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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Frankenstein, Alfred

Year: 1955
Complete Citation:
Frankenstein, Alfred. Review of Charles Ives and His Music, by Henry and Sidney Cowell. The Musical Quarterly 41, no. 2 (April 1955): 253-256.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Frogley, Alan

Year: 2001
Complete Citation:
Frogley, Alan. Review of T. S. Eliot’s Orchestra: Critical Essays on Poetry and Music, edited by John Xiros Cooper. Notes 58/2 (December 2001): 353-354.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Frosch, William A.

Year: 1992
Complete Citation:
Frosch, William A. Review of Charles Ives: “My Father's Song”: A Psychoanalytic Biography, by Stuart Feder. American Journal of Psychiatry 149, no. 12: 1741-1742.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Gail, Dorothea

Year: 2018
Complete Citation:
Gail, Dorothea. Weird American music: Case Studies of Underground Resistance, BarlowGirl, Jackalope, Charles Ives, and Waffle House Music. Heidelberg, Germany: Universitätsverlag Winter, 2018.
Source: Book
III. Book-Length Studies
B. Other

Galt, Martha Caroline

Year: 1943
Complete Citation:
Galt, Martha Caroline. Know Your American Music: A Handbook. Augusta, ME: Kennebee Journal Print Shop, 1943.
Source: Book
Reprints:

Ithaca, NY: National Federation of Music Clubs, 1945.

VI. Topical Studies
L. Ives and America

Gann, Kyle

Year: 1997
Complete Citation:
Gann, Kyle. American Music in the Twentieth Century. New York, NY: Prentice Hall International, 1997.
Source: Book
VI. Topical Studies
L. Ives and America

Garland, Peter

Year: 1982
Complete Citation:
Garland, Peter. Americas: Essays on American Music and Culture, 1973-80, 32-52, 65-116, 109. Santa Fe, NM: Soundings Press.
Notes:

In “American Piano: An Appreciation” (32-52), the author appreciates “the Ives piano music, [because of] how its complexity, enclosed in the scope of a keyboard, mirrors that of a full orchestra.” In his “Oaxacan Journal” (65-116), he refers to Tone Roads, From the Steeples and the Mountains, and General William Booth Enters into Heaven and he argues that “Ives totally revolutionized the art song” (109).

Source: Section in Book
VI. Topical Studies
L. Ives and America

Garrett, Charles Hiroshi

Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. Struggling to Define a Nation: American Music and the Twentieth Century. Berkeley, CA: University of California Press, 2008.
Source: Book
VI. Topical Studies
L. Ives and America

Geselbacht, Raymond H.

Year: 1974
Complete Citation:
Geselbacht, Raymond H. “Evolution and the New World Vision in the Music of Charles Ives.” Journal of American Studies 8 (1974): 211-227.
Source: Journal
VI. Topical Studies
L. Ives and America

Giebisch, Thomas

Year: 1993
Complete Citation:
Giebisch, Thomas. Take-off als Kompositionsprinzip bei Charles Ives. Kassel, Germany: Bosse, 1993.
Source: Book
III. Book-Length Studies
B. Other

Gilbert, Chase

Year: 1967
Complete Citation:
Gilbert, Chase. Review of Epilogue from Essays before a Sonata, by Charles Ives. Yearbook of Inter-American Institute for Musical Research 3 (1967): 101--110.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Gilmore, Bob

Year: 2000
Complete Citation:
Gilmore, Bob. "Reinventing Ives,” review of Charles Ives Studies, edited by Philip Lambert. Music Analysis 19/1 (March 2000): 101--123.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2000
Complete Citation:
Gilmore, Bob. “Reinventing Ives,” review of Ives: Concord Sonata, by Geoffrey Block. Music Analysis 19/1 (March 2000): 101-123.
Source: Journal
Reprints:

Second Edition, transferred to digital printing: 2006. <br>

III. Book-Length Studies
C. Book Reviews

Glahn, Denise Von

Year: 2003
Complete Citation:
Glahn, Denise Von. “The sounds of place: music and the American cultural landscape.” In The Sounds of Place: Music and the American Cultural Landscape. Boston, MA: Northeastern University Press, 2003.
Source: Book
VI. Topical Studies
L. Ives and America

Goldman, Richard Franko

Year: 1955
Complete Citation:
Goldman, Richard Franko. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Notes 12, no. 2 (March 1955): 217- 218.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1955
Complete Citation:
Goldman, Richard Franko. Notes 12/2 (March 1955): 217-218.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Gordon, Philip

Year: 1947
Complete Citation:
Gordon, Philip. “America in American Music.” Common Ground (Spring 1947).
Source: Journal
VI. Topical Studies
L. Ives and America

Gordon, Stewart

Year: 1996
Complete Citation:
Gordon, Stewart. Review of Charles Ives: A Life with Music, by Jan Swafford. American Music Teacher 46/6 (June--July 1997): 88--89.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Gordon, Stewart. Review of Charles Ives: A Life with Music, by Jan Swafford. American Music Teacher 46/6 (June-July 1997): 88-89.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Gorge, Emmanuel

Year: 2003
Complete Citation:
Gorge, Emmanuel. L’imaginaire amérindien et le modernisme. Paris, France: Éditions L’Harmattan, 2003.
Source: Book
VI. Topical Studies
L. Ives and America