Rummenhöller, Peter
Year: 2000
Complete Citation:
Rummenhöller, Peter. “Seismograf Der Moderne: Das Klavier Im Zwanzigsten Jahrhundert.” Neue Zeitschrift Für Musik 161/1 (2000): 12-17.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Saal, Rollene W.
Year: 1969
Complete Citation:
Saal, Rollene W. Review of Charles Ives and His Music, by Henry and Sidney Cowell. “Pick of the Paperbacks: The Arts.” (June 21, 1969) 52/25: 62.Source: Journal/Magazine
III. Book-Length Studies
C. Book Reviews
Sabin, Robert
Year: 1955
Complete Citation:
1955 - R[obert] S[abin]. "Cowells Write Study of Ives."Musical Amer-ica (1956 February 1) 76/3: 29.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1963
Complete Citation:
Sabin, Robert. “20th-century Americans.” In Choral Music: 4 Symposium, edited by Arthur Jacobs. Baltimore, MD: Penguin Books, 1963.Source: Chapter in Book
Reprints: Sabin, Robert. “20th-century Americans.” In <i>Choral Music: 4 Symposium</i>, edited by Arthur Jacobs, 371-372. Baltimore, MD: Penguin Books, 1978.
IV. Individual Studies by Genre
D. Choral Works
Year: 1963
Complete Citation:
Sabin, Robert. “Twentieth-Century Americans.” In Choral Music: A Symposium, edited by Arthur Jacobs, pp. 371-372. Baltimore, MD: Penguin Books, 1963.Source: Chapter in Book
Reprints: Sabin, Robert. “Twentieth-Century Americans.” In <i>Choral Music: A Symposium</i>, edited by Arthur Jacobs, 371-372. Baltimore, MD: Penguin Books, 1978.
IV. Individual Studies by Genre
D. Choral Works
Sallmen, Mark
Year: 2001
Complete Citation:
Sallmen, Mark. Review of The Music of Charles Ives, by Philip Lambert. Music Theory Spectrum 23/2 (Fall 2001): 255--263.Source: Journal
III. Book-Length Studies
C. Book Reviews
Sarch, Kenneth
Year: 1966
Complete Citation:
Sarch, Kenneth. “The Village Band Becomes a Symphony.” Selmer Bandwagon (November 1966) 14/4: 19--21.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Schaal-Gotthardt, Susanne
Year: 2005
Complete Citation:
Schaal-Gotthardt, Susanne. Review of Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp. Österreichische Musikzeitschrift, Vol. 60, No. 10-11 (2005): 81.Source: Journal
III. Book-Length Studies
C. Book Reviews
Schans, Peter J.
Year: 1955
Complete Citation:
Peter J. Schans. “A Book About Charles Ives.” MONY Talks (February) 14/5: 10.Source: Journal
III. Book-Length Studies
C. Book Reviews
Schatt, Peter W.
Year: 1991
Complete Citation:
Schatt, Peter W. “Charles Ives…‘Central Park in the Dark.’ Sekundarstufe II.” Musik in der Schule 2/7 (1991): 47.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Schiff, David
Year: 1994
Complete Citation:
Schiff, David. “Composers on the Couch: Does It Help Anyone to Psychoanalyze a Composer’s Work?” Atlantic Monthly 273/1, January 1994, 106-108, 110, 112-116, 118-122.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Schmidtals, Lenard
Year: 2004
Complete Citation:
Lenard Schmidtals. “Einige kompositorische Verfahren in Central Park in the Dark.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 149-156. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Schnepel, Julie
Year: 1995
Complete Citation:
Schnepel, Julie. “The Critical Pursuit of the Great American Symphony, 1893-1950.” Ph.D. diss., Indiana University, 1995, 527-541.Source: Ph.D. Dissertation
IV. Individual Studies by Genre
A. Orchestral and Band Works
Schoffman, Nachum
Year: 1977
Complete Citation:
Schoffman, Nachum. “Charles Ives’s Song ‘Vote for Names’.” Current Musicology, no. 23 (1977): 56-68.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1989
Complete Citation:
Schoffman, Nachum. Review of Charles Ives, by Wolfgang Rathert. Tempo 175 (December 1990): 31-32.Source: Journal
III. Book-Length Studies
C. Book Reviews
Scholz, Gottfried
Year: 1994
Complete Citation:
Scholz, Gottfried, ed. “Charles Ives Three Improvisations for Piano.” In Pluralismus analytischer Methoden. Publikation des Institut fur Musikanalytik, Wien, 3. Frankfurt am Main, Germany/New York, NY: Peter Lang, 1996.Notes: Symposium held on November 1 at the Institut fur Musikanalytik, Wien. Session IV.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1996
Complete Citation:
Scholz, Gottfried. “IV. Session: Charles Ives, Three improvisations for piano / Claudia Maurer Zenck, Siegfried Mauser, Marie-Agnes Dittrich, Peter Revers.” In Pluralismus analytischer Methoden. Frankfurt am Main, Germany: P. Lang, 1996.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Schonberg, Harold C.
Year: 1955
Complete Citation:
Schonberg, Harold C. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Musical Courier 151/4 (February 15): 45.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1955
Complete Citation:
Schonberg, Harold C. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Musical Courier 151, no. 4 (15 February 1955): 45; reprinted in Tempo 36 (Summer 1955): 31-32.Source: Journal
III. Book-Length Studies
C. Book Reviews
Schönlau, Stephan
Year: 2012
Complete Citation:
Schönlau, Stephan. Kompositionstechnik in den Studies für Klavier von Charles Ives. Hamburg, Germany: Diplomica Verlag, 2012.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works