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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Bumpass, Kathryn

Year: 1998
Complete Citation:
Bumpass, Kathryn. “Book Reviews: Two Books about Charles Ives.” Music Library Association, Vol. 54, USA, 1998.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1998
Complete Citation:
Bumpass, Kathryn. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Notes 54 (March 1998): 677-680.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1998
Complete Citation:
Bumpass, Kathryn. Notes (March 1998) 54/3: 677-680.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Burke, Jack

Year: 1971
Complete Citation:
Burke, Jack. Community Herald (Monona, Washington). June 10, 1971: 7.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Burkholder, J. Peter

Year: 1985
Complete Citation:
Burkholder, J. Peter. Charles Ives: The Ideas Behind the Music. New Haven: Yale University Press, 1985.
Source: Book
Reprints:

Burkholder, J. Peter. Charles Ives: The Ideas Behind the Music [<i>チャールズ・アイブズ : 音楽にひそむアメリカ思想 /<br></i>Chāruzu aibuzu: ongaku ni hisomu amerika shisō]. Translated by Kazuhiko Kimura. 旺史社,&nbsp;Tōkyō : Ōshisha, 1993.

III. Book-Length Studies
B. Other
Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives the Avantgardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “CharIes Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988,” edited by Klaus W. Niemöller, 164, 37-52. Regensburg, Germany: Kölner Beiträge zur Musikforschung, 1990.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2001
Complete Citation:
Burkholder, J. Peter. “To the Editor of the “Journal”: [Carol K. Baron's Review “All Made of Tunes: Charles Ives and the Uses of Musical Borrowing”]. Journal of the American Musicological Society, Vol. 54, No. 2 (2001): 424-428.
Source: Journal (book review)
III. Book-Length Studies
C. Book Reviews
Year: 2021
Complete Citation:
Burkholder, J. Peter. Listening to Charles Ives: Variations on His America. London, United Kingdom: Amadeus Press, 2021.
Notes:

Includes foreword by Leonard Slatkin.

Source: Book
III. Book-Length Studies
B. Other

Burkholder, J. Peter, ed.

Year: 1996
Complete Citation:
Charles Ives and His World, edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press.
Source: Book
III. Book-Length Studies
B. Other
Year: 1996
Complete Citation:
Burkholder, J. Peter, ed. Charles Ives and his World. Princeton, NJ: Princeton University Press, 1996.
Source: Book
III. Book-Length Studies
B. Other

Burrell, D.

Year: 1999
Complete Citation:
Burrell, D. Musical Times 140/1869 (Winter 1999): 75-76.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Cadieu, Martine

Year: 1975
Complete Citation:
Cadieu, Martine. Charles Ives. Paris, France: Discothèque de France, 1975.
Source: Book
III. Book-Length Studies
A. Biographies

Cameron, Catherine M.

Year: 1996
Complete Citation:
Cameron, Catherine M. Dialectics in the Arts: The Rise of American Experimentalism in American Music. Westport, CT: Praeger Publishers, 1996.
Notes:

In a dis-cussion of Ives's life (p. 21-22) and works (p. 43-49), the author cites quo-tations from several other sources. Musical examples taken from <i>Three Places in New England</i>; Symphonies Nos. 1-4; <i>Concord Sonata</i>; and <i>Essays Before a Sonata. </i>

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Candelaria, Lorenzo F. and Daniel Kingman

Year: 2007
Complete Citation:
Candelaria, Lorenzo F. and Daniel Kingman. “Charles Ives: American Innovator.” In American Music: A Panorama. Belmont, CA: Thomson/Schirmer, 2007.
III. Book-Length Studies
B. Other

Cane, Giampiero

Year: 1997
Complete Citation:
Cane, Giampiero. “Sinfonia dell’universo,” review of Prima della Sonata, by Charles Ives. II mani- festo martedi (August 26, 1997): 24--25.
Source: Chapter in Book
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Cane, Giampiero. “Sinfonia dell’universo,” review of Prima della Sonate, by Charles Ives. II mani-festo martedi (August 26, 1997): 24--25.
III. Book-Length Studies
C. Book Reviews

Carlson, Michael

Year: 1996
Complete Citation:
Michael Carlson. “The Discomposing Composer.” Specta-tor 277/8781, November 2, 1996, 44.
Notes:

“[H]is marvelous ‘From Hanover Square North’ ranks with Nielsen's Fifth as the most moving reactions to the Great War.”

Source: Magazine
III. Book-Length Studies
C. Book Reviews

Cazé, Antoine and Adam Marks

Year: 2008
Complete Citation:
Cazé, Antoine and Adam Marks. Les musiques savantes américaines: questions d’esthétique. Paris, France: Belin, 2008.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Chase, Gilbert

Year: 1966
Complete Citation:
Chase, Gilbert. Review of Music in a New Found Land: Themes and Developments in the History of American Music, Wilfrid Mellers. Yearbook of the Inter--American Institute for Musical Research 2 (1966): 164--166.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1974
Complete Citation:
Notes:

Spanish translation of Gilbert Chase’s review of <i>A Year from Monday: New Lectures and Writings</i>, by John Cage.

Source: Journal
III. Book-Length Studies
C. Book Reviews