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Bibliography

Siegmeister, Elie

Year: 1973
Complete Citation:
Siegmeister, Elie. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. High Fidelity/Musical America 23/3, March 1973, MA 29-31.
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1974
Complete Citation:
Siegmeister, Elie. Review of From the Steeples and Mountains, by David Wooldridge. Notes 31 (1974): 291-293.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Silverberg, Ann L.

Year: 2001
Complete Citation:
Silverberg, Ann L. Review of Amy Beach and Charles Ives, by Nicholas E. Tawa. Notes 59/1 (September 2002): 85--87.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Simms, Bryan R.

Year: 2011
Complete Citation:
Simms, Bryan R. “The German Apprenticeship of Charles Ives.” American Music 29 (2011): 139-167.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Simms, L. M.

Year: 1975
Complete Citation:
Simms, L.M. Review of Charles Ives and the American Mind, by Rosalie Sandra Perry. History: Reviews of New Books, vol. 3, no. 4 (1975): 87.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Sinclair, James B.

Year: 2004
Complete Citation:
Sinclair, James B. “Riordinare il genio.” Translated by Aloma Bardi. Il Giornale della Musica 20/204 (May 2004): 25-26.
Notes:

Part of “Ives, un Padre del Novecento,” for the fiftieth anni-versary of Ives’s death.

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Sinclair, James, James Tocco, and Kenneth Singleton

Year: 1993
Complete Citation:
Sinclair, James, James Tocco, and Kenneth Singleton. “Panel Discussions: Evolving Performance Practice in the Music of Ives and Copland.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.
Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Singleton, Kenneth

Year: 1996
Complete Citation:
Kenneth Singleton. “Making Music Was His Best Policy,” review of Charles Ives: A Life with Music, by Jan SwaffordWashington Post Book World 26/30 (July 28): 4-5.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Singleton, Kenneth. “Making Music Was His Best Policy.” Washington Post Book World 26/30, July 28, 1996, 4-5.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Sive, Helen R.

Year: 1977
Complete Citation:
Sive, Helen R. Music’s Connecticut Yankee: An Introduction to the Life and Music of Charles Ives. New York, NY: Atheneum Books, 1977.
Source: Book
III. Book-Length Studies
A. Biographies

Slominsky, Nicholas

Year: 1994
Complete Citation:
Slominsky, Nicolas. “Charles Ives.” In Perfect Pitch, edited by Richard Kostelanetz. New York: Schirmer Books, 1994.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Slonimsky, Nicolas

Year: 1948
Complete Citation:
Slonimsky, Nicolas. “A Thing or Two about Music.” In Prophet of Music to Come, 207-210. New York, NY: Allen, Towne & Heath.
Source: Chapter in Book
Reprints:

Slonimsky, Nicolas. “A Thing or Two about Music.” In <i>Slonimsky's Book of Musical Anecdotes</i>, edited by Electra Slonimsky Yourke, 207-210. New York, NY: Routledge, 2002.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1976
Complete Citation:
Slonimsky, Nicolas. “Working with Ives.” Program booklet of the South Florida Ives Festival, 1974-76.
Source: Program Booklet
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1988
Complete Citation:
Slonimsky, Nicolas. Perfect Pitch: A Life Story. Oxford, United Kingdom: Oxford Uni-versity Press, 1988.
Notes:

Expanded edition adds a letter to Slonimsky’s wife of March 17, 1932 (247) and “Ives” (279-280). Original proposed title was Failed Wunderkind: A Rueful Autopsy. Recalls meeting Ives and working with him on Three Places in New England for con-certs in Boston, New York, Havana, Paris, and Berlin.

Source: Book
Reprints:

Slonimsky, Nicolas. <i>Perfect Pitch: A Life Story</i>, edited by Electra Slonimsky Yourke. Expanded edition. New York, NY: Schirmer Trade Books, 2002.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Slottow, Stephen

Year: 2003
Complete Citation:
Slottow, Stephen. “Wayward Compositional Procedure in the Music of Carl Ruggles.” Newsletter - Institute for Studies in American Music XXXIII, no. 1 (October 2003).
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Slottow, Stephen P.

Year: 2009
Complete Citation:
Slottow, Stephen P. “A vast simplicity: the music of Carl Ruggles.” Hillsdale, NY: Pendragon Press, 2009.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Small, Christopher

Year: 1973
Complete Citation:
Small, Christopher. “Words on Music—Ives and Varese.” Music in Education 37/362 (1973): 187-188.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1973
Complete Citation:
Small, Christopher. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. Music in Education 37/362 (1973): 187-188.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Smith, David Stanley

Year: 1930
Complete Citation:
Smith, David Stanley. “A Study of Horatio Parker.” Musical Quarterly 16 (April, 1930): 153-163.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Smith, Moses

Year: 1947
Complete Citation:
Koussevitzky, Moses Smith. Koussevitzky. New York, NY: Allen, Towne & Heath, 1947.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers