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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Krebs, Harald

Year: 1990
Complete Citation:
Krebs, Harald. Review of The Charles Ives Tunebook, by Clayton W. Henderson. Die Musikforschung 45/4 (October-December 1992): 435-436.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1992
Complete Citation:
Krebs, Harald. Review of The Charles Ives Tunebook, by Clayton Henderson. Die Musikforschung, Vol. 45 (1992): 435.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Krider, Dale

Year: 2012
Complete Citation:
Krider, Dale. “Musicians in Part-Time Employment: Do Only Organists Play the Organ?” The American Organist, Vol. 46, No. 6 (2012): 50.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lambert, J. Philip

Year: 1991
Complete Citation:
Lambert, J. Philip. Journal of Musicological Research 1, no. 4 (1991): 237-262.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lambert, Philip

Year: 1997
Complete Citation:
Lambert, Philip. The Music of Charles Ives. Composers of the Twen-tieth Century, series edited by Allen Forte. New Haven, CT: Yale University Press, 1997.
Notes:

Includes analyses of Tone Roads No. 1, Study No. 5, and The Cage.

Source: Book
III. Book-Length Studies
B. Other
Year: 1997
Complete Citation:
Lambert, Philip. “Ives's Universe.” In Ives Studies, edited by Philip Lambert, 233-259. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1997
Complete Citation:
Lambert, Philip. “The Music of Charles Ives.” New Haven, CT: Yale University Press, 1997.
Source: Book
III. Book-Length Studies
B. Other
Year: 2001
Complete Citation:
Lambert, Philip. The Music of Charles Ives. New Haven, CT: Yale University Press, 1997.
Source: Journal
III. Book-Length Studies
B. Other
Year: 2016
Complete Citation:
Lambert, Philip. Review of Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives, by Matthew McDonald. Music Theory Spectrum, vol. 38, no. 2 (2016): 271-273.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Lambert, Philip, ed.

Year: 1997
Complete Citation:
Lambert, Philip, ed. Charles Ives Studies. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Book
III. Book-Length Studies
B. Other

Lambert, Philip (editor)

Year: 1997
Complete Citation:
Lambert, Philip, ed. Ives Studies. Cambridge, UK: Cambridge University Press, 1997.
Source: Book
III. Book-Length Studies
B. Other

Lang, Paul Henry

Year: 1946
Complete Citation:
Lang, Paul Henry. “Charles Ives.” The Saturday Review, June 1, 1946.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Lee, Douglas A.

Year: 2002
Complete Citation:
Lee, Douglas A. “Charles Ives.” In Masterworks of 20th-century music: the modern repertory of the symphony orchestra. New York, New York: Routledge, 2002.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lehman, Mark L.

Year: 2007
Complete Citation:
Lehman, Mark L. “Overview: American Symphonies.” American Record Guide, Vol. 70, No. 4 (2007): 40-55.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Leichtentritt, Hugo

Year: 1946
Complete Citation:
Leichtentritt, Hugo. Serge Koussevitsky, the Boston Symphony Orches-tra and the New American Music. Cambridge, MA: Harvard University Press, 1946.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Leuchtmann, Horst

Year: 1975
Complete Citation:
Leuchtmann, Horst. Review of Charles Ives in seiner Kammermusik fur drei bis sechs Instrumente, by Ulrich Maske. Neue Musikzeitung 24/4 (1975): 15.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Lindergan, Edward

Year: 1997
Complete Citation:
Lindergan, Edward. “Book Reviews: “All Made of Tunes: Charles Ives and the Uses of Musical Borrowing,” by J. Peter Burkholder.” Choral Journal, Vol. 37, No. 8 (1997): 60-61.
Source: Book
III. Book-Length Studies
C. Book Reviews

Lindner, Ursel

Year: 2004
Complete Citation:
Lindner, Ursel. “Neue Kunst in der Neuen Welt, Charles Ives: Central Park in the Dark 1911.” In Musik im Kontext. Innsbruck, Austria: Helbling Publishing, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lipkis, Larry A.

Year: 1996
Complete Citation:
Lipkis, Larry A. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Library Journal 121/5 (March 15, 1996): 74.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Lipkis, Larry A. Review of Charles Ives: A Life with Music, by Jan Swafford. Library Journal 121/5 (March 15, 1996): 74.
Source: Journal
III. Book-Length Studies
C. Book Reviews