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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Riis, Thomas L.

Year: 2004
Complete Citation:
Riis, Thomas L. “Memory, Form, and Invention in Charles Ives's Fourth Violin Sonata.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.
Source: Conference
IV. Individual Studies by Genre
B. Chamber Works

Robinson, Bradley C.

Year: 2020
Complete Citation:
Robinson, Bradley C. “The Songs of Charles Ives: A Closer Look at Undiscovered Pedagogic Treasures for the Collegiate Voice.” Journal of Singing, vol. 76, no. 4 (2020): 403-421.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Robinson, David

Year: 1975
Complete Citation:
Robinson, David. Review of Charles Ives and the American Mind, by Rosalie Sandra Perry. American Literature, Vol. 47, No. 3 (November 1975): 458-460.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Robinson, Edward

Year: 1930
Complete Citation:
Edward Robinson. “Fourth Symphony, Second Movement.” American Mercury XXI, 83 (November 1930): 378.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Robinson, Suzanne

Year: 2011
Complete Citation:
Robinson, Suzanne. “Percy Grainger and Henry Cowell: Concurrences Between Two ‘Hyper-Moderns.’” The Musical Quarterly 94/3 (2011): 278-324.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Roedel, Astrid

Year: 1995
Complete Citation:
Roedel, Astrid. “Fragen und Antworten in der Musik Charles Ives ‘The Unanswered Question’: Annäherung an das Werk sowie Überlegungen zur Behandlung in der Mittel und Oberstufe.” Musik in der Schule 4 (July/August): 192-198.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Rogers, Harold

Year: 1955
Complete Citation:
Rogers, Harold. “Truly American Composer.” Christian Science Monitor (May 5): 7.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Roggenkamp, P.

Year: 1986
Complete Citation:
Roggenkamp, P. “Der Fluegel: gestreichelt, gezupft, geslagen: Studie fur ‘praepariertes’ Klavier—auch im paedagogischen Einsatz geeinget.” Neue Musikzeitung 135 (December 1986): 19.
Notes:

Discusses the Concord Sonata.

Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Romine, Thomas Howard

Year: 1984
Complete Citation:
Romine, Thomas Howard. “Double String Quartet: Musical Score and Analysis.” D.M.A. diss., Ohio State University, 1984.
Source: D.M.A. Dissertation
IV. Individual Studies by Genre
B. Chamber Works

Rorem, Ned

Year: 1968
Complete Citation:
Rorem, Ned. Music and People, 14, 137, 141, 144. New York, NY: George Brazillerj, 1968.
Notes:

([Ives’s]” Epilogue from Essays Before a Sonata {All} is a model of spirited English, depicting the creative process once and for all."), 161, 173 (compares Ezra Pound to "utterances' of Ives), 21.

Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Rosenberg, Donald

Year: 2005
Complete Citation:
Review of Horowitz, Classical music in America - Donald Rosenberg. Gramophone 82/990 (March 2005): A18.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Rosenberg, Marion L.

Year: 2012
Complete Citation:
Rosenberg, Marion L. “Keepers of the Musical Flame; in “Moral Fire,” Joseph Horowitz Offers Portraits of Four Figures from America’s Gilded Age Who Believed that Great Art can Uplift. Music in Particular was at the Heart of their Outlook and Sense of Mission.” The Wall Street Journal, August 30, 2012.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Rosenfeld, Paul

Year: 1939
Complete Citation:
Rosenfeld, Paul. “Ives’ Concord Sonata.” Modern Music, Vol. 16, No. 2 (January-February 1939): 109-112.
Source: Journal
Reprints:

Rosenfeld, Paul. “Ives’ Concord Sonata.” In <i>Charles Ives and his World, </i>edited by J. Peter Burkholder, 314-316. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
C. Keyboard Works

Rossiter, Frank

Year: 1973
Complete Citation:
Roster, Frank. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. Yearbook for Inter-American Music Research 9 (1973):182-185.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Rossiter, Frank R.

Year: 1973
Complete Citation:
Rossiter, Frank R. Review of Charles E. Ives: Memos. Yearbook for Inter-American Musical Research 9 (1973): 182-185.
Source: Article
III. Book-Length Studies
C. Book Reviews
Year: 1975
Complete Citation:
Rossiter, Frank R. Charles Ives and his America. New York, NY: Liveright, 1975.
Source: Book
III. Book-Length Studies
A. Biographies
Year: 1986
Complete Citation:
Rossiter, Frank R. Review of Charles Ives: The Ideas behind the Music, by J. Peter Burkholder. American Historical Review 91/4 (October 1986): 1007.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Rostkowski, David

Year: 1987
Complete Citation:
Rostkowski, David. “America’s Greatest Composer: The Piano Works of Charles Ives.” In Piano music. VII: Muzyka fortepianowa. VII, edited by Janusz Krassowski. Prace specjalne Vol. 42. Gdansk, Poland: Akademia Muzyczna im. St. Moniuszki, 1987, 119-42.
Source: Chapter in Book, Journal
IV. Individual Studies by Genre
C. Keyboard Works

Rottermund, Krzysztof

Year: 1989
Complete Citation:
Rottermund, Krzysztof. “Filozofia, estetyka i warsztat w utworze Charlesa Ivesa The Unanswered Question." Zeszyty naukowe 28 (1989): 199-202.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Round, Michael

Year: 2009
Complete Citation:
Round, Michael. “Making Waves: Three Fazes in New England.” Classical Piano, Vol. 17, No. 4 (2009): 36-37, 39, 41.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works