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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

no author listed

Year: 1993
Complete Citation:
“Local Boy Makes Polyrhythms.” Village Voice 38/34, August 24, 1993, 85.
Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood
Year: 1994
Complete Citation:
“Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23, no. 2 (Spring 1994): 11.
Source: Letter
VI. Topical Studies
M. Ives and Manhattan
Year: 1994
Complete Citation:
“Gay Composers; Behind Ives's Harmonic Clashes: Letter.” The New York Times, July 10, 1994.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
“Celebrating American Music from Ives to the Dead.” Sonneck Society for American Music Bulletin 20/2: 15-16.
Notes:

“The Dead” refers to the Rock group, “The Grateful Dead.”

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1995
Complete Citation:
Rhein, John von. “Charles Ives and Paul Creston, American Originals: Chicagoland Final Edition.” Chicago Tribune, October 22, 1995.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
“Bücher: “Amerikanische Musik seit Charles Ives” hrsg. von Hermann Danuser, Dietrich Kämpfer, und Paul Terse.” Musikerziehung, Vol. 50, No. 1 (1996): 40.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
“Between the Bandstand and the Concert Hall: Ives and His Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Notes:

Selections of marching band music, choral music, and solo songs from turn-of-the-century America (selected works of Ives drawn from these categories).

Source: [Chapter in] Festival Publication
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1996
Complete Citation:
Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Choice, vol. 34.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Review of Modern American Music from Charles Ives to the Mini-malist. 20th Century Music (1998 June) 5: 22.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Review of Charles Ives: A Life with Music, by Jan Swafford. American Music Teacher 46/6 (1997): 88--89.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Review of Charles Ives: A Life with Music, by Jan Swafford. The Economist 341 (December 7-, 1996): 12--14.
Notes:

“This is a splendid book. ... This is much more than a narrowly music biography; it should be on the shelves of anyone interested in the history of the past century.”

Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Review of Charles Ives: A Life with Music, by Jan Swafford. Washington Post Book World 26/30 (July 28, 1996): 4-5.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
“Briefly Noted.” New Yorker 72/30 (October 7, 1996): 96.
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
“Briefly Noted.” The New Yorker 72/30, October 7, 96.
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Review of Charles Ives: A Life with Music, by Jan Swafford. The Economist 341/7995, December 7-13, 12-14.
Notes:

“This is a splendid book. ... This is much more than a narrowly music biography; it should be on the shelves of anyone interested in the history of the past century.”

Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Review of Charles E. Ives, by Leo Schrade. Chamber Music 13/6 (1996): 26.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Reviews: Music & Letters 78/4 (1997): 616-617.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Sonneck Society for American Music Bulletin 23/1 (1997): 22.
Source: Bulletin
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Review of Charles Ives: A Life with Music, by Jan Swafford. American Music Teacher 46/6 (1997): 88-89.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Charles Ives and Henry David Thoreau: “A transcendental tune of Concord.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers