Image
Complete Citation:
Abell, Arthur M. Gesprache mit beruhmten Komponisten, so entstand- en ihre unsterblichen Meisterwerke. Eschwege, West Germany: G.E. Schroeder Verlag, 1964.
Bibliography
Genres
Abell, Arthur M.
Year: 1964
Source: Book
Reprints:
Abell, Arthur M. <i>Gesprache mit beruhmten Komponisten, so entstand- en ihre unsterblichen Meisterwerke </i>[Talks with Great Composers]. New York, NY: Citadel Publishing, 1964.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Acker, Emma
Year: 2009
Complete Citation:
Acker, Emma. “Artistic Identity in a Transatlantic Age Patrick Heron, Peter Lanyon, and the New American Painting.” The British Art Journal, vol. 10, no. 3 (2009): 158-170.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Adams, John
Year: 1976
Complete Citation:
Adams, John. Review of Charles Ives and His America, Frank R. Rossiter. The New England Quarterly (1976).Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Adorno, Theodor W.
Year: 1966
Complete Citation:
Adorno, Theodor W. “Mahler.” In Wagner, Mahler: Due Studi, 215-217. Translated to Italian by Giacomo Mazoni. Torino, Italy: Giulio Einaudi Editore, 1966.Notes:
Relates Ives to Mahler.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Agawu, Kofi
Complete Citation:
Agawu, Kofi. Review of Classical Music and Postmodern Knowledge, by Lawrence Kramer. Music & Letters (1997) 78/1: 127-129.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Complete Citation:
Agawu, Kofi. Review of Classical Music and Postmodern Knowledge, by Lawrence Kramer. Music & Letters 78/1 (1997): 127-129.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Aitken, Hugh
Year: 1971
Complete Citation:
Aitken, Hugh. Review of The Ives Case, by Virgil Thomson. Notes 28, no. 2 (December 1971): 224.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Alexander, Jane P.
Year: 1998
Complete Citation:
Alexander, Jane P. Choice 35/5 (January 1998): 831.III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Alexander, Michael J.
Year: 1986
Complete Citation:
Alexander, Michael J. “Ives’s Ideas.” Tempo 157 (June 1986): 35-37.Notes:
Raises many questions that the author leaves unan-swered.
Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Alexander, Shaina
Year: 1999
Complete Citation:
Alexander, Shaina. Charles Ives: His Life and Esthetic Theories. Morris Moore Series in Musicology, No. 11. Silver Spring, MD: Shazco, 1999.Source: Book
III. Book-Length Studies
B. Other
B. Other
Allen, Andrew J.
Year: 2014
Complete Citation:
Allen, Andrew J. “Repertoire Today for Saxophone: The Saxophone Works of Composer Robert Jager.” Saxophone Today (2014): 28-30.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Alves, Bill and Brett Campbell
Year: 2017
Complete Citation:
Alves, Bill and Brett Campbell. “Day of Ascension: (1946-1947).” In Lou Harrison: American Musical Maverick, 124-130. Bloomington, Indiana: Indiana University Press, 2017.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Ambrose, J[ane] P.
Year: 1996
Complete Citation:
J[ane] P. Ambrose. Review of Charles Ives: A Life with Music, by Jan Swafford. Choice (1996 December) 34/4: 624.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Ambrose, Jane P.
Year: 1996
Complete Citation:
Ambrose, Jane P. Review of Charles Ives: A Life with Music, by Jan Swafford. Choice 34/4, December 1996, 624.Source: Magazine
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Anderson, Dale
Year: 1955
Complete Citation:
Anderson, Dale. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Etude 73/8 (August): 6.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Anderson, Paul G.
Year: 2003
Complete Citation:
Anderson, Paul G. Review of Charles Ives Remembered: An Oral History, edited by Vivian Perlis. The Oral History Review, vol. 30, no. 2 (Summer-Autumn 2003): 137-138.Source: Magazine
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 2003
Complete Citation:
Anderson, Paul G. Review of Charles Ives Remembered: An Oral History, compiled by Vivian Perlis. The Oral History Review (July 2003).Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Anderson, W. R.
Year: 1963
Complete Citation:
Anderson, W.R. Review of “Essays Before a Sonata.” Music Teacher 42/7 (July 1963): 291.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Angermann, Klaus
Year: 1992
Complete Citation:
Angermann, Klaus. Review of The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives, by Felix Meyer. Neue Zeitschrift fur Musik 153/2 (Feb-ruary 1992): 48-49.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Angermann, Klaus, and Barbara Barthelmes
Year: 1984
Complete Citation:
Angermann, Klaus and Barbara Barthelmes. “Die Idee des klingenden Raumes seit Satie.” In Musik zwischen E und U: ein Prolog und sieben Kon- gressbeitrage, edited by Ekkehard Jost, 107-126. Veroffentlichungen des Instituts für Neue Musik und Musikerziehung Darmstadt Vol. 25. Mainz, Germany: Schott, 1984.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers