Feder, Stuart
Year: 1994
Complete Citation:
Feder, Stuart. “An American Diary in Music.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Notes: Used Ives’s diary as a “musical autobiography” with commentary.
Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Feder, Stuart. “An American Diary in Music.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Feder, Stuart. “Charles Ives’s ‘Transcendental Tune of Con-cord’.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1999
Complete Citation:
Feder, Stuart. The Life of Charles Ives. Cambridge, UK: University of Cambridge Press, 1999.Source: Book
III. Book-Length Studies
A. Biographies
Year: 1999
Complete Citation:
Feder, Stuart. The Life of Charles Ives. Cambridge, UK: University of Cambridge Press, 1999.Source: Book
III. Book-Length Studies
C. Book Reviews
Year: 2001
Complete Citation:
Feder, Stuart. “Coloquy: Heard Maladies Are Sweet (‘But Those Unheard Are Sweeter’): A Response to Gayle Sherwood.” Journal of the American Musicological Society 54, no. 3 (Fall 2001): 627--641.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2004
Complete Citation:
Feder, Stuart. “Charles Ives’s Simulacrum of Mental Life in Music.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.Source: Conference
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Feith, Michel
Year: 1999
Complete Citation:
Feith, Michel. “Commemoration: Translation or Betrayal? Saint Gaudens, Ives, Lowell (Shaw Memorial, ‘For the Union Dead,’ ‘Charles Ives’ ‘Three Places in New England’).” Revue Française d’Études Américaines
80 (March 1999): 69-81.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Feldman, Jay
Year: 1991
Complete Citation:
Feldman, Jay. “Sports Were Music to His Ears.” Sports Illustrated 75/15 (October 7, 1991): 106-108.Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Felsenfeld, Daniel
Year: 2004
Complete Citation:
Felsenfeld, Daniel. Charles Ives and Aaron Copland: A Listener’s Guide. Pompton Plains, NJ: Amadeus Press, 2004.Notes: Includes accompanying CD
Source: Book
III. Book-Length Studies
B. Other
Fenner, Lucie
Year: 2005
Complete Citation:
Fenner, Lucie. Erinnerung und Entlehnung im Werk von Charles Ives. Tutzing, Germany: Hans Schneider, 2005.Source: Book
III. Book-Length Studies
B. Other
Ferguson, Donald N.
Year: 1960
Complete Citation:
Ferguson, Donald N. Music as Metaphor. Minneapolis, Minnesota: University of Minnesota Press, 1960.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Ferrari, Giordano
Year: 2002
Complete Citation:
Ferrari, Giordano. “Le «Populaire» Comme Matériau Pour L’innovation Musicale: Satie, Milhaud, Ives.” Musurgia, vol. 9, no. 1 (2002): 61-74.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Ferris, William R. and Mary L. Hart
Year: 1982
Complete Citation:
Ferris, William R. and Mary L. Hart. “Charles Ives: Victorian gentleman or American folk hero?” In Folk music and modern sound. Jackson: University Press of Mississippi, 1982.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Field, Corey
Year: 1984
Complete Citation:
Field, Corey. Review of Three American Originals: John Ford, William Faulkner, & Charles Ives, by Joseph W. Reed. Notes XLII/4 (June 1986): 783-785.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1984
Complete Citation:
Corey Field. “Charles Ives, James Joyce, and the General Slocum.” Keynote: A Magazine for the Musical Arts 8/8 (October 1984): 8-13.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1986
Complete Citation:
Field, Corey. Review of Three American Originals: John Ford, William Faulkner & Charles Ives by John Ford, William Faulkner, and Charles Ives, by Joseph W. Reed. Notes 42, no. 4 (June 1986): 783-785.Source: Journal
III. Book-Length Studies
C. Book Reviews
Fiender, Reinhard
Year: 2004
Complete Citation:
Flender, Reinhard. “Charles E. Ives: Genie oder Maverick? Anmerk-ungen zum Schaffensprozeß und zur Rezeptionsgeschichte.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 25-34. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Fink, Lea
Year: 2011
Complete Citation:
Fink, Lea. “Identitäts(Er)Findung Der Amerikanischen Musikgeschichte: Charles Ives.” In Identität - Alterität - Musik, Vol. 4, edited by Annegret Huber et al., 83-98. Vienna, Austria: Hollitzer Verlag, 2011.Source: Journal
VI. Topical Studies
L. Ives and America
Finkelstein, Sydney
Year: 1960
Complete Citation:
Finkelstein, Sydney. Composer and Nation: The Folk Heritage of Music, 237-243. London, United Kingdom: Lawrence & Wishart, 1960.Source: Book
VI. Topical Studies
L. Ives and America
