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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Ward, Charles

Year: 1969
Complete Citation:
Ward, Charles. “The Use of Hymn Tunes as an Expression of ‘Substance’ and ‘Manner’ in the Music of Charles E. Ives.” Master’s Essay, University of Texas at Austin, 1969.
Notes:

Unpublished Master’s Thesis

Source: Master’s Thesis
VI. Topical Studies
B. Musical Quotation or Borrowing

Winternitz, Emanuel

Year: 1955
Complete Citation:
Winternitz, Emanuel. “Ives, Charles E.” In Musical autographs from Monteverdi to Hindemith. Volume I-II. Princeton, NJ: Princeton University Press, 1955.
Source: Book
II. Reference Materials
F. Selected Archival Materials

Yates, Peter

Year: 1967
Complete Citation:
Yates, Peter. Interview by Adelaide Tussler. Untitled series of interviews. Oral History Department Project in Community History, Univer-sity of California at Los Angeles. Los Angeles, California, January 30, 1967.
Notes:

Discusses “Concerts on the Roof” series and Ives programs in the series.

Source: Unpublished Interview
II. Reference Materials
F. Selected Archival Materials

Yates, Peter and Adelaide G. Tusler

Year: 1972
Complete Citation:
Yates, Peter and Adelaide G. Tusler. Oral History Transcript. “Evenings on the roof, 1939-1954,” 1972, Los Angeles: Oral History Program, University of California, Los Angeles, Los Angeles, California.
Source: Oral History Transcript
II. Reference Materials
F. Selected Archival Materials

Zobel, Mark Alan

Year: 2005
Complete Citation:
Zobel, Mark Alan. ““Music close to the soil and deeply felt”: the use of American hymn tunes in Charles Ives's Third symphony.”
Source: Ph.D. dissertation
VI. Topical Studies
B. Musical Quotation or Borrowing

no author listed

Year: 1974
Complete Citation:
“Ives Score Found.” The Washington Post, January 5, 1974, D4.
Source: Newspaper
II. Reference Materials
F. Selected Archival Materials
Year: 1974
Complete Citation:
“Missing Musical Score of Composer Ives found.” The Hartford Courant, January 4, 1974, 2.
Source: Newspaper
II. Reference Materials
F. Selected Archival Materials
Year: 1974
Complete Citation:
“Missing 1st Movement by Ives Discovered.” Los Angeles Times, January 10, 1974, D16.
Source: Newspaper
II. Reference Materials
F. Selected Archival Materials
Year: 1977
Complete Citation:
“Concert Programs of the Festival-Conference.” In An Ives Celebration: Papers and Panels of the Charles Ives, edited by H. Wiley Hitchcock and Vivian Perlis. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials
Year: 1996
Complete Citation:
“Between the Bandstand and the Concert Hall: Ives and His Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Notes:

Selections of marching band music, choral music, and solo songs from turn-of-the-century America (selected works of Ives drawn from these categories).

Source: [Chapter in] Festival Publication
VI. Topical Studies
B. Musical Quotation or Borrowing