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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Matthews, David

Year: 1997
Complete Citation:
Matthews, David. “To the Point of Chaos.” Times Literary- Supplement 4939 (November 28, 1997): 12.
Source: Newsletter Supplement
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
David Matthews. “To the Point of Chaos.” Times Literary- Supplement 4939 (November 28, 1997): 12.
Notes:

An “engaging biography.”

Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Matthew, David

Year: 1997
Complete Citation:
David Matthews. “To the Point of Chaos,” review of The Music of Charles Ives, by Philip Lambert. Times Literary Supplement 4939 (November 28, 1997): 12.
Notes:

“Like a musi-cological laboratory.”

Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Mauceri, John, moderator

Year: 1977
Complete Citation:
Mauceri, John, moderator. “Conductors’ Experiences (Discussion with John Mauceri, Gunther Schuller, Lehman Engel, Nicolas Slonimsky, Arthur Weisberg, James Sinclair, Gregg Smith, Roque Cordero.” In An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival Conference. Music in American Life. Urbana, Illinois: University of Illinois Press, 113-126.
Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches

Mauk, David C.

Year: 1999
Complete Citation:
Mauk, David C. “New England Transcendentalism versus Virulent Nationalism: The Evolution of Charles Ives’ Patriotic March Music.” American Studies in Scandinavia 31/1 (1999): 24-33.
Notes:

Remarks about A Sym-phony: New England Holidays: “Washington'sBirthday"; Orchestral Set No. I: Three Places in New England: "Putnam's Camp”; Sonata No. 2, Concord, Mass., 1840- 1860," for piano: "Hawthorne"; Sym-phonies Nos. 2 and 3, and Symphony No. 4: second and third move-ments.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Maus, Fred Everett

Year: 1991
Complete Citation:
Maus, Fred Everett. 1991. “Music as Narrative.” Indiana Theory Review 12: 1-34.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Maynard, Solomon

Year: 1987
Complete Citation:
Maynard, Solomon. “Charles Ives: Some Questions of Veracity.” Journal of the American Musicological Society Vol. 40, No. 3 (Fall 1987): 443-470.
Notes:

Presented at Indiana University (October, 1987) and Brooklyn College (October, 1987).

Source: Journal
VI. Topical Studies
C. Chronology

McCalla, J. Charles

Year: 2008
Complete Citation:
McCalla, J. Review of Charles Ives Reconsidered, by Gayle Sherwood Magee. American Library Association Choice, Vol. 46 (2008).
Source: Magazine
III. Book-Length Studies
C. Book Reviews

McCalla, James

Complete Citation:
McCalla, James. “Before World War I: Ravel, Schoenberg, Webern, Stravinsky, and Ives.” In Twentieth-Century Chamber Music. New York, NY: Routledge, 2003.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

McCarrell, Stuart

Year: 1991
Complete Citation:
McCarrell, Stuart. “Charles Ives.” In New York: Visions, Struggles, Voices. Chicago, IL: Xenia, 1991.
Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan

McClendon, James W.

Year: 1994
Complete Citation:
McClendon, James W. “Charles Edward Ives: Theologian in Music.” In Theomusicology, edited by Jon Michael Spencer. Durham, NC: Duke University Press, 1994.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

McClendon, Jr., James Wm.

Year: 1990
Complete Citation:
McClendon, Jr., James William. “Expanding the Theory: Charles Edward Ives — Theologian in Music.” In Biography as theology: how life stories can remake today’s theology. Eugene, OR: Wipf and Stock Publishers, 1990.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

McCorkle, Donald, ed.

Year: 1970
Complete Citation:
McCorkle, Donald, ed. “The Composer in Academia: Reflections on a Theme of Stravinsky.” College Music Symposium, Vol. 10 (Fall 1970): 57-58.
Notes:

<a target="_blank" href="https://symposium.music.org/index.php/10/item/1674-the-composer-in-acad… mentions of Ives. Published online at https://symposium.music.org/index.php/10/item/1674-the-composer-in-acad…;

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

McDonald, Matthew

Year: 2012
Complete Citation:
McDonald, Matthew. “Ives and the Now.” In Music and Narrative since 1900, edited by Michael L. Klein and Nicholas Reyland, 285-307. Bloomington, IN: Indiana University Press, 2012.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

McDonald, Matthew James

Year: 2014
Complete Citation:
McDonald, Matthew James. Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives. Bloomington, IN: Indiana University Press, 2014.
Source: Book
III. Book-Length Studies
B. Other

McGinness, John

Year: 2006
Complete Citation:
McGinness, John. 2006. “Essay: Has Modernist Criticism Failed Charles Ives?” Music Theory Spectrum 28: 99-109.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2006
Complete Citation:
McGinness, John. “How Modernist Criticism Failed Charles Ives.” Music Theory Spectrum 28/1 (Spring 2006): 99-109.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

McHard, James L.

Year: 2006
Complete Citation:
McHard, James L. Charles Ives. In The Future of Modern Music: A Vibrant New Modernism in Music for the Future. Livonia, MI: Iconic Press, 2006.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

McLendon, James Wm., Jr.

Year: 1974
Complete Citation:
McLendon, James William, Jr. “Expanding the Theory: Charles Edward Ives—Theologian in Music.” In Biography as Theology: How Life Stories Can Remake Today’s Theology, 140-169. Nashville, TN: Abingdon Press, 1974.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Mead, Andrew

Year: 2007
Complete Citation:
Mead, Andrew. “On Tempo Relations.” Perspectives of New Music 45, no. 1 (Winter 2007): 64-108.
Source: Journal
VI. Topical Studies
R. Performance Approaches