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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Mellers, Wilfrid

Year: 1969
Complete Citation:
Mellers, Wilfrid. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Instrumentalist 24/1 (August 1969): 16. “Ives."
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1986
Complete Citation:
Mellers, Wilfrid. Review of Charles Ives: The Ideas Behind the Music, by J. Peter Burkholder. Times Literary Supplement (February 7, 1986): 143.
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1986
Complete Citation:
Mellers, Wilfrid. “Stretching Manly Ears.” Review of Charles Ives: The Ideas behind the Music, by J. Peter Burkholder. Times Literary Supplement 4323 (February 7, 1986): 143.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Year: 1992
Complete Citation:
Wilfrid Mellers. “Ta-tas and Toodle-doodles.” Times Literary Supplement 4661, July 31, 1992, 17.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Mellers, Wilfrid H.

Year: 1955
Complete Citation:
Mellers, Wilfrid H. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Music & Letters (October) 36/4: 400.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Metzer, David

Year: 1996
Complete Citation:
Reviews of Reviews: David Metzer. “Charles Ives Read,” review of Charles E. Ives, by Leo Schrade. Institute for Studies in American Music Newsletter 26/1 (Fall 1996): 10, 15.
Source: Newsletter
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Metzer, David. “Charles Ives Read,” review of Charles Ives: A Life with Music, by Jan Swafford. Institute for Studies in American Music Newsletter 26/1 (Fall 1996): 10, 15.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Metzer, David. “Charles Ives Read.” Institute for Studies in American Music Newsletter 26/1 (Fall 1996): 10, 15.
Source: Newsletter
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Metzer, David. “Charles Ives Read.” Institute for Studies in American Music Newsletter 26/1 (Fall 1996): 10, 15.
Source: Newsletter
III. Book-Length Studies
C. Book Reviews

Metzer, David J.

Year: 1992
Complete Citation:
Metzer, David J. Review of American Experimental Music, 1890-1940, by David Nicholls. American Music 10, no. 3 (Autumn 1992): 373-376.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Mickelsen, William Cooper

Year: 1970
Complete Citation:
Mickelsen, William Cooper. “Hugo Riemann's history of harmonic theory with a translation of Harmonielehre.” Ph.D. diss., Indiana University, 1970.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Miller, Ashleé Michele

Year: 2016
Complete Citation:
Miller, Ashleé Michele. “Charles Ives on the Nature of Experience: The Compositional Design and Aesthetic Programs of Three Orchestral Works.” D.M.A. diss., Graduate Center CUNY, 2016.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Miller, Catherine Keyes

Year: 1955
Complete Citation:
Miller, Catherine Keyes. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Library Journal 80/5 (March 1, 1955): 570.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Milligan, Terry Gilbert

Year: 1978
Complete Citation:
Milligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instruments.” D.M.A. diss., University of Texas at Austin, 1978.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Moore, MacDonald Smith

Year: 1980
Complete Citation:
Moore, MacDonald Smith. “Yankee Blues: Musical Culture and American Identity.” Ph.D. diss., New York University, 1980.
Source: Ph. D. Disseration
Reprints:

Moore, MacDonald Smith. <i>Yankee Blues: Musical Culture and American Identity</i>. Bloomington, IN: Indi-ana University Press, 1985.

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Moore, R.

Year: 2009
Complete Citation:
Moore, R. “Charles Ives Reconsidered.” American Record Guide 72 (2009): 252.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Mörchen, Raoul

Year: 2009
Complete Citation:
Mörchen, Raoul. “Bücher: Schlechte und wahre Unendlichkeit.” Dissonanz (2009): 56-57.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Morehouse, Christopher

Year: 2005
Complete Citation:
Morehouse, Christopher. “Ivesian Borrowing, Imagery, and Place in Eric Stokes’s ‘The Continental Harp and Band Report’: An American Miscellany’ (1975).” D.M.A. diss., University of Cincinnati, 2005.
Notes:

Discusses the various influences of Ives on Eric Stokes in his composition, "The Continental Harp and Band Report."

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Morelli, Giovanni

Year: 1974
Complete Citation:
Morelli, Giovanni. Review of L'America musicale di Charles Ives, by Gianfranco Vinay. Rivista Italiana di Musicologia 9 (1974): 316-322.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Morgan, Phillip

Year: 1967
Complete Citation:
Morgan, Phillip. “Three contemporary trios for piano, violin, and violoncello.” D.M.A. thesis, University of Rochester, 1967.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations