Image
Complete Citation:
Lambert, J. Philip. “Aggregate Structures in Music of Charles Ives.” Journal of Music Theory 34 (1990): 29-55.
Bibliography
Genres
Lambert, J. Philip
Year: 1990
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1990
Complete Citation:
Lambert, J. Philip. “Interval Cycles as Compositional Resources in the Music of Charles Ives.” Music Theory Spectrum 12/1 (Spring 1990): 43-82.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1991
Complete Citation:
Lambert, J. Philip. “Ives and Counterpoint.” American Music 9, No. 2 (Summer 1991).Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1993
Complete Citation:
Lambert, J. Philip. “Toward a Theory of Chord Structure for the Music of Charles Ives.” Journal of Music Theory 37/1 (Spring 1993): 55-83.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1996
Complete Citation:
Lambert, J. Philip. “Ives and Berg: “Normative” Procedures and Post-Tonal Alternatives.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lambert, Philip
Year: 1997
Complete Citation:
Lambert, Philip. “The Music of Charles Ives.” New Haven, CT: Yale University Press, 1997.Source: Book
III. Book-Length Studies
B. Other
B. Other
Year: 1997
Complete Citation:
Lambert, Philip. The Music of Charles Ives. Composers of the Twen-tieth Century, series edited by Allen Forte. New Haven, CT: Yale University Press, 1997.Notes:
Includes analyses of Tone Roads No. 1, Study No. 5, and The Cage.
Source: Book
III. Book-Length Studies
B. Other
B. Other
Year: 2001
Complete Citation:
Lambert, Philip. The Music of Charles Ives. New Haven, CT: Yale University Press, 1997.Source: Journal
III. Book-Length Studies
B. Other
B. Other
Year: 2016
Complete Citation:
Lambert, Philip. Review of Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives, by Matthew McDonald. Music Theory Spectrum, vol. 38, no. 2 (2016): 271-273.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Lambert, Philip, ed.
Year: 1997
Complete Citation:
Lambert, Philip, ed. Charles Ives Studies. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Book
III. Book-Length Studies
B. Other
B. Other
Lambert, Philip (editor)
Year: 1997
Complete Citation:
Lambert, Philip, ed. Ives Studies. Cambridge, UK: Cambridge University Press, 1997.Source: Book
III. Book-Length Studies
B. Other
B. Other
Lambourn, David
Year: 1986
Complete Citation:
Lambourn, David. “Grainger and Ives.” Studies in Music 20 (1986): 46-61.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lang, Paul Henry
Year: 1946
Complete Citation:
Lang, Paul Henry. “Charles Ives.” The Saturday Review, June 1, 1946.Source: Magazine
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Lapsley, James N.
Year: 2007
Complete Citation:
Lapsley, James N. “Charles Ives and the Reformed Tradition: A Musical Pilgrimage.” Theology Today, vol. 64, no. 3 (2007): 305-321.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
LaRocca, David
Year: 2013
Complete Citation:
LaRocca, David. Estimating Emerson: an anthology of criticism from Carlyle to Cavell. New York, NY: Bloomsbury Academic, 2013.Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Larson, Gary O.
Year: 1975-76
Complete Citation:
Larson, Gary O. “Charles Ives and American Studies.” Student Musicologists at Minnesota 6 (1975-76): 237-249.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Larson, Thomas
Year: 1981-1982
Complete Citation:
Larson, Thomas. “Unanswering the Question.” Perspectives of New Music 20/1-2 (1981-1982): 363-405.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lash, Dominic
Year: 2018
Complete Citation:
Lash, Dominic. “Druids fielding questions: Eva-Maria Houben, Emily Dickinson and Charles Ives.” In Writing the field recording: sound, word, environment. Edinburgh, Scotland: Edinburgh University Press, 2018.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lea, Henry
Year: 1985
Complete Citation:
Lea, Henry. Gustav Mahler: Man on the Margin, 75-78. Modern German Studies, Vol. 15. Bonn, Germany: Bouvier, 1985.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lederman, Minna
Year: 1947
Complete Citation:
Lederman, Minna, “Some American Composers.” Vogue. February 1, 1947.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers