Rathert, Wolfgang
Year: 1988
Complete Citation:
Rathert, Wolfgang. “Zur Entwicklung des symphonischen Werks von Charles Ives.” In Bericht über das Internationale Symposion “Charles Ives und die amerikanische Musiktradition bis zur Gegenwart”: Kongreßbericht Köln, 1988, edited by Klaus Wolfgang Niemöller. Regensburg, Germany: Gustav Bosse, 1990.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1988
Complete Citation:
Rathert, Wolfgang. “Zum symphonischen Werk von Charles Ives.” In Charles Ives und die amerikanische Musiktradition bis zur Gegenwart, 53-72. Cologne, Germany: University of Cologne, 1988.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1989
Complete Citation:
Rathert, Wolfgang. Charles Ives. Erträge der Forschung. Darmstadt, Germany: Wissenschaftliche Buchgesellschaft, 1989.Source: Book
Reprints: Rathert, Wolfgang. <i>Charles Ives</i>. Erträge der Forschung. Second Corrected Edition. Wissenschaftliche Buchgesellschaft. Second Corrected Edition, 1996.
III. Book-Length Studies
A. Biographies
Year: 1989
Complete Citation:
Rathert, Wolfgang. Charles Ives. Darmstadt, Germany: Wiss. Buchges., 1989.Source: Book
III. Book-Length Studies
A. Biographies
Year: 1990
Complete Citation:
Rathert, Wolfgang. “Mahler und Ives. Gibt es eine ‘geheime Zeitgenossenschaft’?” Nue Zeitschrift für Musik 151/10 (1990): 7-12.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Hymne auf das Ende eines tragischen Tages. Charles Ives und sein “Orchestral Set No. 2.”” Neue Musikzeitung 5 (May 2004): 3-4.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Musik und Lyrik in der Musikgeschichte der USA.” In Musikalische Lyrik, edited by Hermann Danuser, 331-363. Handbuch der musikalischen Gattungen 8.2, edited by S. Mauser. Lilienthal, Germany: Laaber-Verlag, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Auratische Form und Lebenswirklichkeit—Zu Charles Ives’ Orchestral Set No. 2 (1909--1919).” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 138-148. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Reed, Alice S.
Year: 2005
Complete Citation:
Reed, Alice S. Charles Edward Ives and his Piano sonata no. 2 "Concord, Mass. 1840-1860.” Victoria, BC: Trafford Publishing, 2005.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Reinhard, Johnny
Year: 2004
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2005
Notes: An article explaining some of the decisions the author/conductor made in preparing a "realization" of the Universe Symphony for performance.
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
Repertoire & Standards National Committee, and Barbara Tagg
Year: 2003
Complete Citation:
Repertoire & Standards National Committee and Barbara Tagg. “Resources: Books, Articles, Organizations and Web Sites Related to American Choral Music.” The Choral Journal 43/8 (2003): 57-71.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Repertoire & Standards National Committee Chairs
Year: 2003
Complete Citation:
Repertoire & Standards National Committee Chairs. “Selected American Choral Repertoire.” The Choral Journal, vol. 43, no. 8 (2003): 49-54.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Rescigno, Eduardo
Year: 1967
Complete Citation:
Rescigno, Eduardo. “Ascoltando il disco: [Charles Edward Ives] Holi-days Symphony.” La Musica Moderna 1/26 (1967): 158--160.Notes: Discussion of “A Symphony: New England Holidays” for the inserted recording.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Reti, Rudolph
Year: 1958
Complete Citation:
Reti, Rudolph. Tonality, Atonality, Pantonality: A Study of Some Trends in Twentieth Century Music, 43, 63-65, 89, 149-151. New York, NY: Macmillan, 1958.Notes: Discusses Con-cord Sonata and Symphony No. 4.
Source: Book
Reprints: Reti, Rudolph. <i>Tonality in Modern Music</i>, 61, 82-84, 107, 171, 173. New York, NY: Collier Books, 1962. * Reti, Rudolph. <i>Tonalidad, Atonalidad, Pantonalidad</i>. Translated to Spanish by Joaquín Homs. Madrid, Spain: Rialp, 1965.
IV. Individual Studies by Genre
C. Keyboard Works
Rexroth, Dieter
Year: 1979
Complete Citation:
Rexroth, Dieter. “Ein amerikanischer Denkstil in der Concord-Sonate. Zu einem Aspekt des Transzendentalisten Charles E. Ives.” In Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik, 54-61. Frankfurter Studien, Vol. 3. Mainz, Germany: Schott, 1979.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Ribakove, Seymour L.
Year: 1962
Complete Citation:
Ribakove, Seymour L.. “A Prophet without Honor.” Keyboard Jr. 20/7 (April 1962): 1, 4.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Richardson, Paul Akers
Year: 1979
Complete Citation:
Richardson, Paul Akers. “A Guide for the Study of Solo Song Literature in the English Language by Selected Composers of the Twentieth Century.” Ph.D. diss., The Southern Baptist Theological Seminary, 1979.Source: Ph.D. Dissertation
IV. Individual Studies by Genre
E. Songs
Riedel, Johannes
Year: 1973
Complete Citation:
Riedel, Johannes. Review of Essays Before a Sonata and Other Writings, by Charles Ives, edited by Howard Boatwright. Journal of Research in Music Education 13/1 (1965): 61-63;Source: Journal
III. Book-Length Studies
C. Book Reviews
Riedel, Johannes and Robert Oudal
Year: 1969
Complete Citation:
Riedel, Johannes and Robert Oudal. A Charles Ives primer; a tentative introduction to music ideas as found in Charles Ives’ music. Minneapolis, MN: University of Minnesota, 1969.Source: Book
III. Book-Length Studies
B. Other
