J. Bernlef. In Charles Ives, 52-92. Amsterdam, Netherlands: De Bezige Bij, 1969.IV. Individual Studies by Genre
C. Keyboard Works
Johnson, H. Earle
Year: 1950
Complete Citation:
Johnson, H. Earle Johnson. Symphony Hall, Boston, 352. Boston, MA: Little Brown, 1950.Source: Concert program
II. Reference Materials
F. Selected Archival Materials
Kahn, Eve M.
Year: 2014
Complete Citation:
Kahn, Eve M. “Charles Ives’s Workroom, Pencil Shavings Preserved: Movies, Performing Arts/Weekend Desk.” The New York Times, February 28, 2014.Source: Newspaper
II. Reference Materials
F. Selected Archival Materials
Kalish, Gilbert
Year: 1977
Complete Citation:
Kalish, Gilbert. Liner notes for “Charles Ives Piano Sonata No. 2.” Nonesuch Records H-71337, 1977, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works
Kirby, Frank E.
Year: 1966
Complete Citation:
Kirby, Frank E. A Short History of Keyboard Music, 445-447, 454, 459. New York, NY: Free Press, 1966.Source: Book
Reprints: Kirby, Frank E. <i>A Short History of Keyboard Music</i>. Second Edition. <i>Music for Piano: A Short History</i>. Portland, OR: Amadeus Press, 1995.
IV. Individual Studies by Genre
C. Keyboard Works
Kirkpatrick, John
Year: ???
Complete Citation:
Kirkpatrick, John. “Chronology of the life and work of Charles Ives, 1874-1954.” Unpublished manuscript, microfilm. Irving S. Gilmore Music Library, Yale University Library, New Haven, Connecticut.Source: Manuscript Collection
II. Reference Materials
F. Selected Archival Materials
Complete Citation:
Typescript for talk given July 4. John Kirkpatrick Papers. Mss. 56, folder 568, box 61. Irving S. Gilmore Music Library, Yale University. New Haven, ConnecticutSource: Talk transcript
II. Reference Materials
F. Selected Archival Materials
Complete Citation:
Kirkpatrick, John. Ives’s Transcendental Achievement. John Kirkpatrick Papers. Mss. 56, Folder 568, Box 61. Irving S. Gilmore Music Library, Yale University. Unpublished typescript, July 4, 1958.Notes: Typescript for talk given at Tanglewood on July 4, 1958.
Source: Manuscript
II. Reference Materials
F. Selected Archival Materials
Year: 1936
Complete Citation:
Kirkpatrick, John. “Program Notes-Recital, Town Hail, New York.” January 8, 1936: 35-36.Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
Year: 1939
Complete Citation:
Kirkpatrick, John. Program Notes. Recital, Town Hall, New York.” January 20, 1939, 85-101.Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
Year: 1956
Complete Citation:
Kirkpatrick, John. Tentative Outline for 5 March 1956 of Hymns Used in Ives’s Third Symphony, the Camp Meeting (1901-1911). Cornell University Archives, Ithaca, NY. Unpublished typescript, March 5, 1956.Source: Archive
II. Reference Materials
F. Selected Archival Materials
