Andriessen, Louis
Year: 1977
Complete Citation:
Andriessen, Louis, “Anachrony and Charles Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 227. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Ballantine, Christopher
Year: 1979
Complete Citation:
Ballantine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” Musical Quarterly 65, Vol. 2 (April 1979): 167.VI. Topical Studies
B. Musical Quotation or Borrowing
Ballentine, Christopher
Year: 1979
Complete Citation:
Ballentine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” The Musical Quarterly 65 (1979): 167-184.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Baron, Carol K.
Year: 1992
Complete Citation:
Baron, Carol K. “George Ives’s Essay in Music Theory: An Introduction and Annotated Edition.” American Music 10/3 (Fall 1992): 239-288.Source: Journal
II. Reference Materials
F. Selected Archival Materials
Year: 2000
Complete Citation:
Baron, Carol K. “New Ives Sources.” Institute for Studies in American Music Newsletter 29/2 (Spring 2000).Source: Journal
II. Reference Materials
F. Selected Archival Materials
Bellamann, Henry
Year: 1927
Complete Citation:
Bellamann, Henry. 1927. “Program Notes.” Pro Musica Concert, January 29. Charles Ives Pa-pers, Mss.14, folder 2, Box 50. Irving S. Gilmore Music Library, Yale University. New Haven.Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
Bemlef, J.
Year: 1974
Complete Citation:
Bemlef, J. “On Charles Ives and Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 232-238. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Berger, Arthur
Year: 1933
Complete Citation:
Berger, Arthur. “Charles Ives,” June 4, 1933. Typescript for Pan American Concert. Charles Ives Papers. Mss. 14, folder 2, box 56. Irving S. Gilmore Music Library, Yale University. New Haven.Source: Journal
II. Reference Materials
F. Selected Archival Materials
Berlin, Edward
Year: 2002
Complete Citation:
Edward Berlin. “Maple Leaf Rag and Its Origins.” Paper read at a Sym-posium during the Scott Joplin Ragtime Festival (June 7: Sedalia, MO; First United Methodist Church).Notes: Includes references to Ives’s ragtime pieces.
Source: Festival
VI. Topical Studies
B. Musical Quotation or Borrowing
Berlin, Edward A.
Year: 1980
Complete Citation:
Berlin, Edward A.. Ragtime: A Musical and Cultural History. Berkeley, CA: University of California Press, 1980.Notes: References are taken primarily from the Memos (23) and Essays Before a Sonata (49).
Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Bernstein, Leonard
Year: 1958
Complete Citation:
Bernstein, Leonard. “Thursday Evening Preview Scripts: Opening of the New York Philharmonic Season of 1958-1959,” October 2, 1958. Leonard Bernstein Collection, folder 13, box 75. Music Division, Library of Congress, Washington D.C.Source: Preview Script
II. Reference Materials
F. Selected Archival Materials
Year: 1967
Complete Citation:
Bernstein, Leonard. “Young People’s Concerts Scripts: Charles Ives: American Pioneer,” 1967. February 23. Leonard Bernstein Collection, folder 04, box 111. Music Division, Library of Congress, Washington D.C.Source: Program Script
II. Reference Materials
F. Selected Archival Materials
Brandt, Maarten
Year: 2002
Complete Citation:
Brandt, Maarten. “Klinkende Alchemie.” Mens en Melodie, Vol. 57, No. 5 (2002): 170-172.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Brooks, William and Burkholder, J. Peter
Year: 1982
Complete Citation:
Brooks, William, and Burkholder, J. Peter. Typescript. “Books in Bigelow Ives’ Library and Identified by Him as Belonging to Charles Ives or His family.” Spring 1982, revised March 1984.Source: Unpublished, 1982
II. Reference Materials
F. Selected Archival Materials
Brown, Marshall
Year: 1992
Complete Citation:
Brown, Marshall. “Origins of Modernism: Musical Structures and Narrative Forms.” In Music and Text: Critical Inquiries, edited by Steven Paul Scher, 75--92. Cambridge, UK: Cambridge University Press, 1992.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Burkholder, J. Peter
Year: 1985
Complete Citation:
Burkholder, J. Peter. “‘Quotation’ and Emulation: Charles Ives’s Uses of His Models.” The Musical Quarterly Vol. 71, No. 1 (January 1985): 1-26.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives the Avantgardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “CharIes Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988,” edited by Klaus W. Niemöller, 164, 37-52. Regensburg, Germany: Kölner Beiträge zur Musikforschung, 1990.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1994
Complete Citation:
Burkholder, J. Peter. “The Uses of Existing Music: Musical Borrowing as a Field.” Notes 50 (March 1994): 852--859.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1995
Complete Citation:
Burkholder, J. Peter. All Made of Tunes. New Haven, CT: Yale University Press, 1995.Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Burkholder, Peter
Year: 1985
Complete Citation:
Burkholder, Peter. “Quotation and Emulation: Charles Ives's Use of His Models.” Musical Quarterly 71, no. 1 (1985): 1--26.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
