Shaffle, Michael R.
Year: 1989
Complete Citation:
Bulletin for the Council for Research in Music Education 100 (Spring 1989): 34-39.Source: Bulletin
III. Book-Length Studies
C. Book Reviews
Sharp, Mary Elizabeth
Year: 1979
Complete Citation:
Sharp, Mary Elizabeth. “A Survey of Musical Quotation from 1940-1975.” M.M. thesis, University of Louisville, 1979.Notes: References to Ives: in Part 1, “Introduction”: “The use of common material such as folk tunes, hymns, and patriotic songs will not be included since the music is not from the concert tradition. However, this creates a problem of inconsistency in some cases. Charles Ives quotes music from popular material together with concert pieces which have programmatic signifi-cance.”; in Part 5, “Early Twentieth-Century Practices in the Use of Quotation”: “The very same motive (Beethoven’s Symphony No. 5) is quoted by Ives in the Concord Sonata and is used as a cyclic device to depict fate and the character of Beethoven himself’; and in Parts 7-10, “Charles Ives' Use of Quotation.”
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Shelton, Gregory Allard
Year: 1985
Complete Citation:
Shelton, Gregory Allard. An analysis of Charles Ives’s Three-page Sonata for Piano. M.A. Thesis, The American University, 1985.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Sherwood, Gayle
Year: 2003
Complete Citation:
Sherwood, Gayle. “Vivian Perlis, Charles Ives Remembered: An Oral History.” The Journal of Musicological Research, Vol. 22, No. 3 (2003): 296-299.Source: Journal
III. Book-Length Studies
C. Book Reviews
Sherwood, Gayle D.
Year: 1995
Complete Citation:
Sherwood, Gayle D. “The choral works of Charles Ives: chronology, style, reception.” Ph.D. Dissertation, Yale University,1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Shulman, Ivan
Year: 2008
Complete Citation:
Shulman, Ivan. “Symphony no. 2 by Charles Ives: An Historic Review and Consideration of Performance Practice.” M.M. thesis, California State University at Long Beach, 2008.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Shultis, Christopher L.
Year: 1993
Complete Citation:
Shultis, Christopher L. “Silencing the Sounded Self: John Cage and the Experimental Tradition in Twentieth-Century American Poetry and Music.” Ph.D. diss., University of New Mexico, 1993.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Siegmeister, Elie
Year: 1973
Complete Citation:
Siegmeister, Elie. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. High Fidelity/Musical America 23/3, March 1973, MA 29-31.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1974
Complete Citation:
Siegmeister, Elie. Review of From the Steeples and Mountains, by David Wooldridge. Notes 31 (1974): 291-293.Source: Journal
III. Book-Length Studies
C. Book Reviews
Silverberg, Ann L.
Year: 2001
Complete Citation:
Silverberg, Ann L. Review of Amy Beach and Charles Ives, by Nicholas E. Tawa. Notes 59/1 (September 2002): 85--87.Source: Journal
III. Book-Length Studies
C. Book Reviews
Simms, L. M.
Year: 1975
Complete Citation:
Simms, L.M. Review of Charles Ives and the American Mind, by Rosalie Sandra Perry. History: Reviews of New Books, vol. 3, no. 4 (1975): 87.Source: Journal
III. Book-Length Studies
C. Book Reviews
Singleton, Kenneth
Year: 1996
Complete Citation:
Kenneth Singleton. “Making Music Was His Best Policy,” review of Charles Ives: A Life with Music, by Jan SwaffordWashington Post Book World 26/30 (July 28): 4-5.Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Singleton, Kenneth. “Making Music Was His Best Policy.” Washington Post Book World 26/30, July 28, 1996, 4-5.Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Sive, Helen R.
Year: 1977
Complete Citation:
Sive, Helen R. Music’s Connecticut Yankee: An Introduction to the Life and Music of Charles Ives. New York, NY: Atheneum Books, 1977.Source: Book
III. Book-Length Studies
A. Biographies
Skinner, Myles L.
Year: 2007
Complete Citation:
Skinner, Myles L. “Toward a Quarter -Tone Syntax: Analyses of Selected Works by Blackwood, Hába, Ives, and Wyschnegradsky.” Ph.D. diss., University of Buffalo, 2007.Source: Ph. D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Sly, Caroline Ware
Year: 1970
Complete Citation:
Sly, Caroline Ware. “The language of Ives's solo songs.” M.A. thesis, Smith College, 1970.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Small, Christopher
Year: 1973
Complete Citation:
Small, Christopher. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. Music in Education 37/362 (1973): 187-188.Source: Journal
III. Book-Length Studies
C. Book Reviews
Smith, Rebecca E.
Year: 2012
Complete Citation:
Smith, Rebecca E. “Exploring the multi-generational influence of American ragtime music through the works of Charles Ives, William Walton and William Bolcom.” B.A. honors thesis, Western Australian Academy of Performing Arts, Edith Cowan University, 2012.Source: B.A. Honors Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
So, Carolyn U.
Year: 1986
Complete Citation:
So, Carolyn U. “Aspects of form and aesthetics in Charles Ives's Piano Sonata No. 2.” M.A. Thesis, University of Hawaii at Manoa, 1986.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Sole, Kenneth Gale
Year: 1976
Complete Citation:
Sole, K. G. A Study and Performance of Five Psalm Settings and “The Celestial Country” by Charles Edward Ives.” D.M.A. diss., University of Southern California, 1976.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations