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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Carr, Cassandra Irene

Year: 1989
Complete Citation:
Carr, Cassandra I. “Charles Ives's Humor as Reflected in His Songs.” Amer-ican Music 7/2 (Summer 1989): 123-139.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Carter, Chandler

Year: 2001
Complete Citation:
Carter, Chandler. “‘Coke Cans and Chain Mail’: Contemplating Diver-sity and Unity in Charles Ives’s Tom Sails Away.” Paper presented at Annual Meeting of the Music Theory Society of New York State. New York University, New York, New York, April 8, 2001.
Source: Conference Paper
IV. Individual Studies by Genre
E. Songs

Childs, Andrew S.

Year: 2004
Complete Citation:
Childs, Andrew S. “The Children’s Hour: The Thematic Voice of Childhood in the Songs of Charles Ives.” D.M.A. diss., Univer-sity of Washington, 2004.
Source: D.M.A. Dissertation
IV. Individual Studies by Genre
E. Songs

Christy, Van A.

Year: 1979
Complete Citation:
Christy, Van A. Foundations in Singing, 56-60. 4th ed. Dubuque, IA: Wm. C. Brown Company, 1979.
Notes:

Includes examples from At Sea, At the River, Evening, The Indians, and Remembrance.

Source: Book
IV. Individual Studies by Genre
E. Songs

Cogan, Robert

Year: 1999
Complete Citation:
Cogan, Robert. The Sounds of Song: A Picture Book of Music for Voice. Cambridge, United Kingdom: Publication Contact International, 1999.
Source: Book
Reprints:

Cogan, Robert. “The Sounds of Song: A Picture Book of Music for Voice.” <i>Sonus</i> 22/1 (Spring 2002): 1-10.

IV. Individual Studies by Genre
E. Songs
Year: 2002
Complete Citation:
Cogan, Robert. “Ives’ Farewell.” Sonus: A Journal of Investigations into Global Musical Possibilities, Vol. 22, No. 2 (2002): 1-10.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Coleman, Judy Bounds

Year: 1960
Complete Citation:
Coleman, Judy Bounds. “Charles Ives: The Man and His Songs.” Mid-west Quarterly (July 1960) 1/4: 295-320.
Notes:

Includes a reprint of “The Things Our Fathers Loved,” No. 43 of 114 Songs, p. 312-313.

Source: Journal
IV. Individual Studies by Genre
E. Songs

Cook, Christopher

Year: 2004
Complete Citation:
Cook, Christopher. “‘I Was Always Taught to Dream Big’: Susan Graham.” BBC Music Magazine, Vol. 12, No. 11 (2004): 24-27.
Source: Magazine
IV. Individual Studies by Genre
E. Songs

Copland, Aaron

Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music, 11/2 (January 1934): 59-64.
Source: Journal
Reprints:

Copland, Aaron. “One Hundred and Fourteen Songs.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 307-312. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
E. Songs
Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music (January--February 1934) 11/2: 59--64.
Notes:

Discussion of selected songs.

Source: Journal
IV. Individual Studies by Genre
E. Songs

Cowell, Henry and Nicolas Slonimsky

Year: 1931
Complete Citation:
Cowell, Henry and Nicolas Slonimsky. Program Notes. Pan American Concert, Paris, June 6, 1931.
Source: Program Notes
II. Reference Materials
F. Selected Archival Materials

Downes, Olin

Year: 1940
Complete Citation:
Downes, Olin. “American Music Sung by Thomas.” The New York Times. March 25, 1940, 10.
Source: Newspaper
IV. Individual Studies by Genre
E. Songs

Duke, John

Year: 1950
Complete Citation:
Duke, John. “American Song: 1900-1950.” Proceedings of the Music Teachers National Association 44 (1950): 31-34.
IV. Individual Studies by Genre
E. Songs

Elson, J.

Year: 1978
Complete Citation:
Elson, J. “The Songs of Charles Ives (1874-1954).” The NATS Bulletin 35.1 (1978): 9-11.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Espina, Noni

Year: 1986
Complete Citation:
Espina, Noni. Vocal Solos for Christian Churches, 87-89. Metchuen, NJ: Scarecrow Press, 1986.
Notes:

With annotations for A Christmas Carol, Abide with Me, Forward into Light, His Exaltation, Hymn, Naught that Country Needeth, Religion,The Camp Meeting, The Collection, The Waiting Soul, and Watchman!

Source: Score
IV. Individual Studies by Genre
E. Songs

Euteneuer-Rohrer, Ursula Henrietta

Year: 1980
Complete Citation:
Euteneuer-Rohrer, Ursula Henrietta. “Charles E. Ives’ ‘The Cage’: Eine Werkbetrachtung.” Neuland 1 (1980): 47-52.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Fairfield, Patrick

Year: 2006
Complete Citation:
Fairfield, Patrick. “‘Representations of Femininity in the Songs of Charles Ives.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.
Source: Conference paper
IV. Individual Studies by Genre
E. Songs

Fogel, Henry

Year: 2018
Complete Citation:
Fogel, Henry. “Brad Robinson Discusses the Songs of Charles Ives.” Fanfare 42 (2018): 90-92.
Source: Magazine
IV. Individual Studies by Genre
E. Songs

Forte, Allen

Year: 1998
Complete Citation:
Forte, Allen. “The Musical Language of Two Ives Songs.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Conference paper
IV. Individual Studies by Genre
E. Songs

Freed, R.

Year: 1976
Complete Citation:
Freed, R. “Songs of Charles Ives: A Listening Experience One is as Eager to Share as to Report.” Stereo Review 37 (September 1976): 86.
Source: Magazine
IV. Individual Studies by Genre
E. Songs