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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
A. Biographies
B. Other
C. Book Reviews
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
A. Transcendentalism or Philosophy
B. Musical Quotation or Borrowing
C. Chronology
D. Insurance
E. Comparisons and Relationships with Other Composers, Artists, and Writers
F. Polytonality
H. Ives, 20th Century Music, and Experimental Styles
I. Compositional Process
J. Extra-Musical Themes in Ives’s Compositions
K. Stylistic Influences on Ives
L. Ives and America
M. Ives and Manhattan
N. Ives’ Childhood
O. Ives and Yale
P. Ives Collaborators and Colleagues
Q. Ives Scholars
R. Performance Approaches
S. Reception Studies and Related Scholarship
T. Ives in Music Education
U. Institutions and Ives’ Legacy
V. Awards
W. Obituaries
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Sabin, Robert

Year: 1955
Complete Citation:
1955 - R[obert] S[abin]. "Cowells Write Study of Ives."Musical Amer-ica (1956 February 1) 76/3: 29.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Sakae, Yoneda

Year: 1988
Complete Citation:
Sakae, Yoneda. “Charles Ives no ongakukozo ni okeru de-composition.” Ongakugaku 34/2 (1988): 97-111.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Sallmen, Mark

Year: 2001
Complete Citation:
Sallmen, Mark. Review of The Music of Charles Ives, by Philip Lambert. Music Theory Spectrum 23/2 (Fall 2001): 255--263.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Schaal-Gotthardt, Susanne

Year: 2005
Complete Citation:
Schaal-Gotthardt, Susanne. Review of Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp. Österreichische Musikzeitschrift, Vol. 60, No. 10-11 (2005): 81.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Schans, Peter J.

Year: 1955
Complete Citation:
Peter J. Schans. “A Book About Charles Ives.” MONY Talks (February) 14/5: 10.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Schiff, David

Year: 1994
Complete Citation:
Schiff, David. “Composers on the Couch: Does It Help Anyone to Psychoanalyze a Composer’s Work?” Atlantic Monthly 273/1, January 1994, 106-108, 110, 112-116, 118-122.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Schoffman, Nachum

Year: 1981
Complete Citation:
Schoffman, Nachum. “Serialism in the Works of Charles Ives.” Tempo: A Quarterly Review of Modern Music, no. 138 (September 1981): 21-32.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1986
Complete Citation:
Schoffman, Nachum. “Ives: un exemple de polyphonie complexe.” Contrechamps 7 (1986): 155-171.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1989
Complete Citation:
Schoffman, Nachum. Review of Charles Ives, by Wolfgang Rathert. Tempo 175 (December 1990): 31-32.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Schonberg, Harold C.

Year: 1955
Complete Citation:
Schonberg, Harold C. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Musical Courier 151/4 (February 15): 45.
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1955
Complete Citation:
Schonberg, Harold C. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Musical Courier 151, no. 4 (15 February 1955): 45; reprinted in Tempo 36 (Summer 1955): 31-32.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Schubert, Giselher

Year: 1985
Complete Citation:
Schubert, Giselher. Review of Charles Ives: The Ideas behind the Music, by J. Peter Burkholder. Neue Zeitschrift fur Musik 148/1 (January 1987): 63.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1987
Complete Citation:
Schubert, Giselher. Review of Charles Ives: The Ideas Behind the Music, by J. Peter Burkholder; and Charles Ives: Ausgewählte Texte, edited by Werner Bartschi. Neue Zeitschrift für Musik (January 1987): 63.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Schuller, Gunther

Year: 1986
Complete Citation:
Schuller, Gunther. “Form, Content, and Symbol.” In Musings: The Musical Worlds of Gunther Schuller, 275-276. New York, NY: Oxford University Press, 1986.
Notes:

Discusses absolute music and program music.

Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses

Scott, Ann Besser

Year: 1994
Complete Citation:
Scott, Ann Besser. “Medieval and Renaissance Techniques in the Music of Charles Ives: Horatio at the Bridge?” Musical Quarterly 78/3 (Fall 1994): 448-478.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Searle, Humphrey

Year: 1954
Complete Citation:
Searle, Humphrey. Twentieth Century Counterpoint, 124-126, 133. London, United Kingdom: Ernest Benn Limited, 1954.
Source: Book
VI. Topical Studies
G. Music Theory Analyses

Shaffle, Michael R.

Year: 1989
Complete Citation:
Bulletin for the Council for Research in Music Education 100 (Spring 1989): 34-39.
Source: Bulletin
III. Book-Length Studies
C. Book Reviews

Sherwood, Gayle

Year: 2003
Complete Citation:
Sherwood, Gayle. “Vivian Perlis, Charles Ives Remembered: An Oral History.” The Journal of Musicological Research, Vol. 22, No. 3 (2003): 296-299.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Siegmeister, Elie

Year: 1973
Complete Citation:
Siegmeister, Elie. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. High Fidelity/Musical America 23/3, March 1973, MA 29-31.
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1974
Complete Citation:
Siegmeister, Elie. Review of From the Steeples and Mountains, by David Wooldridge. Notes 31 (1974): 291-293.
Source: Journal
III. Book-Length Studies
C. Book Reviews