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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Marco, Guy A.

Year: 1991
Complete Citation:
Marco, Guy A. Review of The Charles Ives Tunebook, by Clayton W. Henderson. Choice 28/8 (April 1991): 1290.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Martin, John

Year: 1954
Complete Citation:
Martin, John. “Ballet Presents ‘Ivesiana’ Suite.” The New York Times. September 15, 1954: 38.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Mason, Redfern

Year: 1933
Complete Citation:
Mason, Redfern. “Recital Made Up of Moderns.” San Francisco Examiner. April 26, 1933, 17.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Matthews, David

Year: 1997
Complete Citation:
David Matthews. “To the Point of Chaos.” Times Literary- Supplement 4939 (November 28, 1997): 12.
Notes:

An “engaging biography.”

Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Matthews, David. “To the Point of Chaos.” Times Literary- Supplement 4939 (November 28, 1997): 12.
Source: Newsletter Supplement
III. Book-Length Studies
C. Book Reviews

Matthew, David

Year: 1997
Complete Citation:
David Matthews. “To the Point of Chaos,” review of The Music of Charles Ives, by Philip Lambert. Times Literary Supplement 4939 (November 28, 1997): 12.
Notes:

“Like a musi-cological laboratory.”

Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Matthew-Walker, Robert

Year: 1997
Complete Citation:
Matthew-Walker, Robert. “Reviews: Concerts: Andrew Ball at the Wigmore.” Musical Opinion Supplement (1997): 9-10.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

McCalla, J. Charles

Year: 2008
Complete Citation:
McCalla, J. Review of Charles Ives Reconsidered, by Gayle Sherwood Magee. American Library Association Choice, Vol. 46 (2008).
Source: Magazine
III. Book-Length Studies
C. Book Reviews

McCutchan, Ann

Year: 1990
Complete Citation:
McCutchan, Ann. “Composer’s Stage Manner Overshadows Music: Final Edition.” Austin American-Statesman, February 6, 1990.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

McDonald, Matthew James

Year: 2014
Complete Citation:
McDonald, Matthew James. Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives. Bloomington, IN: Indiana University Press, 2014.
Source: Book
III. Book-Length Studies
B. Other

McDonaugh, Michael

Year: 2000
Complete Citation:
McDonaugh, Michael. “Concert Reviews: Outsiders in the House.” 21st Century Music, Vol. 7, No. 9 (2000): 24-25.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

McLellan, J.

Year: 1974
Complete Citation:
McLellan, John. “Focusing on Charles Ives.” The Washington Post, September 8, 1974, E6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

McLellan, Joseph

Year: 1995
Complete Citation:
McLellan, Joseph. “Sharon Mabry’s Revamped Verse: Final Edition.” The Washington Post, June 20, 1995.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1998
Complete Citation:
McLellan, Joseph. “Classical Music News: In Cleveland, All Ears on Ives.” The Washington Post. 1998: G2.
Source: Newspaper (concert review)
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

McNally, Owen

Year: 1999
Complete Citation:
McNally, Owen. “A State of Nurture and Chaos: Statewide Edition.” The Hartford Courant, December 12, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Mead, Ernest

Year: 1954
Complete Citation:
Mead, Ernest. “Ives and His Music: Life of Composer Timely, Absorbing.” Richmond News-Leader (1954).
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Meine, Sabine

Year: 1997
Complete Citation:
Meine, Sabine. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Neue Zeitschrift für Musik 158/2, July-August 1997, 74-75.
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Meine, Sabine. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Neue Zeitschrift fur Musik 158, no. 2 (July-August 1997): 75.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Mellers, Wiflrid

Year: 1969
Complete Citation:
Mellers, Wilfrid. Review of Charles Ives and His Music, by Henry and Sidney Cowell (2nd edition]. The Musical Times 110 (November 1969): 1144.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Mellers, Wilfrid

Year: 1955
Complete Citation:
Mellers, Wilfrid. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Music and Letters 36, no. 4 (October 1955): 400.
Source: Journal
III. Book-Length Studies
C. Book Reviews