Kirkpatrick, John
Year: 1961
Complete Citation:
Kirkpatrick, John. 1961. “Ives, Transcendentalist in Music.” Typescript for talk given October 26. John Kirkpatrick Papers. Mss. 56, folder 568, box 61. Irving S.Gilmore Music Library. Yale University. New Haven, Connecticut.Source: Talk transcript
II. Reference Materials
F. Selected Archival Materials
Year: 1963
Complete Citation:
Kirkpatrick, John. Typescript. “Charles E. Ives, 1874-1954: Trio for violin, cello and piano (1904-1911 in Ives's list). Comparison of sources compiled in 1962-1963, using the measure-numbering of the Peer edition,” 1963, Cornell University Library, Ithaca, New York.Source: Book
II. Reference Materials
F. Selected Archival Materials
Year: Year unlisted
Complete Citation:
Kirkpatrick, John. “Players Apology.” Preface to the unpublished edition of Charles Ives’ Concord Sonata. Unpublished manuscript.Source: Unpublished preface
II. Reference Materials
F. Selected Archival Materials
Kirkpatrick, John, comp./ed.
Year: 1964
Complete Citation:
“Additional Ives Letters, Mostly 1907--1908,” compiled and edited by John Kirkpatrick (July 1964). Charles Ives Papers. Irving S. Gilmore Library, Yale University, New Haven, CT. Microfilm copy.Source: Archival Material
II. Reference Materials
F. Selected Archival Materials
Kolodin, Irving
Year: 1934
Complete Citation:
Kolodin, Irving. “American Composers and the Phonograph.” Modern Music 1 (March--April 1934) 1/3: 128--133.Source: Journal
II. Reference Materials
F. Selected Archival Materials
Kostelanetz, Richard
Year: 2008
Source: Online Article
II. Reference Materials
F. Selected Archival Materials
Laning, Cathy, and Katie Tkach
Year: 1979
Complete Citation:
Laning, Cathy, and Katie Tkach. “Charles Ives: Musical Visionary.” In Redding Remembered. Redding, CT: Redding Oral History Project, 1979.Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials
MacLeod, Lynne L.
Year: 1993
Complete Citation:
MacLeod, Lynne L. “Ragtime and Classical Keyboard.” Mississippi Rag 20 (October 1993): 10-11.Notes: Discusses works by Ives, Debussy, Gruen- berg, Hindemith, Satie, Sousa, and Stravinsky.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Malone, Andrew Lindemann
Year: 2005
Complete Citation:
Malone, Andrew Lindemann. “Opening Chorus: Hearsay - Jamie Baum.” JazzTimes: America’s Jazz Magazine, Vol. 35, No. 1 (2005): 37.Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing
Marshall, Dennis
Complete Citation:
Boatwright, Howard. “Charles Ives' Quotations: Manner or Substance?.” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone, 13-24. New York, NY: W.W. Norton, 1971.VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1971
Complete Citation:
Marshall, Dennis. “Charles Ives’ Quotations: Manner or Substance?” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone. New York, NY: W.W. Norton, 1971.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Metzer, David Joel
Year: 2007
Complete Citation:
Metzer, David Joel. Quotation and cultural meaning in twentieth-century music. Cambridge, United Kingdom: Cambridge University Press, 2007.Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Mitchell, Charles P.
Year: 2004
Complete Citation:
Mitchell, Charles P. The great composers portrayed on film, 1913 through 2002. Jefferson, NC: McFarland, 2004.Source: Book
II. Reference Materials
F. Selected Archival Materials
Morgan, Robert P.
Year: 1976
Complete Citation:
Morgan, Robert P. “American Music and the Hand-Me-Down Habit.” High Fidel-ity, June 1976, 70-72.Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing
Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, and John Kirkpatrick
Year: 1977
Complete Citation:
“On performing the Violin Sonatas (Diskussion with Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, John Kirkpatrick).” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 127-140. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Newman, Ron
Year: 1985
Complete Citation:
Newman, Ron. “Ragtime Influences in the Music of Charles Ives.” Jazz Research Papers 5 (1985): 145-156.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Ostendorf, Berndt
Year: 1998
Complete Citation:
Ostendorf, Berndt. “Das amerikanische Folksong Revival: Ein Rückblick.” Jahrbuch für Volksliedforschung 43 (1998): 93-99.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Owens, Tom C.
Year: 2009
Complete Citation:
Owens, Tom C. “Charles Ives and His Tunes.” American Music Review, vol. XXXVIII, no. 2 (2009): 12.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Owens, Tom (editor)
Year: 1996
Complete Citation:
Owens, Tom, ed. “Selected Correspondence 1881-1954.” In Charles Ives and His World, 199-270. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials
Perlis, Vivian
Year: 1972
Complete Citation:
Perlis, Vivian. “Ives and Oral History.” Notes 28 (1972): 629-642.Source: Journal
II. Reference Materials
F. Selected Archival Materials
