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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Anderson, W. R.

Year: 1963
Complete Citation:
Anderson, W.R. Review of “Essays Before a Sonata.” Music Teacher 42/7 (July 1963): 291.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Andraschke, Peter

Year: 2008
Complete Citation:
Andraschke, Peter. “Aufbruch in die Zukunft: Charles Ives und seine Lieder.” In Multikulturelle und internationale Konzepte in der Neuen Musik. Vienna, Austria: Böhlau Verlag, 2008.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Angermann, Klaus

Year: 1992
Complete Citation:
Angermann, Klaus. Review of The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives, by Felix Meyer. Neue Zeitschrift fur Musik 153/2 (Feb-ruary 1992): 48-49.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Applebaum, Samuel and Sada Applebaum

Year: 1955
Complete Citation:
Applebaum, Samuel and Sada Applebaum. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Violins and Violinists 16/4 (July-August) [136]: 178.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Argento, Dominick

Year: 1975-1976
Complete Citation:
Argento, Dominick. “A Digest Analysis of Ives’ ‘On the Antipodes.’” Student Musicologists at Minnesota Vol. 6 (1975-1976): 192-200.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Arlton, Dean Luther

Complete Citation:
Arlton, Dean Luther. “American piano sonatas of the twentieth century: selective analyses and annotated index.” Thesis, Columbia University, 1968.
IV. Individual Studies by Genre
C. Keyboard Works

Arnold, Jermie S.

Year: 2016
Complete Citation:
Arnold, Jermie S. ““Country Band” March - Pioneering the Ivesian Sound.” Journal of Band Research 52, no. 1 (Fall 2016): 44-67.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Ashby, Arved

Year: 1993
Complete Citation:
Ashby, Arved. Review of A Union of Diversities, by Larry Starr. American Record Guide (1993) 56/2: 214.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Auner, Joseph Henry

Year: 2013
Complete Citation:
Auner, Joseph Henry. “Symphony no. 1. Movement 1 / Charles Ives.” In Musicology: A Book Series, 15. Basel, Switzerland: Gordon and Breach
Publishing Group, 1994: 37-50.
Source: Chapter in Book
Reprints:

Auner, Joseph Henry. “Symphony no. 1. Movement 1 / Charles Ives.” In <i>Anthology for music in the twentieth and twenty-first centuries</i>. New York: W.W. Norton & Company, 2013.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Austin, Larry

Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modern Performance from Sketches from his ‘Universe’-Symphony.” Perc Notes 23 (1985): 58-84.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1997
Complete Citation:
Austin, Larry. “The Realization and First Complete Performances of Ives's Universe Symphony.” In Ives Studies, edited by Philip Lambert, 179-232. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Avery T. Sharp and James Michael Floyd

Complete Citation:
Sharp, Avery T. and James Michael Floyd. “Charles Ives (1874-1954).” In Choral music: a research and information guide. New York, NY: Routledge, 2002.
Source: Chapter in Book
IV. Individual Studies by Genre
D. Choral Works

Ayotte, Benjamin

Year: 2009
Complete Citation:
Ayotte, Benjamin. Review of Selected Correspondence of Charles Ives, edited by Tom C. Owens. Fontes Artis Musicae, Vol. 56, No. 4 (2009): 424-427.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Babcock, Michael J.

Year: 1974-1975
Complete Citation:
Babcock, Michael J. “Ives’ ‘Thoreau’: A Point of Order.” American Society of University Composers (Proceedings) IX/X (1974/75): 91-102.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Babko, Jeff

Year: 2014
Complete Citation:
Babko, Jeff. “5 Ways to Play Like Bruce Hornsby.” Keyboard, Vol. 40, No. 10 (2014): 30-32.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Bader, Yvette

Year: 1972
Complete Citation:
Bader, Yvette. The Music Review 33, Vol. 1, No. 4. (November 1972): 292-299.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Baier, Christian

Year: 1988
Complete Citation:
Baier, Christian. “Danuser/Kämper/Terse - Amerikanische Musik Seit Charles Ives.” Österreichische Musikzeitschrift, vol. 43, no. 9 (1988).
Source: Journal
III. Book-Length Studies
C. Book Reviews

Baker, Paul R.

Year: 1976
Complete Citation:
Baker, Paul R. Review of Charles Ives and the American Mind, by Rosalie Sandra Perry. The Journal of American History 62/4 (1976): 1031.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1977
Complete Citation:
Baker, Paul R. Review of Charles Ives and His America, by Frank R. Rossiter. Journal of American History, Volume 63, Issue 4 (March 1977): 1054-1055,
Source: Journal
III. Book-Length Studies
C. Book Reviews

Baldwin, Philip

Year: 1996
Complete Citation:
Baldwin, Philip. “An Analysis of three violin sonatas by William Bolcom.” Ph.D. diss., Ohio State University, 1996.
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
B. Chamber Works