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Bibliography

Burkholder, J. Peter, ed.

Year: 1996
Complete Citation:
Burkholder, J. Peter, ed. Charles Ives and his World. Princeton, NJ: Princeton University Press, 1996.
Source: Book
III. Book-Length Studies
B. Other

Burkholder, J. Peter, James Sinclair, and Kenneth Singleton

Year: 1993
Complete Citation:
Burkholder, J. Peter, James Sinclair, and Kenneth Singleton. “Panel Discussions: The Influence of Popular Music on the Works of Ives and Cop-land.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.
Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Burrell, D.

Year: 1999
Complete Citation:
Burrell, D. Musical Times 140/1869 (Winter 1999): 75-76.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Burton, Humphrey

Year: 1994
Complete Citation:
Burton, Humphrey. Leonard Bernstein. London, United Kingdom: Faber and Faber, 1994.
Notes:

Discusses Symphony No. 2 (p. 205 and 299).

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Butterworth, Neil

Year: 1985
Complete Citation:
Butterworth, Neil. The Music of Aaron Copland, 118, 170, 179, 191. London, United Kingdom: Toccata Press, 1985.
Notes:

Cites Copland’s early insights into music of Ives, includ-ing “the major weakness of Ives through his lack of self-criticism.”

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Cadieu, Martine

Year: 1975
Complete Citation:
Cadieu, Martine. Charles Ives. Paris, France: Discothèque de France, 1975.
Source: Book
III. Book-Length Studies
A. Biographies

Cage, John

Complete Citation:
Cage, John. “Two Statements on Ives.” In A Year from Monday: New Lectures and Writings, 36-42. Middletown, CT: Wesleyan University Press, 1967.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
Cage, John. “The East in the West.” Modern Music 23/2 (Spring 1946): 111--115.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
Cage, John. “The Dream and Dedications of George Antheil.” Modern Music 23/1 (Winter 1946): 78-79.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1961
Complete Citation:
Cage, John. "History of Experimental Music in the United States." In Silence. Middletown, CT: Wesleyan University Press, 1961.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1967
Complete Citation:
“Two Statements on Ives.” In John Cage. A Year from Monday: New Lectures and Writings, 36-42. Middle-town, CT: Wesleyan University Press, 1967.
Notes:

Includes a letter to Michael O. Zahn of Milwaukee.

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1967
Complete Citation:
Cage, John. A Year from Monday: New Lectures and Writings, 42. Middletown, CT: Wesleyan University Press, 1967.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1969
Complete Citation:
Cage, John Cage. Notations. West Glover, VT: Something Else Press, 1969.
Notes:

Exam-ples of composers’ manuscripts. Includes a reproduction of a blank page of music paper with Charles Ives's signature.

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1979
Complete Citation:
Cage, John. "The Future of Music." In Empty Words. Middletown, CT: Wesleyan University Press, 1979, 179-180.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Candelaria, Lorenzo F. and Daniel Kingman

Year: 2007
Complete Citation:
Candelaria, Lorenzo F. and Daniel Kingman. “Charles Ives: American Innovator.” In American Music: A Panorama. Belmont, CA: Thomson/Schirmer, 2007.
III. Book-Length Studies
B. Other

Cane, Giampiero

Year: 1997
Complete Citation:
Cane, Giampiero. “Sinfonia dell’universo,” review of Prima della Sonata, by Charles Ives. II mani- festo martedi (August 26, 1997): 24--25.
Source: Chapter in Book
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Cane, Giampiero. “Sinfonia dell’universo,” review of Prima della Sonate, by Charles Ives. II mani-festo martedi (August 26, 1997): 24--25.
III. Book-Length Studies
C. Book Reviews

Carlson, Michael

Year: 1996
Complete Citation:
Michael Carlson. “The Discomposing Composer.” Specta-tor 277/8781, November 2, 1996, 44.
Notes:

“[H]is marvelous ‘From Hanover Square North’ ranks with Nielsen's Fifth as the most moving reactions to the Great War.”

Source: Magazine
III. Book-Length Studies
C. Book Reviews

Carter, Eilliot

Year: 1939
Complete Citation:
Carter, Elliott. “The Case of Mr. Ives: Winter Nites.” Modern Music 16 (March-April 1939): 3, 172-176.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Carter, Elliot

Year: 1938
Complete Citation:
Carter, Elliott. “Vacation Novelties, New York.” Modern Music (January-February 1938) 15/2: 97.
Notes:

A review of Daniel Gregory Mason’s <i>Abraham Lincoln Symphony </i>

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers