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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Block, Geoffrey

Year: 1985
Complete Citation:
Block, Geoffrey. Review of Charles Ives: The Ideas behind the Music, by J. Peter Burkholder. Journal of Musicology 5/2 (Spring 1987): 308-311.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1992
Complete Citation:
Block, Geoffrey. Review of The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives, by Felix Meyer. Notes 48/4 (June 1992): 1297-1299.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1992
Complete Citation:
Block, Geoffrey. Review of The Evolving Keyboard Style of Charles Ives, by Michael John Alexander. American Music 10 (Spring 1992): 98-100.
III. Book-Length Studies
C. Book Reviews
Year: 1992
Complete Citation:
Block, Geoffrey. Review of The Charles Ives Tunebook, by Clayton W. Henderson. Notes 49/1 (September 1992): 134-136.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Geoffrey Block. Ives: Concord Sonata. Cambridge Music Handbooks, general editor, Julian Rushton. Cambridge, United Kingdom: Cambridge University Press.
Source: Book
III. Book-Length Studies
B. Other
Year: 2001
Complete Citation:
Block, Geoffrey. Music & Letters 82/3 (August 2001): 470-472.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Block, Geoffrey, and J. Peter Burkholder (editors)

Year: 1996
Complete Citation:
Block, Geoffrey, and J. Peter Burkholder, eds. Charles Ives and the Classical Tradition. New Haven, CT: Yale University Press, 1996.
Source: Book
III. Book-Length Studies
B. Other

Block, Geoffrey and Julian Rushton

Year: 1996
Complete Citation:
Block, Geoffrey. Ives: Concord Sonata. Cambridge Music Handbooks. Cambridge: Cambridge University Press, 1996.
Source: Book
III. Book-Length Studies
B. Other

Bonham, Robert John

Year: 1981
Complete Citation:
Bonham, Robert John. “Some common aesthetic tendencies manifested in examples of pioneer American cabins and Old Harp music and in selected works of H.H. Richardson and Charles E. Ives.” Ph.D. diss., Ohio University, 1981.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Booth, Earl W.

Year: 1974
Complete Citation:
Booth, Earl W. “New England Quartet: E.A. Robinson, Robert Frost, Charles Ives and Carl Ruggles.” Ph.D. diss., University of Utah, 1974.
Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Borowski, Felix

Year: 1955
Complete Citation:
Borowski, Felix. “An Early American ‘Modern.’” Chicago Sun-Times 2 (January 16, 1955): 5.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Bottemanne, Jean-Paul

Year: 1995
Complete Citation:
Bottemanne, Jean-Paul. “L’esprit musical de Charles Ives, 1874-1954: essai sur les specificites techniques et esthitiques de I'oeuvre de Charles Ives.” Doctoral thesis, University of Paris 8, 1995.
Source: Doctoral Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Bradshaw, James Robert McKeel

Year: 2014
Complete Citation:
Bradshaw, James Robert McKeel. “Historical and musical comparison of cello works by David Stanley Smith and the Fourth violin sonata by Charles Ives.” D.M.A. Thesis, University of Oklahoma, 2014.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Brock, Gordon R.

Year: 1996
Complete Citation:
Brock, Gordon R. “Four works for wind ensemble.” D.M.A. thesis, University of Colorado, 1996.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Brooks, Williams

Year: 1993
Complete Citation:
Brooks, Williams. Review of A Union of Diversities: Style in the Music of Charles Ives, by Larry Starr. American Music 11, no. 4 (Winter 1993): 488-491.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Brooks, William Fordyce

Year: 1976
Complete Citation:
Brooks, William. “Sources and Errata List for Charles Ives’ Symphony No. 4, Movement II.” D.M.A. diss., University of Illinois, 1976.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1993
Complete Citation:
Brooks, William Fordyce. Review of A Union of Diversities, by Larry Starr. American Music 11/4 (Winter 1993): 488-491.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Browning, James

Year: 1972
Complete Citation:
Browning, James. Review of Memos, by Charles Ives. Music Journal 30/10 (December 1972): 49.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Brown, John Robert

Year: 2012
Complete Citation:
Brown, John Robert. “Book Review: “Moral Fire: Musical Portraits from America’s Fin de Siècle,” by Joseph Horowitz.” Classical Music (2012): 83.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Bruderer, Conrad

Year: 1968
Complete Citation:
Bruderer, Conrad. “The Studies of Charles Ives.” Ph.D. diss., Indiana University, 1968.
Notes:

Bruderer, Conrad. 1. A Comparison of the Preludes found in Common in the Clavier-Buchlein Vor Wilhelm Friedemann Bach, “the Well Tempered Clavier.” 2. A Study of the Etudes of Charles Ives, ProQuest Dissertations Publishing, 1969.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations