decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Ostendorf, Berndt

Year: 1998
Complete Citation:
Ostendorf, Berndt. “Das amerikanische Folksong Revival: Ein Rückblick.” Jahrbuch für Volksliedforschung 43 (1998): 93-99.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Overbeeke, Emanuel

Year: 2002
Complete Citation:
Overbeeke, Emanuel. “Boeken: “American Mavericks,” bij Susan Key and Larry Rothe (ed.).” Mens en Melodie, Vol. 57, No. 6 (2002): 232-233.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Overmyer, Grace

Year: 1827
Complete Citation:
Overmyer, Grace. “Quarter -Tones and Less.” American Mercury- 12/46 (Octo-ber 1927): 207-210.
Notes:

An article dealing with infinite tunings (1/4, 1/8, 1/16 tones); cites concert of 1925 February 14 for the Franco-American Musical Society (music by Hans Barth and Ives; Barth and Sigmund Klein, pianos). States that Ives is “a New York business man and an enthusiastic musical amateur.”

Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Owens, T. C.

Year: 2010
Complete Citation:
Owens, T. C. Review of A Charles Ives Omnibus, by James Mack Burk. American Music, Vol. 28, No. 3 (2010): 385.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Owens, Thomas

Year: 2005
Complete Citation:
Owens, Thomas. “Chord and Dissonance: The Relationship of Peter Yates and Charles Ives and the Role of Los Angeles in the Reception of Ives’s Music.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.
Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Owens, Tom

Year: 2006
Complete Citation:
Owens, Tom. “Concord and Dissonance: The Relationship of Peter Yates and Charles Ives and the Role of Los Angeles in the Reception of Ives's Music.” Paper presented at Joint Meeting of Amer-ican Musicological Society and Society for Music Theory. November 3, 2006.
Source: Paper at Conference
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Owens, Tom C.

Year: 2000
Complete Citation:
Tom C. Owens. “Ives and His Times.” Institute for Studies in American Music Newsletter (2000 Spring) 29/2: 8.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2009
Complete Citation:
Owens, Tom C. Review of Charles Ives Reconsidered, by Gayle Sherwood Magee.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2009
Complete Citation:
Owens, Tom C. Review of Charles Ives Reconsidered, by Gayle Sherwood Magee. Journal of the Society for American Music, vol. 3, no. 1 (2009): 110-113.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2009
Complete Citation:
Owens, Tom C. “Charles Ives and His Tunes.” American Music Review, vol. XXXVIII, no. 2 (2009): 12.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Padel, Ruth

Year: 1997
Complete Citation:
Padel, Ruth. Review of Charles Ives and His World, edited by J. Peter Burkholder. The Observer, February 16, 1997.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Page, Tim

Year: 1987
Complete Citation:
Page, Tim. “Judging Composers: High Notes, and Low.” The New York Times, March 22, 1987.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Palisca, Claude V.

Year: 1975
Complete Citation:
Palisca, Claude V. “Report on the Musicological Year 1974 in the United States.” Acta Musicologica 47/2 (July-December 1975): 283-289.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Panel Discussion

Year: 1996
Complete Citation:
“Rethinking Charles Ives: Issues of Psychology and Politics.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1996
Complete Citation:
“Charles Ives and Turn of the Century.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
K. Stylistic Influences on Ives

Pannain, Guido

Year: 1932
Complete Citation:
Pannain, Guido. Modern Composers. Translated from Italian by Michael R. Bonavia. London, United Kingdom: J.M. Dent.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Parker, Imogen

Year: 2008
Complete Citation:
Parker, Imogen. “The Time of Music: The Music of Time.” Critical Quarterly 50, no. 3 (2008): 43-76.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Pasler, Jann

Complete Citation:
Pasler, Jann. Review of Classical Music and Postmodern Knowledge, by Lawrence Kramer. Notes 53/3 (1997): 756-761.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Complete Citation:
Pasler, Jann. Review of Classical Music and Postmodern Knowledge, by Lawrence Kramer. Notes (1997) 53/3: 756-761.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Patterson, Frank

Year: 1922
Complete Citation:
Patterson, Frank. “The Perfect Modernist: A Little Primer of Basic Principles (Twelfth Installment).” Musical Courier, February 16, 1922, 7.
Source: Magazine/Journal
VI. Topical Studies
I. Compositional Process