Image
Complete Citation:
Marcotte, Gilles. “L’amateur de musique: Des musiques qui parlent.” Lib-erie 39/231 (June 1997): 180-186.
Bibliography
Genres
Marcotte, Gilles
Year: 1997
Source: Journal
V. General Music Studies
C. Other
C. Other
Martin, Michael Rheta
Year: 1965
Complete Citation:
Martin, Michael Rheta. The Arts: A Guide to Painting, Sculpture, Archi-tecture, Music and Theater. Indianapolis, IN: Bobbs--Merrill, 1965.Notes:
A para-graph with a sketch by Leo R. Summers (after a photograph by Frank Gerratana).
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Mitchell, Charles P.
Year: 2004
Complete Citation:
Mitchell, Charles P. The great composers portrayed on film, 1913 through 2002. Jefferson, NC: McFarland, 2004.Source: Book
II. Reference Materials
F. Selected Archival Materials
F. Selected Archival Materials
Nielsen, Gert Skipper and Jytte Stjerne Pedersen
Year: 1987
Complete Citation:
Nielsen, Gert Skipper and Jytte Stjerne Pedersen. Charles Ives: tanker og musik. Unlisted publisher, 1987.Source: Book
V. General Music Studies
C. Other
C. Other
Northcott, Bayan
Year: 1973
Complete Citation:
Northcott, Bayan. “Sorting the Potatoes.” Music & Musicians 21/28 (April 1973): 48-49.Source: Journal
V. General Music Studies
C. Other
C. Other
Owens, Tom (editor)
Year: 1996
Complete Citation:
Owens, Tom, ed. “Selected Correspondence 1881-1954.” In Charles Ives and His World, 199-270. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials
F. Selected Archival Materials
Perlis, Vivian
Year: 1972
Complete Citation:
Perlis, Vivian. “Ives and Oral History.” Notes 28 (1972): 629-642.Source: Journal
II. Reference Materials
F. Selected Archival Materials
F. Selected Archival Materials
Year: 1991
Complete Citation:
Perlis, Vivian. “Charles Ives and Oral History.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991. Source: Conference paper
II. Reference Materials
F. Selected Archival Materials
F. Selected Archival Materials
Perlis, Vivian and Libby Van Cleve
Year: 2005
Complete Citation:
Perlis, Vivian and Libby Van Cleve. Voices of America’s Musical Cen-tury. New Haven, CT: Yale University Press, 2005.Notes:
Volume 1 has an accompany ing compact disc from the Yale Oral History Archives with Ives -related interviews.
Source: Book
II. Reference Materials
F. Selected Archival Materials
F. Selected Archival Materials
Year: 2005
Complete Citation:
Perlis, Vivian and Libby Van Cleve. “Charles Ives: 1874-1954.” In Composer's voices from Ives to Ellington: an oral history of American music, 8-21. New Haven, CT: Yale University Press, 2005.Source: Book
II. Reference Materials
F. Selected Archival Materials
F. Selected Archival Materials
Perlis, Vivian, and Libby Van Cleve
Year: 2005
Complete Citation:
Perlis, Vivian, and Libby Van Cleve. Composers' Voices from Ives to Ellington: An Oral History of American Music. New Haven, CT: Yale University Press, 2005.Source: Book
VI. Topical Studies
F. Selected Archival Materials
F. Selected Archival Materials
Phelps, William Lyon
Year: 1922
Complete Citation:
William Lyon Phelps, “The Glorious Year Nineteen-Twenty.” Yale Alumni Weekly (December 17, 1922): 308.Source: Magazine
II. Reference Materials
F. Selected Archival Materials
F. Selected Archival Materials
Pollikoff, Max
Year: 1963
Complete Citation:
Pollikoff, Max. “Music in Our Time.” Music Journal 21/5 (May 1963): 27, 34.Notes:
Includes a photocopy of an article, “Composer Ives Misses Debut,” from Fairfield (CT) <i>Sunday Herald</i> (October 1, 1950).
Source: Journal
V. General Music Studies
C. Other
C. Other
Porter, David Gray
Year: 1996
Complete Citation:
Porter, David Gray. Typescript of article. “Six articles on the works of American composer Charles Edward Ives,” 1996, University of California, Los Angeles Library, Los Angeles, California.Source: Archival Material
II. Reference Materials
F. Selected Archival Materials
F. Selected Archival Materials
Ransom, John Crowe and Glenn Horowitz
Year: 1955
Complete Citation:
Ransom, John Crowe and Glenn Horowitz. “The Music of Charles Ives (a communication).” The Kenyon Review Vol. 17, No. 3 (Summer, 1955).Source: Journal
V. General Music Studies
C. Other
C. Other
Reis, Claire Raphel
Year: 1955
Complete Citation:
Reis, Claire Raphel Reis. Composers, Conductors, and Critics. New York, NY: Oxford University Press, 1955.Source: Journal
V. General Music Studies
C. Other
C. Other
Reny, Bob
Year: 2015
Complete Citation:
Reny, Bob. “Between the Ears: DoAM Ensemble - “Mists: Charles Ives For Jazz Orchestra.”” IAJRC Journal, Vol. 48, No. 2 (2015): 70-71.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Reti, Rudolph
Year: 1962
Complete Citation:
Reti, Rudolph. Tonality in Modern Music. New York, NY: Collier Books, 1962.Source: Book
V. General Music Studies
C. Other
C. Other
Riedel, Johannes
Year: 1975-76
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Common Man.” Student Musicologists at Minnesota 6 (1975-76): 225-236.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Riedel, Johannes, complier
Year: 1970
Complete Citation:
Johannes Riedel, compiler. The Ives Liturgy: A Mass of the Common Man (1970); service for reader, flute, brass group, instrumental group, and recordings. Compiled, and/or "created," from the writings and com-positions of Ives and American hymns.Notes:
Included (in order, an asterisk signifies recorded example) excerpts from: *Variations on "America"; *Sonata No. 2, Concord, Mass., 1840--1860, for piano; “Watchman,TellUs of the Night;"*Hymn Variation—Symphony No. 4: 1; Immortality (as an introit); *The Unanswered Question; *Robert Browning Overture; *Symphony No. 4, 1; "Watch- man, Tell Us of the Night;" At the River, "Shall We Gather At the River"; *Central Park in the Dart, "From Greenland's Icy Mountains;" *Quartet No. 1: I; Musical Creed (a memo by Ives); "O, For a Thousand Tongues to Sing"; "What a Friend We Have in Jesus"; *Symphony No. 3: 1; *From the Steeples and the Mountains', Adeste Fidelis in an Organ Prelude. <br><br>Prf: 1970 May 17: Minneapolis; Episcopal Center, University of Minnesota; Sheila Wolk, soprano; Phillip Sandahl, guitar; Lyle Hagert, organ.
Source: Performance
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other