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Bibliography

Johnston, Walter E.

Year: 1985
Complete Citation:
Johnston, Walter E. “Style in W. C. Williams and Charles Ives.” Twentieth Century Literature, vol. 31, no. 1 (1985): 127-136.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kahn, Eve M.

Year: 2014
Complete Citation:
Kahn, Eve M. “Charles Ives’s Workroom, Pencil Shavings Preserved: Movies, Performing Arts/Weekend Desk.” The New York Times, February 28, 2014.
Source: Newspaper
II. Reference Materials
F. Selected Archival Materials

Kakinuma, Toshie, and Mamoru Fujieda

Year: 1989
Complete Citation:
Kakinuma, Toshie, and Mamoru Fujieda. “‘I Am One of Mr. Ives' Legal Heirs’: An Interview with Lou Harrison.” Sonus: A Journal of Investigations into Global Musical Possibilities 9/2 (Spring 1989): 46-58.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kay, Norman

Year: 1970-71
Complete Citation:
Kay, Norman. “Aspects of Copland's Development.” Tempo 95 (Winter 1970-71): 23-29.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kearns, William K.

Year: 1990
Complete Citation:
Kearns, William K. Horatio Parker (1863-1919): His Life, Music, and Ideas. Metuchen, NJ: The Scarecrow Press, 1990.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kerr, Harrison

Year: 1934
Complete Citation:
Kerr, Harrison. “Contemporary Music in New York. I—The Pan-Ameri-cans.” Trend 2/3 (May-June 1934): 145.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kirkpatrick, John

Year: ???
Complete Citation:
Kirkpatrick, John. “Chronology of the life and work of Charles Ives, 1874-1954.” Unpublished manuscript, microfilm. Irving S. Gilmore Music Library, Yale University Library, New Haven, Connecticut.
Source: Manuscript Collection
II. Reference Materials
F. Selected Archival Materials
Complete Citation:
Kirkpatrick, John. Ives’s Transcendental Achievement. John Kirkpatrick Papers. Mss. 56, Folder 568, Box 61. Irving S. Gilmore Music Library, Yale University. Unpublished typescript, July 4, 1958.
Notes:

Typescript for talk given at Tanglewood on July 4, 1958.

Source: Manuscript
II. Reference Materials
F. Selected Archival Materials
Complete Citation:
Typescript for talk given July 4. John Kirkpatrick Papers. Mss. 56, folder 568, box 61. Irving S. Gilmore Music Library, Yale University. New Haven, Connecticut
Source: Talk transcript
II. Reference Materials
F. Selected Archival Materials
Year: 1936
Complete Citation:
Kirkpatrick, John. “Program Notes-Recital, Town Hail, New York.” January 8, 1936: 35-36.
Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
Year: 1939
Complete Citation:
Kirkpatrick, John. Program Notes. Recital, Town Hall, New York.” January 20, 1939, 85-101.
Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
Year: 1942
Complete Citation:
Kirkpatrick, John. “Aaron Copland's Piano Sonata.” Modern Music 19/4 (May--June 1942): 246-248, 250.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1956
Complete Citation:
Kirkpatrick, John. Tentative Outline for 5 March 1956 of Hymns Used in Ives’s Third Symphony, the Camp Meeting (1901-1911). Cornell University Archives, Ithaca, NY. Unpublished typescript, March 5, 1956.
Source: Archive
II. Reference Materials
F. Selected Archival Materials
Year: 1958
Complete Citation:
Kirkpatrick, John. Charles E. Ives (1874-1954)—2nd String Quartet (1907-1913): A Tentative Comparison of Ives’s Autograph Pencil Sketch with the Published Small Score (New York: Peer International, 1954). Cornell University, Ithaca, NY, 1958.
Source: Unpublished Typescript
II. Reference Materials
F. Selected Archival Materials
Year: 1961
Complete Citation:
Kirkpatrick, John. 1961. “Ives, Transcendentalist in Music.” Typescript for talk given October 26. John Kirkpatrick Papers. Mss. 56, folder 568, box 61. Irving S.Gilmore Music Library. Yale University. New Haven, Connecticut.
Source: Talk transcript
II. Reference Materials
F. Selected Archival Materials
Year: 1963
Complete Citation:
Kirkpatrick, John. Typescript. “Charles E. Ives, 1874-1954: Trio for violin, cello and piano (1904-1911 in Ives's list). Comparison of sources compiled in 1962-1963, using the measure-numbering of the Peer edition,” 1963, Cornell University Library, Ithaca, New York.
Source: Book
II. Reference Materials
F. Selected Archival Materials
Year: 1968
Complete Citation:
Kirkpatrick, John. “The Evolution of Carl Ruggles: A Chronicle Largely in His Own Words.” Perspectives of New Music (Spring-Summer, 1968): 146-166.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: Year unlisted
Complete Citation:
Kirkpatrick, John. “Players Apology.” Preface to the unpublished edition of Charles Ives’ Concord Sonata. Unpublished manuscript.
Source: Unpublished preface
II. Reference Materials
F. Selected Archival Materials

Kirkpatrick, John, comp./ed.

Year: 1964
Complete Citation:
“Additional Ives Letters, Mostly 1907--1908,” compiled and edited by John Kirkpatrick (July 1964). Charles Ives Papers. Irving S. Gilmore Library, Yale University, New Haven, CT. Microfilm copy.
Source: Archival Material
II. Reference Materials
F. Selected Archival Materials

Kirkpatrick, Ralph

Year: 2014
Complete Citation:
Kirkpatrick, Ralph. “Elliott Carter.” In Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar, edited by Meredith Kirkpatrick, 120-122. Eastman Studies in Music. Woodbridge, United Kingdom: Boydell & Brewer, 2014.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers