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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Dickinson, Peter

Year: 1978
Complete Citation:
Dickinson. Peter. Review of Ives, by H. Wiley Hitchcock. The Musical Times 119 (March 1978): 239.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1993
Complete Citation:
Dickinson, Peter. Review of The Charles Ives Tunebook, by Clayton W. Henderson. Music & Letters 74/1 (1993): 116-117.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1999
Complete Citation:
Dickinson, Peter. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Music and Letters 80/3 (August 1999): 479-82.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2009
Complete Citation:
Dickinson, Peter. “Book Reviews: Ives Thrives: Books, Editions and Recordings.” Tempo, Vol. 63 (2009): 75-77.
Source: Journal
III. Book-Length Studies
C. Book Reviews

DiYanni, Robert

Year: 1981
Complete Citation:
DiYanni, Robert. “In the American Grain: Charles Ives and the Transcendentalists.” Jazz and Culture 4 (1981): 139-151.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Dorrill, Martha

Year: 1991
Complete Citation:
Martha Dorrill. "The Alcotts.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Druesedow, J. E.

Year: 2013
Complete Citation:
Druesedow, J.E., Jr. Review of Charles Ives in the Mirror: American Histories of an Iconic Composer, by David C. Paul. Choice (2013).
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Druesedow, John E.

Year: 2014
Complete Citation:
Druesedow, John E. Review of Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives, by Matthew McDonald. Music Reference Services Quarterly, vol. 18 (2015): 46.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Dujmic, Dunja

Year: 1971
Complete Citation:
Dujmic, Dunja. “The Music Transcendentalism of Charles Ives.” International Review of the Aesthetics and Sociology of Music 2, 1 (1971): 89-95.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Dumm, Robert

Year: 2005
Complete Citation:
Dumm, Robert. “Book Review: “Ives and Copland, a Listener's Guide,” by Daniel Felsenfeld.” Clavier, Vol. 44, No. 9 (2005): 30.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Echols, Paul E.

Year: 1985
Complete Citation:
Echols, Paul E. “Ives as Ideator.” Review of Charles Ives: The Ideas Behind the Music, by J. Peter Burkholder. Newsletter of the Institute for Studies in American Music 15/1 (November 1985): 5.
Source: Newsletter
III. Book-Length Studies
C. Book Reviews

Elliot, J. H.

Year: 1978
Complete Citation:
Elliot, J. H. Review of Charles Ives: A Portrait, by David Wooldridge. The Music Review 39/3-4 (August-November 1978): 286-287.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Emerson, Ralph Waldo

Complete Citation:
Emerson, Ralph Waldo. “Quotation and Originality.” Complete Works of Ralph Waldo Emerson. Boston/New York: Houghton Mifflin, 1903. Vol-ume 8: 201: Letters and Social Aims.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Emmerson, Simon

Year: 1977
Complete Citation:
Emmerson, Simon. Review of Charles Ives and His America, by Frank R. Rossiter. Music and Musicians 25 (January 1977): 28.
Source: Chapter in Book
III. Book-Length Studies
C. Book Reviews
Year: 1979
Complete Citation:
Emmerson, Simon. Review of An Ives Celebration, edited by H. Wiley Hitchcock and Vivian Perlis. Music and Musicians 27 (June 1979): 44.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Evans, Fallon

Year: 1984
Complete Citation:
Evans, Fallon. Review of Three American Originals: John Ford, William Faulkner and Charles Ives, by Joseph W. Reed. Los Angeles Times. 1984: 2.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Feder, Stuart

Year: 1992
Complete Citation:
Feder, Stuart. Charles Ives: “My Father’s Song”: A Psychoanalytic Biography. New Haven, CT: Yale University Press, 1992.
Source: Book
III. Book-Length Studies
A. Biographies
Year: 1992
Complete Citation:
Feder, Stuart. Charles Ives: “My Father’s Song”: A Psychoanalytic Biography. New Haven, CT: Yale University Press, 1992.
Source: Book
III. Book-Length Studies
A. Biographies
Year: 1994
Complete Citation:
Feder, Stuart. “Charles Ives’s ‘Transcendental Tune of Con-cord’.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Feder, Stuart. “An American Diary in Music.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Notes:

Used Ives’s diary as a “musical autobiography” with commentary.

Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy