Bibliography

Charles, Eleanor

Year: 1979

Complete Citation:

Charles, Eleanor. “Connecticut Guide: School Finance Forum A Charles Ives Center.” The New York Times, March 11, 1979, 7.

Source: Newspaper

VI. Topical Studies
U. Institutions and Ives’ Legacy

Chase, Gilbert

Year: 1966

Complete Citation:

Chase, Gilbert. Review of Music in a New Found Land: Themes and Developments in the History of American Music, Wilfrid Mellers. Yearbook of the Inter--American Institute for Musical Research 2 (1966): 164--166.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 1974

Complete Citation:

Notes:

Spanish translation of Gilbert Chase’s review of A Year from Monday: New Lectures and Writings, by John Cage.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 1974

Complete Citation:

Chase, Gilbert. "Charles Ives and American Culture." High Fidelity/Musical America 24/10, October 1974, 17-19.

Source: Magazine

VI. Topical Studies
S. Reception Studies and Related Scholarship

Year: 1975

Complete Citation:

Review of A Year from Monday: New Lectures and Writings, by John Cage. Yearbook of the Inter--American Institute for Music Research (1967) 3: 101--110.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 1977

Complete Citation:

Chase, Gilbert. “Ives and American Culture.” In An Ives Celebration, edited by H. Wiley Hitchcock and Vivian Perlis, 3. Urbana, IL: University of Illinois Press, 1977.

VI. Topical Studies
L. Ives and America

Chavez, Carlos

Year: 1962

Complete Citation:

Chávez, Carlos. “Ives y Copland.” Clave, Voz de la Juventud Musical Uruguaya 49 (August--September 1962): 19--23.

Source: Journal

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Chernosky, Louise E.

Year: 2014

Complete Citation:

Chernosky, Louise E. “Imagining Listeners through American Experimental Music: NPR’s RadioVisions.” In Tomorrow Is the Question: New Directions in Experimental Music Studies, edited by Benjamin Piekut, 229-253. Ann Arbor, MI: University of Michigan Press, Ann Arbor, 2014.

Source: Chapter in Book

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Chmaj, Betty E.

Year: 1978

Complete Citation:

Chmaj, Betty E. “Sonata for American studies: perspectives on Charles Ives.” Cambridge, United Kingdom: Cambridge University Press, 1979.

Source: Book

III. Book-Length Studies
B. Other

Year: 1979

Complete Citation:

Chmaj, Betty E. “Sonata for American Studies: Perspectives on Charles Ives.” Prospects: An Annual of American Culture Studies 4, edited by Jack Salzman, (1979): 1-58.

Source: Chapter in Book

VI. Topical Studies
L. Ives and America

Year: 1983

Complete Citation:

Chmaj, Betty E.. “Abstract: How Charles Ives Put Down the Concord Bards.” Sonneck Society for American Music Bulletin (Summer 1983) 9: 39.

Notes:

Regarding Sonata No. 2, “Concord, Mass., 1840-1860,” for piano.

Source: Journal

VI. Topical Studies
A. Transcendentalism or Philosophy

Year: 1984

Complete Citation:

Chmaj, Betty E. “Abstract: ‘As I Was Saying’: Charles Ives and the Concord Connection.” Sonneck Society for American Music Bulletin (Fall 1984) 10: 63-64.

Notes:

Regarding the Concord Sonata.

Source: Journal

VI. Topical Studies
A. Transcendentalism or Philosophy

Year: 1986

Complete Citation:

Chmaj, Betty E. “The Journey and the Mirror: Emerson and the American Arts.” In Prospects 10: An Annual of American Culture Studies, edited by Jack Salzman, 353-408. Cambridge, United Kingdom: Cambridge University Press, 1985.

Source: Chapter in Book

VI. Topical Studies
A. Transcendentalism or Philosophy

Christiansen, Erik

Year: 1996

Complete Citation:

Christensen, Erik. “Nota-tion Examples and Graphs.” In The Music Timespace: A Theory of Music Listening. Volume 2. Alborg, Denmark: Alborg University Press, 1996.

Notes:

The Unan-swered Question and Central Park in the Dark are chosen for consider-ation. Each is analyzed by five basic listening dimensions: timbre, pulse, pitch height space, movement, and intensity.

Source: Book

VI. Topical Studies
G. Music Theory Analyses

Year: 1996

Complete Citation:

Christensen, Erik. The Musical Timespace: A Theory of Music Listening. Alborg, Denmark: Alborg University Press, 1996.

Source: Book

VI. Topical Studies
G. Music Theory Analyses

Christopher, Norris

Year: 1975

Complete Citation:

Norris, Christorpher. Review of Charles Ives: A Portrait, by David Wooldridge. Music and Musicians 23/12 (August 1975): 37.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Church, Michael

Year: 1986

Complete Citation:

Church, Michael. “The Insurance Salesman Who Invented Modernism Friday Book; the Life of Charles Ives by Stuart Feder.” The Independent, October 15, 1999.

Source: Newspaper

III. Book-Length Studies
C. Book Reviews

Citkowitz, Israel

Year: 1932

Complete Citation:

Citkowitz, Israel. “Experiment and Necessity—New York 1932.” Modern Music 10/2 (January 1932).

Source: Journal

Reprints:

Citkowitz, Israel. “Experiment and Necessity—New York 1932.” In Charles Ives and His World, edited by J. Peter Burkholder, 307. Princeton, NJ: Princeton University Press, 1996.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Cizmic, Maria

Year: 1999

Complete Citation:

Cizmic, Maria. “Composing the Pacific: Interviews with Lou Harrison.” Echo: A Music Centered Journal, Vol. 1, No. 1 (1999): np.

Source: Journal

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Clarke, Gary E.

Year: 1977

Complete Citation:

Clarke, Gary E. “Charles Edward Ives.” In Essays on American Music. Westport, CT: Greenwood Press, 1977.

Source: Chapter in Book

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Bibliography

Genres

Charles, Eleanor

Chase, Gilbert

Chavez, Carlos

Chernosky, Louise E.

Chmaj, Betty E.

Christiansen, Erik

Christopher, Norris

Church, Michael

Citkowitz, Israel

Cizmic, Maria

Clarke, Gary E.