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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Mugmon, Matthew

Year: 2015
Complete Citation:
Mugmon, Matthew “Reviews: “Charles Ives in the Mirror: American Histories of an Iconic Composer” by David C. Paul.” The Bulletin of the Society for American Music, Vol. 41, No. 1 (2015): 11-13.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Müller, Hermann Christoph

Year: 2004
Complete Citation:
Müller, Hermann- Christoph. “Natur wozu? Zwei Anmerkungen zur
nordamerikanischen Musik und zu Charles Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 106-115. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Mundy, Rachel

Year: 2013
Complete Citation:
Mundy, Rachel. “The ‘League of Jewish Composers’ and American Music.” The Musical Quarterly, vol. 96, no. 1 (2013): 50-99.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Muser, Frani

Year: 1975
Complete Citation:
Muser, Frani. Review of Charles Ives and the American Mind, by Rosalie Sandra Perry. The Musical Quarterly 61 (July 1975): 489-490.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1975
Complete Citation:
Muser, Frani. Review of Charles Ives Remembered, by Vivian Perlis, and Charles Ives and the American Mind, by Rosalie Sandra Perry. The Musical Quarterly 61/3 (July 1975): 485-490.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Musgrave, Thea

Year: 1973
Complete Citation:
Musgrave, Thea. “A New Viola Concerto.” The Musical Times 114/1566 (1973): 790-791.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Nagano, Kent

Year: 2019
Complete Citation:
Nagano, Kent et al. “Bernstein and Ives: Whither America?” In Classical Music: Expect the Unexpected, 217-232. Montreal, Canada: McGill-Queen's University Press, 2019.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Newlin, Dika

Year: 1971
Complete Citation:
Newlin, Dika. Review of Memos, by Charles Ives. Library Journal (1971 December) 96/22: 4097.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Nicholls, David

Year: 1991
Complete Citation:
Nicholls, David. Review of The Evolving Keyboard Style of Charles Ives, by Michael John Alexander. Music and Letters 72/3 (August 1991): 494.
III. Book-Length Studies
C. Book Reviews
Year: 1993
Complete Citation:
Nicholls, David.
“Unanswerable Questions/Questionable Answers,” review of A Union of Diversities, by Larry Starr. Music & Letters 75/2 (May 1994): 246-252.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1994
Complete Citation:
Nicholls, David. “Unanswerable Questions/Questionable An-swers.” Music & Letters 75/2 (May 1994): 246-252.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Nicholls, David. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Times Literary Supplement 4881, October 18, 1996, 18.
Source: Newspaper Supplement
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Nicholls, David. BBC Music Magazine 4/8, April 1996, 18-19.
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Nicholls, David. “The Great American Borrower.” Times Lit-erary Supplement 4881, October 18, 1996, 18.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Year: 2000
Complete Citation:
Nicholls, David. Review of Ives Studies, edited by Philip Lambert and The Music of Charles Ives, by Philip Lambert. The Bulletin of the Society for American Music, Vol. 26, No. 2-3 (2000): 78-79.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2000
Complete Citation:
Nicholls, David. Review of A Descriptive Catalogue of the Music of Charles Ives, by James Sinclair. Notes 57/1 (September 2000): 114-115.
Notes:

A Descriptive Catalogue of the Music of Charles Ives

Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2000
Complete Citation:
Nicholls, David. Society for American Music Bulletin (Summer/Fall 2000) 26/2-3: 78--79.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2010
Complete Citation:
Nicholls, David. Review of A Charles Ives Omnibus, edited by James Mack Burk, Selected Correspondence of Charles Ives, edited by Tom C. Owens, and Charles Ives Reconsidered, by Gayle Sherwood Magee. Music & Letters, Vol. 91, No. 2 (2010): 280-282.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Niemöller, Klaus Wolfgang

Year: 1990
Complete Citation:
Niemöller, Klaus Wolfgang. John Cage und das Zeitproblem in der Musik des 20. Jahrhunderts. Regensburg, Germany: Gustav Bosse Verlag, 1990.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Noble, David W.

Year: 1970
Complete Citation:
Noble, David W. “Freedom from Form: Progressivism in Architecture, Art. and Music.” In The Progressive Mind 1890-1917, 131-135. Chicago, IL: Rand McNally & Co., 1970.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers