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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Henahan, Donal

Year: 1996
Complete Citation:
Henahan, Donal. “Bring in da Noise.” New York Times Book Review, August 4, 1996, 11-12.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Henahan, Donal. “Bring in da Noise,” review of Charles Ives: A Life with Music, by Jan Swafford. New York Times Book Review (August 4): 11--12.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Henck, Herbert

Year: 1980
Complete Citation:
Henk, Herbert. “Randbemerkung. Zu Ives’ ‘Gesamtem Klavierwerk.’” In Neuland: Ansatze zur Musik der Gegenwart, 43. Vol. 1. Cologne, Germany: Neuland Musikverlag Herbert Henck, 1980.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Henck, Herbert. ““Waltz-Rondo” und andere Klavierstücke von Charles Ives.” Neuland - Ansätze zur Musik der Gegenwart 1 (1980): 44-46.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1982
Complete Citation:
Henck, Herbert. “Versehen - Versehren. 2. Lanze. Zur Neuausgabe von Charles E. Ives’ Erster Klaviersonate.” Neuland - Ansätze zur Musik der Gegenwart 2 (1982): 206-207.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1983
Complete Citation:
Henck, Herbert. “Aus zweiter Hand: Charles E. Ives’ “Study No. 20.”” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.
Source: Chapter in Book
Reprints:

Henck, Herbert. "Aus zweiter Hand: Charles E. Ives' 'Study No. 20.' Review of Study No. 20 by Charles Ives.]"Neuland 3 (1982-83): 242.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1988
Complete Citation:
Henck, Herbert. “Charles Ives Piano Sonata No. 2: ‘Concord, Mass., 1840-1960’.” In Charles Ives und die amerikanische Musik. International Symposium, February 24-27, 1988. Cologne, Germany.
Source: Festival Booklet
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1992
Complete Citation:
Henck, Herbert. “Klavierwerke von Charles Ives: Werkkommentare.” In Experimentelle Pianistik: Improvisation, Interpreta-tion, Komposition: Schriften zur Klaviermusik (1982 bis 1992), 167-183. Mainz, Germany: Schott, 1992.
Notes:

Contents: Einfuhrung (167-168), Biographisches (168-169), Piano Sonata No. 1 (170-172), Piano Sonata No. 2: "Concord, Mass., 1840- 1860" (172-177), Ausgewählte Klavierstucke (177-183).

Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Henck, Herbert. “‘Do whatever seems natural or best to you’: Noten- text und Interpretation von Charles Ives’ Concord Sonata.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 116-122. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Henderson, C.W.

Year: 2008
Complete Citation:
Henderson, C. W. Review of Selected Correspondence of Charles Ives, edited by Thomas C. Owens. Notes, Vol. 64, No. 4 (2008): 748-750.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Henderson, Clayton

Year: 1996
Complete Citation:
Henderson, Clayton. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Choice 33/8, April 1996, 13-20.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Henderson, Clayton W.

Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Bibliographies in American Music, 14, edited by James R. Heintze. Warren, MI: Harmonie Park Press, 1990.
Notes:

A collection of melo-dies (i.e., without their original harmonizations) that Ives used in his compositions. Part I: hymn tunes, patriotic songs, military music, pop-ular songs, college music, popular instrumental melodies, and some classical pieces. Part II: unknown tunes, [a list of] Ives's compositions with quotations, and musical incipits.

Source: Book
III. Book-Length Studies
B. Other
Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Sterling Heights, MI: Harmonie Park Press, 1990.
Source: Book
III. Book-Length Studies
B. Other
Year: 2008
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. 2nd ed. Bloomington, IN: Indiana University Press, 2008.
Source: Book
III. Book-Length Studies
B. Other

Henry, Barbara D.

Year: 1970
Complete Citation:
Henry, Barbara D. Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. Library Journal 95/15 (September 1, 1970): 27-88.
Notes:

Suggests that this is a valuable source book because the Kirkpatrick catalogue had limited distribution.

Source: Journal
Reprints:

Henry, Barbara D. “Library Journal Book Review 1970.” New York/London, United Kingdom: R.R. Bowker, 1970: 26.

III. Book-Length Studies
C. Book Reviews

Hermann, Bernard

Year: 1945
Complete Citation:
Hermann, Bernard. “Four Symphonies by Charles Ives.” Modern Music, vol. 22, no. 6 (November-December 1945).
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Herrmann, Bernard

Year: 1945
Complete Citation:
Herrmann, Bernard. “Four Symphonies of Charles Ives.” Modern Music 22 (1945): 215-222.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1955
Complete Citation:
Herrmann, Bernard. “Yankee Composer.” Review of Charles Ives and His Music, by Henry Cowell. Saturday Review 38, no. 3 (January 15, 1955): 27-28.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Hertz, David Michael

Year: 1996
Complete Citation:
Hertz, David Michael. “European Influences: Ives and the Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 43-46. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1997
Complete Citation:
Hertz, David Michael. “Ives's Concord Sonata and the Texture of Music.” In Charles Ives and His World, edited by J. Peter Burkholder, 75-117. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works