Giebisch, Thomas
Year: 2004
Complete Citation:
Giebisch, Thomas. “‘Take-Off’ als Kompositionsprinzip: Alltags- erfahrungen als Ausgangspunkt einer musikalischen Realisation.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 73-84. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Gilbert, Chase
Year: 1967
Complete Citation:
Gilbert, Chase. Review of Epilogue from Essays before a Sonata, by Charles Ives. Yearbook of Inter-American Institute for Musical Research 3 (1967): 101--110.Source: Journal
III. Book-Length Studies
C. Book Reviews
Gilbert, Nina
Year: 1990
Complete Citation:
Gilbert, Nina. “Musica Practica.” The Choral Journal 31/2 (1990): 43-45.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1995
Complete Citation:
Gilbert, Nina. “Musica Practica.” The Choral Journal, vol. 36, no. 3 (1995): 49-52.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Gilday, Edward F.
Year: 1962
Complete Citation:
Gilday, Edward F. “The Greatest Man.” Keyboard Jr. 20/7 (April 1962): 2, 4.Notes: A description of the song The Greatest Man to accompany the article. Included a recording.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Gillespie, John
Year: 1965
Complete Citation:
Gillespie, John. Five Centuries of Keyboard Music: An Historical Sur-vey of Music for Harpsichord and Piano. Belmont, CA: Wadsworth, 1965.Notes: One paragraph about Sonata No. 1; almost a page about Sonata No. 2, “Concord, Mass., 1840--1860,” for piano, that “is the best example of [Ives's] fully ripened style.”
Source: Sheet Music
IV. Individual Studies by Genre
C. Keyboard Works
Gilman, Lawrence
Year: 1927
Complete Citation:
Gilman, Lawrence. “Music: A New Opera (Milhaud), a New Sym-phony (Ives) and a Debussy Fragment.” The New York Herald Tribune. January 31, 1927.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1927
Complete Citation:
Gilman, Lawrence, “Music: A New Opera (Milhaud), a New Sym-phony (Ives) and a Debussy Fragment.” The New York Herald Tribune, January 31, 1927.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Gilmore, Bob
Year: 2000
Complete Citation:
Gilmore, Bob. "Reinventing Ives,” review of Charles Ives Studies, edited by Philip Lambert. Music Analysis 19/1 (March 2000): 101--123.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2000
Complete Citation:
Gilmore, Bob. “Reinventing Ives,” review of Ives: Concord Sonata, by Geoffrey Block. Music Analysis 19/1 (March 2000): 101-123.Source: Journal
Reprints: Second Edition, transferred to digital printing: 2006. <br>
III. Book-Length Studies
C. Book Reviews
Glahn, Denise von
Year: 2004
Complete Citation:
Glahn, Denise von. “Musikalische Stadtlandschaft: Central Park in the Dark.” In Musik-Konzepte 123 —Charles Ives, edited by Ulrich Tadday, 89-108. Munich, Germany: Edition Text und Kritik, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Goldman, Richard Franko
Year: 1955
Complete Citation:
Goldman, Richard Franko. Notes 12/2 (March 1955): 217-218.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1955
Complete Citation:
Goldman, Richard Franko. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Notes 12, no. 2 (March 1955): 217- 218.Source: Journal
III. Book-Length Studies
C. Book Reviews
Goleeke, Thomas
Year: 1984
Complete Citation:
Goleeke, Thomas. Literature for Voice: An Index of Songs in Collec-tions and Source Book for Teachers of Singing, 56-60, 65-66. Metuchen, NJ: Scare-crow, 1984.Source: Book
IV. Individual Studies by Genre
E. Songs
Gollin, Rita K.
Year: 2006
Complete Citation:
Gollin, Rita K. “Charles Ives's Hawthorne.” Nathaniel Hawthorne Review, vol. 32, no. 2 (2006): 23-36.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Goodman, Alan
Year: 2005
Complete Citation:
Goodman, Alan. “A Bassoon Lite, Please... Eyeballing Mehta.” The Double Reed, Vol. 28, No. 4 (2005): 109-110.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Goodman, John
Year: 1968
Complete Citation:
Goodman, John. “An Urbanized Thoreau.” The New Leader (September 23, 1968: 23-24.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Gordon, Stewart
Year: 1996
Complete Citation:
Gordon, Stewart. Review of Charles Ives: A Life with Music, by Jan Swafford. American Music Teacher 46/6 (June--July 1997): 88--89.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Gordon, Stewart. Review of Charles Ives: A Life with Music, by Jan Swafford. American Music Teacher 46/6 (June-July 1997): 88-89.Source: Journal
III. Book-Length Studies
C. Book Reviews
Goudie, Andrea
Year: 1972
Complete Citation:
Goudie, Andrea. “Exploring the Broad Margins: Charles Ives’s Interpretation of Thoreau.” The Midwest Quarterly 13 (1972): 309-317.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
