Kriegsman, Alan M.
Year: 1972
Complete Citation:
Kriegsman, Alan M. “Testament to a Genius: Testament.” The Washington Post and Times Herald, September 7, 1972, D1.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1972
Complete Citation:
Kriegsman, Alan M. “Reminders of Boldest and Best.” The Washington Post and Times Herald, September 5, 1972, B4.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Kruger, Steven
Year: 2015
Complete Citation:
Kruger, Steven. Review of IVES: Symphonies Nos. 1 and 2. Fanfare: The Magazine for Serious Record Collectors, Vol. 38, No. 6 (2015): 255-256.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Kupferberg, Herbert
Year: 1962
Complete Citation:
Kupferberg, Herbert. “Ives: Painter in Music.” New York Herald Tribune, April 1, 1962, sec. 4, 6.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Kuznitsky, Hans
Year: 1932
Complete Citation:
Kuznitsky, Hans. “A Set of Pieces.” Neuen Musikalien [Berlin] (December 1932): 34.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Kyle, Marguerite Kelly
Year: 1950
Complete Citation:
Kyle, Marguerite Kelly. “AmerAllegro: Premieres. Recent Performances. New Releases: Charles Ives.” Pan-Pipes 43/2 (December 1950): 123.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1952
Complete Citation:
Kyle, Marguerite Kelly. “AmerAllegro: Premieres, Recent Performances New Releases: Charles Ives.” Pan-Pipes 44/2 (January 1952): 34-35.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1953
Complete Citation:
Kyle, Marguerite Kelly. “AmerAllegro: Premieres, Recent Perfor-mances, New Releases: Charles E. Ives.” Pan Pipes 45/2 (January 1953): 56.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1954
Complete Citation:
Kyle, Marguerite Kelly Kyle. “AmerAllegro: Premieres, Recent Performances, New Releases: Charles E. Ives.” Pan Pipes 46/2 (January 1954): 47.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
L.D.
Year: 1944
Complete Citation:
L.D. “Vitality Adds to Appeal of Charles Ives Program.” Los Angeles Times, November 12, 1944, 5.Notes: A review of performances of some songs on an all-Ives program (1944 October 30: Los Angeles; "Evenings on the Roof'; Elizabeth Vermeulen, voice; Frances Mullen, piano).
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
LaFave, Kenneth
Year: 2002
Complete Citation:
LaFave, Kenneth. “Ives CD Bellows Pride in being an American.” The Arizona Republic, February 2, 2002.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Lambert, Philip
Year: 1997
Complete Citation:
Lambert, Philip. “The Music of Charles Ives.” New Haven, CT: Yale University Press, 1997.Source: Book
III. Book-Length Studies
B. Other
Year: 1997
Complete Citation:
Lambert, Philip. The Music of Charles Ives. Composers of the Twen-tieth Century, series edited by Allen Forte. New Haven, CT: Yale University Press, 1997.Notes: Includes analyses of Tone Roads No. 1, Study No. 5, and The Cage.
Source: Book
III. Book-Length Studies
B. Other
Year: 2001
Complete Citation:
Lambert, Philip. The Music of Charles Ives. New Haven, CT: Yale University Press, 1997.Source: Journal
III. Book-Length Studies
B. Other
Year: 2016
Complete Citation:
Lambert, Philip. Review of Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives, by Matthew McDonald. Music Theory Spectrum, vol. 38, no. 2 (2016): 271-273.Source: Journal
III. Book-Length Studies
C. Book Reviews
Lambert, Philip, ed.
Year: 1997
Complete Citation:
Lambert, Philip, ed. Charles Ives Studies. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Book
III. Book-Length Studies
B. Other
Lambert, Philip (editor)
Year: 1997
Complete Citation:
Lambert, Philip, ed. Ives Studies. Cambridge, UK: Cambridge University Press, 1997.Source: Book
III. Book-Length Studies
B. Other
Lang, Paul Henry
Year: 1946
Complete Citation:
Lang, Paul Henry. “Charles Ives.” The Saturday Review, June 1, 1946.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1958
Complete Citation:
Lang, Paul Henry. “Hidden Wonder in Ives’ Scores.” New York Herald Tribune, October 12, 1958, sec. 4, 5.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Lang, Paul Henry. “Hearing Things. Charles Ives.” Saturday Review of Lit-erature 29/22, June 1, 1946, 43-44.Source: Magazine/Book
Reprints: In <i>Charles Ives and His World</i>, 342-345. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances