Smith, Kenneth M.
Year: 2011
Complete Citation:
Smith, Kenneth M. “The Tonic Chord and Lacan's Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2 (2011): 353-398.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Smith, Moses
Year: 1947
Complete Citation:
Koussevitzky, Moses Smith. Koussevitzky. New York, NY: Allen, Towne & Heath, 1947.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Smith, William A.
Year: 1983
Complete Citation:
Smith, William A. “Leopold Stokowski: A Re-Evaluation.” American Music 1/3 (1983): 23-37.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Snapp, Kenneth
Year: 1977
Complete Citation:
Snapp, Kenneth. “Build a Band—And Educate It, Too.” Instrumentalist 32/2 (September 1977): 52-53.Source: Journal
VI. Topical Studies
T. Ives in Music Education
Sofonea, Traian
Year: 1978
Complete Citation:
Sofonea, Traian. “Charles Ives: un grande compositore americano che operò con slancio messianico in compo assicurativo.” Generali VI (1978): 35-36.Source: Journal
VI. Topical Studies
D. Insurance
Solie, Ruth A., ed.
Year: 1995
Complete Citation:
Solie, Ruth A. “Charles Ives and gender ideology.” In Musicology and difference: gender and sexuality in music scholarship. Berkeley, CA: University of California Press, 1995.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Solomon, Maynard
Year: 1985
Complete Citation:
Solomon, Maynard. “Charles Ives: Some Psychonalytic Implications.” Presented at the New York Psychoanalytic Society, New York, New York, December 10, 1985.Notes: This presentation was a response to Stuart Feder’s “Calcium Light Night and Other Early Memories of Charles Ives,” and is extant as an unpublished mansucript.
Source: Conference Presentation
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Maynard Solomon. Counter-response to J. Philip Lambert. Journal of the American Musicological Society xlii (1989): 209-218.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Solomon, Maynard. “Communications.” Journal of the American Musico- logical Society 42/1 (1989): 209-218.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Somigli, P.
Year: 2002
Complete Citation:
Somigli, Paolo. “Recensioni,” Reviews of Ives: ‘Concord Sonata’ by Geoffrey Block, Charles Ives and His World by J. Peter Burkholder, and Prima della sonata translated by Aloma Bardi. Saggiatore Musicale, Vol. 9.III. Book-Length Studies
C. Book Reviews
Somigli, Paolo
Year: 1997
Complete Citation:
Somigli, Paolo. Review of Prima della Sonata, translated and edited by Aloma Bardi. II saggiatore musicale 9/1-2 (2002): 265-270.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2002
Complete Citation:
Somigli, Paolo. II saggiatore musicale 9/1-2 (2002): 265-270.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2002
Complete Citation:
Paolo Somigli. Review of Prima della Sonata. II saggiatore musicale 9/1-2 (2002): 265--270.Source: Chapter in Book
III. Book-Length Studies
C. Book Reviews
Souster, Tim
Year: 1969
Complete Citation:
Souster, Tim. Review of Essays Before a Sonata and Other Writings, by Charles Ives, edited by Howard Boatwright. Tempo 89 (Summer 1969): 34-35.Source: Journal
III. Book-Length Studies
C. Book Reviews
Soutamire, Albert
Year: 1976
Complete Citation:
Soutamire, Albert. “Reviewed Works: Charles Ives and His America by Frank R. Rossiter; Charles and the American Mind by Rosalie Sandra Perry.” The American Historical Review, vol. 81, no. 5 (December 1976): 1264.Source: Journal
III. Book-Length Studies
C. Book Reviews
Spackman, S. G. F.
Year: 1986
Complete Citation:
Spackman, S. G. F. “The American Musical Avant-Garde and Europe.” In European Contributions to American Studies 10 (1986): 189-202.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Specq, François
Year: 2008
Complete Citation:
Specq, François. “« God's Alphabet »: Le Transcendantalisme Musical De John Sullivan Dwight.” Revue Française D'études Américaines, no. 117, (2008): 6-25.Source: Magazine
VI. Topical Studies
A. Transcendentalism or Philosophy
Spies, B., and W. Weyer
Year: 2007
Complete Citation:
Spies, B., and W. Weyer. “‘Music is Life’ - the Influence of Transcendentalist Philosophy on Ives’s Concord Sonata.” TD: The Journal for Transdisciplinary Research in Southern Africa, vol. 3, No. 2 (2007): 239-278.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Spiker, John D.
Year: 2012
Complete Citation:
Spilker, John D. “The Curious Afterlife of Dissonant Counterpoint: Jeanette B. Holland's Class Notes from Henry Cowell’s 1951 Advanced Music Theory Course.” American Music, vol. 30, no. 4 (2012): 405-425.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Spurling, Christina
Year: 2016
Complete Citation:
Spurling, Christina. “Spirituality, creativity and human progress in the work of Charles Ives.” Research & Materials, Longy School of Music, 2016.Source: Academic paper
VI. Topical Studies
A. Transcendentalism or Philosophy