Bibliography

Helms, Hans G.

Year: 1978

Complete Citation:

Helms, Hans G. “Berichte: Charles Edward Ives-idealer Amerikaner oder Sozialkritiker? Zum Ives-Jahr.” Beiträge zur Musikwissenschaft, Vol. 20, No. 1 (1978): 16.

Source: Journal

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Henahan, Donal

Year: 1970

Complete Citation:

Henahan, Donal . “He Made Composing Respectable Here.” The New York Times. November 8, sec. 2: 17, 20.

Notes:

“Copland had done what nobody, not even Ives or MacDowell before him, had accomplished. He made com-posing in America respectable and made it pay too.” Quotes Copland about Ives 114 Songs. Questions Virgil Thom-son’s assessment.

Source: Newspaper

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 1975

Complete Citation:

Henahan, Donal. “Ravel: Charles Ives and His America.” The New York Times, November 30, 1975, 291.

Source: Newspaper

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 1986

Complete Citation:

Henahan, Donal.“Maverick Composers Make Their Own Choices.” The New York Times, December 14, 1986, 2, 25, 32.

Notes:

Response to “Who Owns American Music?”

Source: Newspaper

VI. Topical Studies
S. Reception Studies and Related Scholarship

Year: 1986

Complete Citation:

Henahan, Donal. “Maverick Composers Make Their Own Choices.” New York Times. December 14, 1986: sec. 2, 25.

Source: Newspaper

VI. Topical Studies
A. Transcendentalism or Philosophy

Year: 1988

Complete Citation:

Henahan, Donal. “Did Ives Fiddle With the Truth?”- The New York Times, February 21, 1988.

Source: Newspaper

VI. Topical Studies
C. Chronology

Year: 1990

Complete Citation:

Henahan, Donal. “The Polysided Views of Ives’s Polytonality.” The New York Times. June 10, 1990.

Source: Newspaper

VI. Topical Studies
F. Polytonality

Year: 1996

Complete Citation:

Henahan, Donal. “Bring in da Noise,” review of Charles Ives: A Life with Music, by Jan Swafford. New York Times Book Review (August 4): 11--12.

Source: Newspaper

III. Book-Length Studies
C. Book Reviews

Year: 1996

Complete Citation:

Henahan, Donal. “Bring in da Noise.” New York Times Book Review, August 4, 1996, 11-12.

Source: Newspaper

III. Book-Length Studies
C. Book Reviews

Henahan, Donald

Year: 1974

Complete Citation:

Henahan, Donald. “Composers Uncommemorated.” The Atlanta Constitution, July 6, 1974, 6T.

Source: Newspaper

VI. Topical Studies
S. Reception Studies and Related Scholarship

Year: 1981

Complete Citation:

Henahan, Donald. “Wave Your Banner! Sound Your Trumpet! (If You Want Your Favorite Composer to Achieve Immortality and Become the Next Mahler or Ives).” The New York Times, February 8, 1981, sec. 2, 1, 25.

Source: Newspaper

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Henck, Herbert

Year: 2004

Complete Citation:

Henck, Herbert. “Do whatever seems natural or best to you.” In Charles Ives, 1874-1954. Amerikanischer Pionier der Neuen Musik, edited by Haans-Werner Meister, 116-122. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.

Source: Book

VI. Topical Studies
R. Performance Approaches

Henderson, C.W.

Year: 2008

Complete Citation:

Henderson, C. W. Review of Selected Correspondence of Charles Ives, edited by Thomas C. Owens. Notes, Vol. 64, No. 4 (2008): 748-750.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Henderson, Clayton

Year: 1996

Complete Citation:

Henderson, Clayton. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Choice 33/8, April 1996, 13-20.

Source: Magazine

III. Book-Length Studies
C. Book Reviews

Henderson, Clayton W.

Year: 1974

Complete Citation:

Henderson, Clayton W. “Ives’ Use of Quotation.” Music Educators Journal 61/2 (October 1974): 24-28.

Source: Journal

VI. Topical Studies
B. Musical Quotation or Borrowing

Year: 1990

Complete Citation:

Henderson, Clayton W. The Charles Ives Tunebook. Bibliographies in American Music, 14, edited by James R. Heintze. Warren, MI: Harmonie Park Press, 1990.

Notes:

A collection of melo-dies (i.e., without their original harmonizations) that Ives used in his compositions. Part I: hymn tunes, patriotic songs, military music, pop-ular songs, college music, popular instrumental melodies, and some classical pieces. Part II: unknown tunes, [a list of] Ives's compositions with quotations, and musical incipits.

Source: Book

III. Book-Length Studies
B. Other

Year: 1990

Complete Citation:

Henderson, Clayton W. The Charles Ives Tunebook. Sterling Heights, MI: Harmonie Park Press, 1990.

Source: Book

III. Book-Length Studies
B. Other

Year: 2008

Complete Citation:

Henderson, Clayton W. The Charles Ives Tunebook. 2nd ed. Bloomington, IN: Indiana University Press, 2008.

Source: Book

III. Book-Length Studies
B. Other

Henerson, Clayton Wilson

Year: 1974

Complete Citation:

Henerson, Clayton Wilson. “Structural Importance of Borrowed Music in the Works of Charles Ives: A Preliminary Assessment.” In Report of the Eleventh Congress of the International Musicological Society held at Copenhagen, 1972, ed. Henrik Glahn et al., Vol. 1, 437-46. Copenhagen: Edition W. Hansen, 1974.

Source: Chapter in Book

VI. Topical Studies
B. Musical Quotation or Borrowing

Henry, Barbara D.

Year: 1970

Complete Citation:

Henry, Barbara D. Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. Library Journal 95/15 (September 1, 1970): 27-88.

Notes:

Suggests that this is a valuable source book because the Kirkpatrick catalogue had limited distribution.

Source: Journal

Reprints:

Henry, Barbara D. “Library Journal Book Review 1970.” New York/London, United Kingdom: R.R. Bowker, 1970: 26.

III. Book-Length Studies
C. Book Reviews

Bibliography

Genres

Helms, Hans G.

Henahan, Donal

Henahan, Donald

Henck, Herbert

Henderson, C.W.

Henderson, Clayton

Henderson, Clayton W.

Henerson, Clayton Wilson

Henry, Barbara D.