Image
Complete Citation:
Monelle, Raymond and Robert Hatten. “Allegory and Deconstruction.” In The Sense of Music: Semiotic Essays, 196-226. Princeton, NJ: Princeton University Press, 2000.
Bibliography
Genres
Monelle, Raymond and Robert Hatten
Year: 2000
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Moor, Paul
Year: 1950
Complete Citation:
Moor, Paul. “Two Titans.” Theatre Arts XXIV/ii (February 1950): 49-51, 94-95.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Moore, R.
Year: 2009
Complete Citation:
Moore, R. “Charles Ives Reconsidered.” American Record Guide 72 (2009): 252.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Mörchen, Raoul
Year: 2009
Complete Citation:
Mörchen, Raoul. “Bücher: Schlechte und wahre Unendlichkeit.” Dissonanz (2009): 56-57.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Morelli, Giovanni
Year: 1974
Complete Citation:
Morelli, Giovanni. Review of L'America musicale di Charles Ives, by Gianfranco Vinay. Rivista Italiana di Musicologia 9 (1974): 316-322.Source: Magazine
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Morgan, Robert P.
Year: 1973
Complete Citation:
Morgan, Robert P. “Rewriting Music History: Second Thoughts on Ives and Varèse.” Musical Newsletter 3, no. 1 (January 1973): 3-12, and 3, no. 2 (April 1973): 15-23, 28.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1975
Complete Citation:
Morgan, Robert P. Review of Charles Ives and His America, by Frank R. Rossiter. Yearbook for Inter-American Musical Research 11 (1975): 225-228.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1976
Complete Citation:
Morgan, Robert P. “American Music and the Hand-Me-Down Habit.” High Fidel-ity, June 1976, 70-72.Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1978
Complete Citation:
Morgan, Robert P. “Ives and Mahler: Mutual Responses at the End of an Era.” 19th-Century Music Vol. 2 (1978), pp. 72-81.Source: Journal
Reprints:
Morgan, Robert P. “Ives and Mahler: Mutual Responses at the End of an Era.” In <i>Charles Ives and the Classical </i>Tradition, edited by Geoffrey Block and J. Peter Burkholder, 75-86. New Haven, CT: Yale University Press, 1996. * Morgan, Robert P. “Morgan, Robert P. “Ives and Mahler: Mutual Responses at the End of an Era.” In <i>Music Theory, Analysis, and Society: Selected Essays</i>, 171-180. Surrey, England: Ashgate, 2015.
VI. Topical Studies
Year: 1990
Complete Citation:
Morgan, Robert P. “Charles Ives und die europäische Tradition.” In Bericht über das Internationale Symposion "Charles Ives und die amerikanische Musiktradition bis zur Gegenwart," Köln 1988, edited by Klaus Wolfgang Niemöller, Manuel Gervink, and Paul Terse, 17--36. Kölner Beiträge zur Musikforschung, 164. Regensburg, Germany: Gustav Bosse, 1990.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1991
Complete Citation:
Morgan, Robert. "Charles Ives and American Music." In 20th-century Music. New York, NY: W.W. Norton, 1991, 137-148.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 2015
Complete Citation:
Morgan, Robert P. ““The things our fathers loved”: Charles Ives and the European tradition.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.Source: Chapter in Book
Reprints:
Morgan, Robert P. ““The things our fathers loved”: Charles Ives and the European tradition.” In <i>Music theory, analysis, and society: selected essays</i>. Surrey, England: Ashgate, 2015.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Morgan, Robert P., Jan Swafford, Gayle Sherwood, Tom C. Owens.
Year: 1998
Complete Citation:
Panel: Robert P. Morgan (chair), Jan Swafford, Gayle Sherwood, Tom C. Owens. Panel at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Festival Panel
Reprints:
<i>College Music Symposium</i> 39 (1999) 39: 27--42.
VI. Topical Studies
O. Ives and Yale
O. Ives and Yale
Mortenson, Gary Curtis
Year: 1987
Complete Citation:
Mortenson, Gary C. “Father to Son: The Education of Charles Ives.” Music Educator's Journal 73/7 (March 1987): 33-37.Source: Journal
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Morton, Lawrence
Year: 1945
Complete Citation:
Morton, Lawrence. “Jerome Moross; Young Man Goes Native.” Mod-ern Music 22/2 (January-February 1945): 111--114.Notes:
A review of an all -Ives program with some songs (October 30, 1944: Los Angeles. “Evenings on the Roof”; Elizabeth Vermeulen, voice; Frances Mullen, piano).
Source: Journal (Concert Review)
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1950
Complete Citation:
Morton, Lawrence. “American Culture and the Serious Composer.” Score [Los Angeles] 4/3 (May 1950): 4-9.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Mugmon, Matthew
Year: 2015
Complete Citation:
Mugmon, Matthew “Reviews: “Charles Ives in the Mirror: American Histories of an Iconic Composer” by David C. Paul.” The Bulletin of the Society for American Music, Vol. 41, No. 1 (2015): 11-13.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 2015
Complete Citation:
Mugmon, Matthew. “Book Review: Moral Fire: Musical Portraits from America's Fin de Siècle.” Journal of the Society for American Music, Vol. 9, No. 1 (2015): 130-133.Notes:
Moral Fire: Musical Portraits from America’s Fin de Siècle
Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Müller, Hermann Christoph
Year: 2004
Complete Citation:
Müller, Hermann- Christoph. “Natur wozu? Zwei Anmerkungen zur nordamerikanischen Musik und zu Charles Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 106-115. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Mundy, Rachel
Year: 2013
Complete Citation:
Mundy, Rachel. “The ‘League of Jewish Composers’ and American Music.” The Musical Quarterly, vol. 96, no. 1 (2013): 50-99.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers