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Bibliography

Kramer, Lawrence

Year: 1996
Complete Citation:
Kramer, Lawrence. “The American Scene.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 46-48. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Kramer, Lawrence. ““S one strane enformelske muzike”: nostalgija, zastarevanje i avangarda.” Muzikologija, No. 6 (2006): 43-62.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kramer, Leighton

Year: 1981
Complete Citation:
Kerner, Leighton. “Lilacs in Bloom.” The Village Voice 26, January 28, 1981, 66.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Krebs, Harald

Year: 1990
Complete Citation:
Krebs, Harald. Review of The Charles Ives Tunebook, by Clayton W. Henderson. Die Musikforschung 45/4 (October-December 1992): 435-436.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1992
Complete Citation:
Krebs, Harald. Review of The Charles Ives Tunebook, by Clayton Henderson. Die Musikforschung, Vol. 45 (1992): 435.
Source: Journal
III. Book-Length Studies
C. Book Reviews

La Motte-Haber, Helga de

Year: 1986
Complete Citation:
La Motte-Haber, Helga de. “Zum Raum wird hier die Zeit.” Osterreichische Musikzeitschrift 41/6 (June 1986): 282-288.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Lambert, J. Philip

Year: 1996
Complete Citation:
Lambert, J. Philip. “Ives and Berg: “Normative” Procedures and Post-Tonal Alternatives.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Lambert, Philip

Year: 1997
Complete Citation:
Lambert, Philip. The Music of Charles Ives. Composers of the Twen-tieth Century, series edited by Allen Forte. New Haven, CT: Yale University Press, 1997.
Notes:

Includes analyses of Tone Roads No. 1, Study No. 5, and The Cage.

Source: Book
III. Book-Length Studies
B. Other
Year: 1997
Complete Citation:
Lambert, Philip. “The Music of Charles Ives.” New Haven, CT: Yale University Press, 1997.
Source: Book
III. Book-Length Studies
B. Other
Year: 2001
Complete Citation:
Lambert, Philip. The Music of Charles Ives. New Haven, CT: Yale University Press, 1997.
Source: Journal
III. Book-Length Studies
B. Other
Year: 2016
Complete Citation:
Lambert, Philip. Review of Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives, by Matthew McDonald. Music Theory Spectrum, vol. 38, no. 2 (2016): 271-273.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Lambert, Philip, ed.

Year: 1997
Complete Citation:
Lambert, Philip, ed. Charles Ives Studies. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Book
III. Book-Length Studies
B. Other

Lambert, Philip (editor)

Year: 1997
Complete Citation:
Lambert, Philip, ed. Ives Studies. Cambridge, UK: Cambridge University Press, 1997.
Source: Book
III. Book-Length Studies
B. Other

Lambourn, David

Year: 1986
Complete Citation:
Lambourn, David. “Grainger and Ives.” Studies in Music 20 (1986): 46-61.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Lang, Paul Henry

Year: 1946
Complete Citation:
Lang, Paul Henry. “Charles Ives.” The Saturday Review, June 1, 1946.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Larson, Thomas

Year: 1981-1982
Complete Citation:
Larson, Thomas. “Unanswering the Question.” Perspectives of New Music 20/1-2 (1981-1982): 363-405.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Lash, Dominic

Year: 2018
Complete Citation:
Lash, Dominic. “Druids fielding questions: Eva-Maria Houben, Emily Dickinson and Charles Ives.” In Writing the field recording: sound, word, environment. Edinburgh, Scotland: Edinburgh University Press, 2018.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Lea, Henry

Year: 1985
Complete Citation:
Lea, Henry. Gustav Mahler: Man on the Margin, 75-78. Modern German Studies, Vol. 15. Bonn, Germany: Bouvier, 1985.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Lederman, Minna

Year: 1947
Complete Citation:
Lederman, Minna, “Some American Composers.” Vogue. February 1, 1947.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Leuchtmann, Horst

Year: 1975
Complete Citation:
Leuchtmann, Horst. Review of Charles Ives in seiner Kammermusik fur drei bis sechs Instrumente, by Ulrich Maske. Neue Musikzeitung 24/4 (1975): 15.
Source: Journal
III. Book-Length Studies
C. Book Reviews