Heister, Hanns-Werner and Werner Kremp
Year: 2004
Complete Citation:
Heister, Hanns-Werner and Werner Kremp. Charles Ives, 1874-1954: amerikanischer Pionier der neuen Musik. Amerikanischer Pionier der Sieuen Musik (Atlantische Texte 23). Trier, Germany: Wissenschaftlicher Velag Trier, 2004.Source: Book
III. Book-Length Studies
A. Biographies
Helm, Everett
Year: 1963
Complete Citation:
Helm, Everett. Review of Essays Before a Sonata, The Majority and Other Writings, edited by Howard Boatwright. Musical America 83 (February 1963): 52.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1963
Complete Citation:
Helm, Everett. Review of Essays Before a Sonata and Other Writings, edited by Howard Boatwright. Musical America 83/2 (February 1963): 52.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1963
Complete Citation:
Helm, Everett. Review of Essays Before a Sonata, and Other Writings, by Howard Boatwright. Musical America, vol. 52 (February, 1963).III. Book-Length Studies
C. Book Reviews
Year: 1973
Complete Citation:
Helm, Everett. Music Review 34/2 (May 1973): 175-176.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1978
Complete Citation:
Helm, Everett. Review of An Ives Celebration, edited by H.Wiley Hitchcock and Vivian Perlis. Fontes Artis Musicae 25, no. 3 (1978): 278-279.Source: Journal
III. Book-Length Studies
C. Book Reviews
Henahan, Donal
Year: 1996
Complete Citation:
Henahan, Donal. “Bring in da Noise,” review of Charles Ives: A Life with Music, by Jan Swafford. New York Times Book Review (August 4): 11--12.Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Henahan, Donal. “Bring in da Noise.” New York Times Book Review, August 4, 1996, 11-12.Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Henck, Herbert
Year: 1980
Complete Citation:
Henck, Herbert. ““Waltz-Rondo” und andere Klavierstücke von Charles Ives.” Neuland - Ansätze zur Musik der Gegenwart 1 (1980): 44-46.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Henk, Herbert. “Randbemerkung. Zu Ives’ ‘Gesamtem Klavierwerk.’” In Neuland: Ansatze zur Musik der Gegenwart, 43. Vol. 1. Cologne, Germany: Neuland Musikverlag Herbert Henck, 1980.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1982
Complete Citation:
Henck, Herbert. “Versehen - Versehren. 2. Lanze. Zur Neuausgabe von Charles E. Ives’ Erster Klaviersonate.” Neuland - Ansätze zur Musik der Gegenwart 2 (1982): 206-207.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1983
Complete Citation:
Henck, Herbert. “Aus zweiter Hand: Charles E. Ives’ “Study No. 20.”” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.Source: Chapter in Book
Reprints: Henck, Herbert. "Aus zweiter Hand: Charles E. Ives' 'Study No. 20.' Review of Study No. 20 by Charles Ives.]"Neuland 3 (1982-83): 242.
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1988
Complete Citation:
Henck, Herbert. “Charles Ives Piano Sonata No. 2: ‘Concord, Mass., 1840-1960’.” In Charles Ives und die amerikanische Musik. International Symposium, February 24-27, 1988. Cologne, Germany.Source: Festival Booklet
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1992
Complete Citation:
Henck, Herbert. “Klavierwerke von Charles Ives: Werkkommentare.” In Experimentelle Pianistik: Improvisation, Interpreta-tion, Komposition: Schriften zur Klaviermusik (1982 bis 1992), 167-183. Mainz, Germany: Schott, 1992.Notes: Contents: Einfuhrung (167-168), Biographisches (168-169), Piano Sonata No. 1 (170-172), Piano Sonata No. 2: "Concord, Mass., 1840- 1860" (172-177), Ausgewählte Klavierstucke (177-183).
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Henck, Herbert. “‘Do whatever seems natural or best to you’: Noten- text und Interpretation von Charles Ives’ Concord Sonata.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 116-122. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Henderson, C.W.
Year: 2008
Complete Citation:
Henderson, C. W. Review of Selected Correspondence of Charles Ives, edited by Thomas C. Owens. Notes, Vol. 64, No. 4 (2008): 748-750.Source: Journal
III. Book-Length Studies
C. Book Reviews
Henderson, Clayton
Year: 1996
Complete Citation:
Henderson, Clayton. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Choice 33/8, April 1996, 13-20.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Henderson, Clayton W.
Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Sterling Heights, MI: Harmonie Park Press, 1990.Source: Book
III. Book-Length Studies
B. Other
Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Bibliographies in American Music, 14, edited by James R. Heintze. Warren, MI: Harmonie Park Press, 1990.Notes: A collection of melo-dies (i.e., without their original harmonizations) that Ives used in his compositions. Part I: hymn tunes, patriotic songs, military music, pop-ular songs, college music, popular instrumental melodies, and some classical pieces. Part II: unknown tunes, [a list of] Ives's compositions with quotations, and musical incipits.
Source: Book
III. Book-Length Studies
B. Other
Year: 2008
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. 2nd ed. Bloomington, IN: Indiana University Press, 2008.Source: Book
III. Book-Length Studies
B. Other
