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Bibliography

Ramsey, Basil

Year: 1970
Complete Citation:
Ramsey, Basil. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Musical Opinion (April 1970) 93/1111: 369.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1976
Complete Citation:
Ramsey, Basil. Review of Memos, by Charles Ives. Musical Opinion (February 1976) 99/1180: 239.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Rasmussen, Jane E.

Year: 1975-1976
Complete Citation:
Rasmussen, Jane E. “Charles Ives’s Music for the Piano.” Student Musicologists at Minnesota 6 (1975-1976): 201-217.
IV. Individual Studies by Genre
C. Keyboard Works

Rathert, Wolfgang

Year: 1989
Complete Citation:
Rathert, Wolfgang. Charles Ives. Darmstadt, Germany: Wiss. Buchges., 1989.
Source: Book
III. Book-Length Studies
A. Biographies
Year: 1989
Complete Citation:
Rathert, Wolfgang. Charles Ives. Erträge der Forschung. Darmstadt, Germany: Wissenschaftliche Buchgesellschaft, 1989.
Source: Book
Reprints:

Rathert, Wolfgang. <i>Charles Ives</i>. Erträge der Forschung. Second Corrected Edition. Wissenschaftliche Buchgesellschaft. Second Corrected Edition, 1996.

III. Book-Length Studies
A. Biographies
Year: 1990
Complete Citation:
Rathert, Wolfgang. “Mahler und Ives. Gibt es eine ‘geheime Zeitgenossenschaft’?” Nue Zeitschrift für Musik 151/10 (1990): 7-12.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Reed, Alice S.

Year: 2005
Complete Citation:
Reed, Alice S. Charles Edward Ives and his Piano sonata no. 2 "Concord, Mass. 1840-1860.Victoria, BC: Trafford Publishing, 2005.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Reti, Rudolph

Year: 1958
Complete Citation:
Reti, Rudolph. Tonality, Atonality, Pantonality: A Study of Some Trends in Twentieth Century Music, 43, 63-65, 89, 149-151. New York, NY: Macmillan, 1958.
Notes:

Discusses Con-cord Sonata and Symphony No. 4.

Source: Book
Reprints:

Reti, Rudolph. <i>Tonality in Modern Music</i>, 61, 82-84, 107, 171, 173. New York, NY: Collier Books, 1962. * Reti, Rudolph. <i>Tonalidad, Atonalidad, Pantonalidad</i>. Translated to Spanish by Joaquín Homs. Madrid, Spain: Rialp, 1965.

IV. Individual Studies by Genre
C. Keyboard Works

Rexroth, Dieter

Year: 1979
Complete Citation:
Rexroth, Dieter. “Ein amerikanischer Denkstil in der Concord-Sonate. Zu einem Aspekt des Transzendentalisten Charles E. Ives.” In Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik, 54-61. Frankfurter Studien, Vol. 3. Mainz, Germany: Schott, 1979.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Ribakove, Seymour L.

Year: 1962
Complete Citation:
Ribakove, Seymour L.. “A Prophet without Honor.” Keyboard Jr. 20/7 (April 1962): 1, 4.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Riedel, Johannes

Year: 1973
Complete Citation:
Riedel, Johannes. Review of Essays Before a Sonata and Other Writings, by Charles Ives, edited by Howard Boatwright. Journal of Research in Music Education 13/1 (1965): 61-63;
Source: Journal
III. Book-Length Studies
C. Book Reviews

Riedel, Johannes and Robert Oudal

Year: 1969
Complete Citation:
Riedel, Johannes and Robert Oudal. A Charles Ives primer; a tentative introduction to music ideas as found in Charles Ives’ music. Minneapolis, MN: University of Minnesota, 1969.
Source: Book
III. Book-Length Studies
B. Other

Robinson, David

Year: 1975
Complete Citation:
Robinson, David. Review of Charles Ives and the American Mind, by Rosalie Sandra Perry. American Literature, Vol. 47, No. 3 (November 1975): 458-460.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Rogers, Harold

Year: 1955
Complete Citation:
Rogers, Harold. “Truly American Composer.” Christian Science Monitor (May 5): 7.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Roggenkamp, P.

Year: 1986
Complete Citation:
Roggenkamp, P. “Der Fluegel: gestreichelt, gezupft, geslagen: Studie fur ‘praepariertes’ Klavier—auch im paedagogischen Einsatz geeinget.” Neue Musikzeitung 135 (December 1986): 19.
Notes:

Discusses the Concord Sonata.

Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Rorem, Ned

Year: 1968
Complete Citation:
Rorem, Ned. Music and People, 14, 137, 141, 144. New York, NY: George Brazillerj, 1968.
Notes:

([Ives’s]” Epilogue from Essays Before a Sonata {All} is a model of spirited English, depicting the creative process once and for all."), 161, 173 (compares Ezra Pound to "utterances' of Ives), 21.

Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Rosenberg, Donald

Year: 2005
Complete Citation:
Review of Horowitz, Classical music in America - Donald Rosenberg. Gramophone 82/990 (March 2005): A18.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Rosenberg, Marion L.

Year: 2012
Complete Citation:
Rosenberg, Marion L. “Keepers of the Musical Flame; in “Moral Fire,” Joseph Horowitz Offers Portraits of Four Figures from America’s Gilded Age Who Believed that Great Art can Uplift. Music in Particular was at the Heart of their Outlook and Sense of Mission.” The Wall Street Journal, August 30, 2012.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Rosenfeld, Paul

Year: 1939
Complete Citation:
Rosenfeld, Paul. “Ives’ Concord Sonata.” Modern Music, Vol. 16, No. 2 (January-February 1939): 109-112.
Source: Journal
Reprints:

Rosenfeld, Paul. “Ives’ Concord Sonata.” In <i>Charles Ives and his World, </i>edited by J. Peter Burkholder, 314-316. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
C. Keyboard Works

Rossiter, Frank

Year: 1973
Complete Citation:
Roster, Frank. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. Yearbook for Inter-American Music Research 9 (1973):182-185.
Source: Journal
III. Book-Length Studies
C. Book Reviews