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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Bernstein, Leonard

Year: 1962
Complete Citation:
Bernstein, Leonard. “Program Five, Folk Music in the Concert Hall.” In Young People's Concerts for Reading and Listen-ing. New York, NY: Simon and Schuster, 1962.
Notes:

Includes discussion about Symphony No. 2 (109--111). Supplement has an abridged recording of the last movement on a 7-inch LP record.

Source: Book
Reprints:

Bernstein, Leonard. <i>Revised, and Newly Expanded: Leonard Bernstein's Young People's Concerts</i>, edited by Jack Gottlieb. New York: Anchor Books, Doubleday, 1992.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Bird, Liz

Year: 1996
Complete Citation:
Bird, Liz. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Brio 33/1 (Spring-Summer 1996): 74.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Blake, Andrew

Year: 1996
Complete Citation:
Blake, Andrew. Review of Charles E. Ives, by Leo Schrade. History: The Journal of the Historical Association 83/272 (1998): 686.
Notes:

Claims that Ives was adopted as “a national musical mascot during Amer-ica’s great patriotic moment of the early 1940s.”

Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1998
Complete Citation:
Blake, Andrew. “Charles Ives and His World.” History, vol. 83, no. 272 (October 1998): 686.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Blangger, Tim

Year: 2001
Complete Citation:
Blangger, Tim. “Baritone Hopes People Embrace, Don’t Beware, The Ives of March: First Edition.” The Morning Call, March 15, 2001.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Blangger, Tim. "Buckner Boosts Stock of Charles Ives: First Edition." The Morning Call, March 21, 2001.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Blassnigg, Katharina

Year: 2008
Complete Citation:
Blassnigg, Katharina. Review of Charles Ives Reconsidered, by Gayle Sherwood Magee. Leonardo, vol. 42, no. 1 (2009): 78-80.
Source: Book
III. Book-Length Studies
C. Book Reviews

Blitzenstein, Marc

Year: 1936
Complete Citation:
Blitzenstein, Marc. “Les Jeunes Americains dans la Musique.” La Revue Musicale 163, February 1936, 145.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Blitzstein, Marc

Year: 1932
Complete Citation:
Blitzstein, Marc. “Review of ‘In the Night’ (Pan American Concert, New York, February 16, 1932).” Modern Music 9/3 (March, 1932).
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings

Block, Geoffrey

Year: 1985
Complete Citation:
Block, Geoffrey. Review of Charles Ives: The Ideas behind the Music, by J. Peter Burkholder. Journal of Musicology 5/2 (Spring 1987): 308-311.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1992
Complete Citation:
Block, Geoffrey. Review of The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives, by Felix Meyer. Notes 48/4 (June 1992): 1297-1299.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1992
Complete Citation:
Block, Geoffrey. Review of The Evolving Keyboard Style of Charles Ives, by Michael John Alexander. American Music 10 (Spring 1992): 98-100.
III. Book-Length Studies
C. Book Reviews
Year: 1992
Complete Citation:
Block, Geoffrey. Review of The Charles Ives Tunebook, by Clayton W. Henderson. Notes 49/1 (September 1992): 134-136.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Geoffrey Block. Ives: Concord Sonata. Cambridge Music Handbooks, general editor, Julian Rushton. Cambridge, United Kingdom: Cambridge University Press.
Source: Book
III. Book-Length Studies
B. Other
Year: 2001
Complete Citation:
Block, Geoffrey. Music & Letters 82/3 (August 2001): 470-472.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Block, Geoffrey, and J. Peter Burkholder (editors)

Year: 1996
Complete Citation:
Block, Geoffrey, and J. Peter Burkholder, eds. Charles Ives and the Classical Tradition. New Haven, CT: Yale University Press, 1996.
Source: Book
III. Book-Length Studies
B. Other

Block, Geoffrey and Julian Rushton

Year: 1996
Complete Citation:
Block, Geoffrey. Ives: Concord Sonata. Cambridge Music Handbooks. Cambridge: Cambridge University Press, 1996.
Source: Book
III. Book-Length Studies
B. Other

Blyth, Alan

Year: 1966
Complete Citation:
Blyth, Alan. “Pop Celebration.” Music and Musicians 15, No. 2 (October 1966): 42.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Boissard, Bertrand

Year: 2014
Complete Citation:
Boissard, Bertrand. “Les disques de A à Z: Charles Ives.” Diapason: le magazine du disque et de la musique vivante (2014): 91-92.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Bolle, Sonja

Year: 2003
Complete Citation:
Bolle, Sonja. “Children’s Books/Inspiring Lives: All Editions.” Newsday, January 26, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances