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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Muser, Frani

Year: 1975
Complete Citation:
Muser, Frani. Review of Charles Ives and the American Mind, by Rosalie Sandra Perry. The Musical Quarterly 61 (July 1975): 489-490.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1975
Complete Citation:
Muser, Frani. Review of Charles Ives Remembered, by Vivian Perlis, and Charles Ives and the American Mind, by Rosalie Sandra Perry. The Musical Quarterly 61/3 (July 1975): 485-490.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Musgrave, Thea

Year: 1973
Complete Citation:
Musgrave, Thea. “A New Viola Concerto.” The Musical Times 114/1566 (1973): 790-791.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Myrick, Julian S.

Year: 1930
Complete Citation:
Myrick, Julian S. “What the Business Owes to Charles E. Ives.” Eastern Underwriter, Life Insurance Salesmanship Edition (September 19, 1930): 18.
Source: Journal
VI. Topical Studies
D. Insurance

Nagano, Kent

Year: 2019
Complete Citation:
Nagano, Kent et al. “Bernstein and Ives: Whither America?” In Classical Music: Expect the Unexpected, 217-232. Montreal, Canada: McGill-Queen's University Press, 2019.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, and John Kirkpatrick

Year: 1977
Complete Citation:
“On performing the Violin Sonatas (Diskussion with Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, John Kirkpatrick).” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 127-140. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Nardi, Gregorio

Year: 2004
Complete Citation:
Nardi, Gregorio. “Interpretare Ie Interpretazione.” Musica 21/60 (October 2004): 39--42.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Nattiez, Jean-Jacques

Year: 1990
Complete Citation:
Nattiez, Jean-Jacques. 1990. “Can One Speak of Narrativity in Music?” Translated by Katharine Ellis. Journal of the Royal Musical Association 115/2 (1990): 240--257.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Neumann, Friedrich

Year: 2010
Complete Citation:
Neumann, Friedrich. “Short Music Story: Charles Ives: Eine Frage ist besser als eine Antwort.” Musik and Bildung: Praxis Musikerziehung, Vol. 42, No. 2 (2010): 64-67.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Newlin, Dika

Year: 1971
Complete Citation:
Newlin, Dika. Review of Memos, by Charles Ives. Library Journal (1971 December) 96/22: 4097.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Newman, Ron

Year: 1985
Complete Citation:
Newman, Ron. “Ragtime Influences in the Music of Charles Ives.” Jazz Research Papers 5 (1985): 145-156.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Nicholls, David

Year: 1990
Complete Citation:
Nicholls, David. American Experimental Music 1890-1940. Cambridge, UK: Cambridge University Press, 1990.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1991
Complete Citation:
Nicholls, David. Review of The Evolving Keyboard Style of Charles Ives, by Michael John Alexander. Music and Letters 72/3 (August 1991): 494.
III. Book-Length Studies
C. Book Reviews
Year: 1993
Complete Citation:
Nicholls, David.
“Unanswerable Questions/Questionable Answers,” review of A Union of Diversities, by Larry Starr. Music & Letters 75/2 (May 1994): 246-252.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1994
Complete Citation:
Nicholls, David. “Unanswerable Questions/Questionable Answers.” Music and Utters 75/2 (May 1994): 246-252.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1994
Complete Citation:
Nicholls, David. “Unanswerable Questions/Questionable An-swers.” Music & Letters 75/2 (May 1994): 246-252.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Nicholls, David. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Times Literary Supplement 4881, October 18, 1996, 18.
Source: Newspaper Supplement
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Nicholls, David. BBC Music Magazine 4/8, April 1996, 18-19.
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Nicholls, David. “The Great American Borrower.” Times Lit-erary Supplement 4881, October 18, 1996, 18.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Nicholls, David. “Transethnicism and the American Experimental Tradi-tion.” Musical Quarterly 80 (Winter 1996): 569-594.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles