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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Matthews, David

Year: 1997
Complete Citation:
David Matthews. “To the Point of Chaos.” Times Literary- Supplement 4939 (November 28, 1997): 12.
Notes:

An “engaging biography.”

Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Matthews, David. “To the Point of Chaos.” Times Literary- Supplement 4939 (November 28, 1997): 12.
Source: Newsletter Supplement
III. Book-Length Studies
C. Book Reviews

Matthew, David

Year: 1997
Complete Citation:
David Matthews. “To the Point of Chaos,” review of The Music of Charles Ives, by Philip Lambert. Times Literary Supplement 4939 (November 28, 1997): 12.
Notes:

“Like a musi-cological laboratory.”

Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Mauldin, Walt

Year: 1991
Complete Citation:
Mauldin, Walt. “The Influence of Gregg Smith on Twentieth-Century Choral Literature as a Composer and Conductor.” The Bulletin of Historical Research in Music Education 12/2 (1991): 83-99.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

McCalla, J. Charles

Year: 2008
Complete Citation:
McCalla, J. Review of Charles Ives Reconsidered, by Gayle Sherwood Magee. American Library Association Choice, Vol. 46 (2008).
Source: Magazine
III. Book-Length Studies
C. Book Reviews

McCalla, James

Complete Citation:
McCalla, James. “Time Present and Time Past: Two Sonatas for Violin and Piano by Charles Ives.” In Twentieth-Century Chamber Music. New York, NY: Routledge, 2003.
IV. Individual Studies by Genre
B. Chamber Works

McCrae, Elizabeth

Year: 1974
Complete Citation:
McCrae, Elizabeth. “The Piano Music.” Music Educators Journal 61/2 (1974): 53-57.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

McCray, James

Year: 1996
Complete Citation:
McCray, James. “Music for Voices and Organ: Psalm 14.” The Diapason, Vol. 87, No. 1 (1996): 8.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

McDonald, Matthew

Year: 2004
Complete Citation:
McDonald, Matthew. “Silent Narration? Elements of Narrative in Ives's The Un-answered Question.” 19th-Century Music 27/3 (2004): 263-286.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

McDonald, Matthew James

Year: 2014
Complete Citation:
McDonald, Matthew James. Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives. Bloomington, IN: Indiana University Press, 2014.
Source: Book
III. Book-Length Studies
B. Other

Mead, Ernest

Year: 1954
Complete Citation:
Mead, Ernest. “Ives and His Music: Life of Composer Timely, Absorbing.” Richmond News-Leader (1954).
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Meine, Sabine

Year: 1992
Complete Citation:
Meine, Sabine. “Scenes from My Childhood Are with Me...Biographische Momente in den 114 Songs von Charles E. Ives.” Musik und Bildung: Praxis Musikerzeitung 24/3 (May-June 1992): 9-13.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1997
Complete Citation:
Meine, Sabine. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Neue Zeitschrift für Musik 158/2, July-August 1997, 74-75.
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Meine, Sabine. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Neue Zeitschrift fur Musik 158, no. 2 (July-August 1997): 75.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Meister, Barbara

Year: 1980
Complete Citation:
Meister, Barbara. An Introduction to the Art Song, 189-191. New York, NY: Taplinger Publishing Company, 1980.
Notes:

Discusses When General William Booth Enters into Heaven, “probably the most representative of the lot” (i.e., the songs], 190 (considers The Chil-dren's Hour, The Circus Band, The Greatest Man, The Housatonic at Stockbridge (“One of Ives's most evocative songs...an atmospheric, moody piece of simple serenity. One senses reverie, time suspended, peace.”), In Flanders Fields, The Last Reader, Maple Leaves, The Side- Show, They Are There!,The Things Our Fathers Loved, Tom Sails Away, Two Little Flowers), 191 (“He was the first major thoroughly American composer”).

Source: Book
IV. Individual Studies by Genre
E. Songs

Melick, Jennifer

Year: 2013
Complete Citation:
Melick, Jennifer. “To Market, To Market.” Symphony, Vol. 64, No. 1 (2013): 53.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Mellers, Wiflrid

Year: 1969
Complete Citation:
Mellers, Wilfrid. Review of Charles Ives and His Music, by Henry and Sidney Cowell (2nd edition]. The Musical Times 110 (November 1969): 1144.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Mellers, Wilfrid

Year: 1955
Complete Citation:
Mellers, Wilfrid. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Music and Letters 36, no. 4 (October 1955): 400.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1969
Complete Citation:
Mellers, Wilfrid. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Instrumentalist 24/1 (August 1969): 16. “Ives."
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1986
Complete Citation:
Mellers, Wilfrid. “Stretching Manly Ears.” Review of Charles Ives: The Ideas behind the Music, by J. Peter Burkholder. Times Literary Supplement 4323 (February 7, 1986): 143.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews