Bibliography

Bellamann, Henry

Year: 1921

Complete Citation:

Bellamann, Henry. “Reviews: ‘Concord, Mass., 1840-1860’ (A Piano Sonata by Charles E. Ives.).” Double Dealer 2 (October 1921): 166-169.

Source: Journal

Reprints:

Reprinted in Charles Ives and His World, 280-284.

X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Berger, Arthur

Year: 1955

Complete Citation:

Berger, Arthur. “His Aim Was to Be Solely American.” Review of Charles Ives and His Music, by Henry and Sidney Cowell. The New York Times Book Review, January 9, 1955, section 7, 3.

Source: Newspaper

III. Book-Length Studies
C. Book Reviews

Berger, Arthur V.

Year: 1949

Complete Citation:

Berger, Arthur V. “The Musical Scene: Ives is Prominent on Current Lists of Publishers After Long Neglect.” New York Herald Tribune, 1949, C5.

Source: Newspaper

X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Bernlef, J., and Reinbert de Leeuw

Year: 1969

Complete Citation:

Bernlef, J., and Reinbert de Leeuw. Charles Ives. Amsterdam: DeBezige Bij, 1969.

Notes:

Pages 133-209 of 1969 publication are reprinted in 1975-1976 publication.

Source: Book

Reprints:

Bernlef, J., and Reinbert de Leeuw. “Charles Ives—Zijn Muziek: Inleiding, Ives’ Gebruik van Muzikaal Materiaal [Charles Ives—His Music: Introduction, Ives’ use of musical material].” Translated by Bertus Polman. Student Musicologists at Minnesota 6 (1975-76): 128-191.

III. Book-Length Studies
A. Biographies

Bird, Liz

Year: 1996

Complete Citation:

Bird, Liz. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Brio 33/1 (Spring-Summer 1996): 74.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Black, Phillip C.

Year: 2012

Complete Citation:

Black, Phillip C. “Reviews - Tuba Ensemble: “Variations on ‘America’,” by Charles Ives, arranged for tuba quartet by Tim Ott and Bryan Doughty.” ITEA Journal, Vol. 39, No. 2 (2012).

Source: Journal

X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Blake, Andrew

Year: 1996

Complete Citation:

Blake, Andrew. Review of Charles E. Ives, by Leo Schrade. History: The Journal of the Historical Association 83/272 (1998): 686.

Notes:

Claims that Ives was adopted as “a national musical mascot during Amer-ica’s great patriotic moment of the early 1940s.”

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 1998

Complete Citation:

Blake, Andrew. “Charles Ives and His World.” History, vol. 83, no. 272 (October 1998): 686.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Blassnigg, Katharina

Year: 2008

Complete Citation:

Blassnigg, Katharina. Review of Charles Ives Reconsidered, by Gayle Sherwood Magee. Leonardo, vol. 42, no. 1 (2009): 78-80.

Source: Book

III. Book-Length Studies
C. Book Reviews

Block, Geoffrey

Year: 1985

Complete Citation:

Block, Geoffrey. Review of Charles Ives: The Ideas behind the Music, by J. Peter Burkholder. Journal of Musicology 5/2 (Spring 1987): 308-311.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 1992

Complete Citation:

Block, Geoffrey. Review of The Charles Ives Tunebook, by Clayton W. Henderson. Notes 49/1 (September 1992): 134-136.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 1992

Complete Citation:

Block, Geoffrey. Review of The Evolving Keyboard Style of Charles Ives, by Michael John Alexander. American Music 10 (Spring 1992): 98-100.

III. Book-Length Studies
C. Book Reviews

Year: 1992

Complete Citation:

Block, Geoffrey. Review of The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives, by Felix Meyer. Notes 48/4 (June 1992): 1297-1299.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 1996

Complete Citation:

Geoffrey Block. Ives: Concord Sonata. Cambridge Music Handbooks, general editor, Julian Rushton. Cambridge, United Kingdom: Cambridge University Press.

Source: Book

III. Book-Length Studies
B. Other

Year: 1997

Complete Citation:

Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, United Kingdom: Cambridge University Press, 1997.

Source: Chapter in Book

X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Year: 1997

Complete Citation:

Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, UK: Cambridge University Press, 1997.

Source: Book

X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Year: 2000

Complete Citation:

Block, Geoffrey. “Music Reviews: Charles E. Ives, Symphony No. 1, Critical Edition Edited by James B. Sinclair.” Notes 57, no. 2, (December 2000): 461-464.

Source: Journal

X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Year: 2000

Complete Citation:

Block, Geoffrey. Review of Charles E. Ives, “Symphony No. 1,” edited by James B. Sinclair. Notes 57, no. 2 (December 2000): 461.

Source: Journal

X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Year: 2000

Complete Citation:

Block, Geoffrey. “Review of Symphony No. 1 by Charles Ives.” Notes 57/2 (December 2000): 461-64.

Source: Journal

X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Year: 2001

Complete Citation:

Block, Geoffrey. Music & Letters 82/3 (August 2001): 470-472.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Bibliography

Genres

Bellamann, Henry

Berger, Arthur

Berger, Arthur V.

Bernlef, J., and Reinbert de Leeuw

Bird, Liz

Black, Phillip C.

Blake, Andrew

Blassnigg, Katharina

Block, Geoffrey