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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
(-) XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Anderson, Paul G.

Year: 2003
Complete Citation:
Anderson, Paul G. Review of Charles Ives Remembered: An Oral History, compiled by Vivian Perlis. The Oral History Review (July 2003).
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2003
Complete Citation:
Anderson, Paul G. Review of Charles Ives Remembered: An Oral History, edited by Vivian Perlis. The Oral History Review, vol. 30, no. 2 (Summer-Autumn 2003): 137-138.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Anderson, W. R.

Year: 1963
Complete Citation:
Anderson, W.R. Review of “Essays Before a Sonata.” Music Teacher 42/7 (July 1963): 291.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Angermann, Klaus

Year: 1992
Complete Citation:
Angermann, Klaus. Review of The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives, by Felix Meyer. Neue Zeitschrift fur Musik 153/2 (Feb-ruary 1992): 48-49.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Applebaum, Samuel and Sada Applebaum

Year: 1955
Complete Citation:
Applebaum, Samuel and Sada Applebaum. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Violins and Violinists 16/4 (July-August) [136]: 178.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Ashby, Arved

Year: 1993
Complete Citation:
Ashby, Arved. Review of A Union of Diversities, by Larry Starr. American Record Guide (1993) 56/2: 214.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Ashley, Roberta

Year: 1965
Complete Citation:
Ashley, Roberta. “Ballet Goes Pop: Look what the Stately San Francisco Ballet is Up To.” The Sun, April 11, 1965, WM11.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Ayotte, Benjamin

Year: 2009
Complete Citation:
Ayotte, Benjamin. Review of Selected Correspondence of Charles Ives, edited by Tom C. Owens. Fontes Artis Musicae, Vol. 56, No. 4 (2009): 424-427.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Baier, Christian

Year: 1988
Complete Citation:
Baier, Christian. “Danuser/Kämper/Terse - Amerikanische Musik Seit Charles Ives.” Österreichische Musikzeitschrift, vol. 43, no. 9 (1988).
Source: Journal
III. Book-Length Studies
C. Book Reviews

Baker, Paul R.

Year: 1976
Complete Citation:
Baker, Paul R. Review of Charles Ives and the American Mind, by Rosalie Sandra Perry. The Journal of American History 62/4 (1976): 1031.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1977
Complete Citation:
Baker, Paul R. Review of Charles Ives and His America, by Frank R. Rossiter. Journal of American History, Volume 63, Issue 4 (March 1977): 1054-1055,
Source: Journal
III. Book-Length Studies
C. Book Reviews

Balanchine, George, and Francis Mason

Year: 1977
Complete Citation:
Balanchine, George, and Francis Mason. “Ivesiana.” In Balanchine’s Com-plete Stories of the Great Ballets. 2nd ed. Garden City, NY: Doubleday, 1977.
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Balanchine, George (choreographer)

Year: 1954
Complete Citation:
George Balanchine, choreographer. Ivesiana (1954); ballet; New York City Ballet Company. [Homage to Ives in the year of his death.]
Source: *Ballet
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Ballstaedt, Andreas

Year: 1985
Complete Citation:
Ballstaedt, Andreas. Review of Charles Ives: The Ideas behind the Music, by J. Peter Burkholder. Neue Zeitschrift fur Musik 151/6 (June 1990): 52-53.
Source: Journal
Reprints:

Japanese translation by Kazuhiko Kimura. Charuzu Aibuzu: Ongaku ni hisomu amerika shiso. Tokyo, Japan: Oshisha, 1993.

III. Book-Length Studies
C. Book Reviews

Banfield, Stephen

Year: 1978
Complete Citation:
Banfield, Stephen. Review of Ives, by H. Wiley Hitchcock. Music and Letters 59, no. 3 (1978):346-347.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1979
Complete Citation:
Banfield, Stephen. Review of An Ives Celebration, edited by H. Wiley Hitchcock and Vivian Perlis. Music and Letters 60 (April 1979): 216-217.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Barker, John W.

Year: 1976
Complete Citation:
Barker, John W. “Who Owns Charles Ives?” Reviews in American History 4, no. 3 (September 1976): 442-450.
III. Book-Length Studies
C. Book Reviews

Barnes, Clive

Year: 1966
Complete Citation:
Barnes, Clive. “Ives sans Currier.” The New York Times. December 5, 1966: 65.

Notes:

“It is a strange engrossing bal-let. Charles Ives was a strange, engrossing composer.” John Tuvas, choreographer.

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1966
Complete Citation:
Barnes, Clive. “Dance: Ives sans Currier.” The New York Times, December 5, 1966, 65.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Baron, C. K.

Year: 2000
Complete Citation:
Baron, C. K. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Journal of the American Musicological Society, Vol. 53, No. 2 (2000): 437-444.
Source: Journal
III. Book-Length Studies
C. Book Reviews