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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Lambert, J. Philip

Year: 1993
Complete Citation:
Lambert, J. Philip. “Toward a Theory of Chord Structure for the Music of Charles Ives.” Journal of Music Theory 37/1 (Spring 1993): 55-83.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Maderuelo, Javier

Year: 1986
Complete Citation:
Maderuelo, Javier. Charles Ives. Madrid, Spain: Circulo de Bellas Artes, 1986.
Source: Book
III. Book-Length Studies
A. Biographies

Madreruelo, Javier

Year: 1986
Complete Citation:
Madreruelo, Javier. Charles Ives. Madrid, Spain: Circulo de Bellas Artes, 1986.
Source: Book
III. Book-Length Studies
A. Biographies

Magee, Gayle Sherwood

Complete Citation:
Magee, Gayle Sherwood. Charles Ives Reconsidered. Music in American Life. Urbana: University of Illinois Press, 2008.
Source: Book
III. Book-Length Studies
A. Biographies

Mesquita, Marcos

Year: 2015
Complete Citation:
Mesquita, Marcos. “Charles Ives and the Superposition Technique.” Musurgia, vol. XXII, no. 2 (2015): 71.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Pavlyshyn, Stepanii︠a︡ Stefanivna

Year: 1979
Complete Citation:
Pavlyshyn, Stepanii︠a︡ Stefanivna. Charlz Aĭvz. Moscow, USSR: Sov. kompozitor, 1979.
Source: Book
III. Book-Length Studies
A. Biographies

Perison, Harry

Year: 1974
Complete Citation:
Perison, Harry. “The Quarter-Tone System of Charles Ives.” Current Musicology, no. 18 (1974): 96-104.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Rathert, Wolfgang

Year: 1989
Complete Citation:
Rathert, Wolfgang. Charles Ives. Darmstadt, Germany: Wiss. Buchges., 1989.
Source: Book
III. Book-Length Studies
A. Biographies
Year: 1989
Complete Citation:
Rathert, Wolfgang. Charles Ives. Erträge der Forschung. Darmstadt, Germany: Wissenschaftliche Buchgesellschaft, 1989.
Source: Book
Reprints:

Rathert, Wolfgang. <i>Charles Ives</i>. Erträge der Forschung. Second Corrected Edition. Wissenschaftliche Buchgesellschaft. Second Corrected Edition, 1996.

III. Book-Length Studies
A. Biographies

Reinhard, Johnny

Year: 2005
Complete Citation:
“Extended Pythagorean Tuning.” New Music Box. New Music USA, December 21, 2005. www.nmbx.newmusicusa.org.
Notes:

Reinhard cites writings in which Ives identifies usual enharmonic notes [e.g., C# and Db) as being different.

Source: Online article
VI. Topical Studies
G. Music Theory Analyses

Rossiter, Frank R.

Year: 1975
Complete Citation:
Rossiter, Frank R. Charles Ives and his America. New York, NY: Liveright, 1975.
Source: Book
III. Book-Length Studies
A. Biographies

Sakae, Yoneda

Year: 1988
Complete Citation:
Sakae, Yoneda. “Charles Ives no ongakukozo ni okeru de-composition.” Ongakugaku 34/2 (1988): 97-111.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Schoffman, Nachum

Year: 1981
Complete Citation:
Schoffman, Nachum. “Serialism in the Works of Charles Ives.” Tempo: A Quarterly Review of Modern Music, no. 138 (September 1981): 21-32.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1986
Complete Citation:
Schoffman, Nachum. “Ives: un exemple de polyphonie complexe.” Contrechamps 7 (1986): 155-171.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Schuller, Gunther

Year: 1986
Complete Citation:
Schuller, Gunther. “Form, Content, and Symbol.” In Musings: The Musical Worlds of Gunther Schuller, 275-276. New York, NY: Oxford University Press, 1986.
Notes:

Discusses absolute music and program music.

Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses

Scott, Ann Besser

Year: 1994
Complete Citation:
Scott, Ann Besser. “Medieval and Renaissance Techniques in the Music of Charles Ives: Horatio at the Bridge?” Musical Quarterly 78/3 (Fall 1994): 448-478.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Searle, Humphrey

Year: 1954
Complete Citation:
Searle, Humphrey. Twentieth Century Counterpoint, 124-126, 133. London, United Kingdom: Ernest Benn Limited, 1954.
Source: Book
VI. Topical Studies
G. Music Theory Analyses

Sites, Michael

Year: 1993
Complete Citation:
Sites, Michael. “Spatiality Revisited in the Music of Charles Ives.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.
Source: Conference paper
VI. Topical Studies
G. Music Theory Analyses

Sive, Helen R.

Year: 1977
Complete Citation:
Sive, Helen R. Music’s Connecticut Yankee: An Introduction to the Life and Music of Charles Ives. New York, NY: Atheneum Books, 1977.
Source: Book
III. Book-Length Studies
A. Biographies

Smith, Kenneth M.

Year: 2011
Complete Citation:
Smith, Kenneth M. “The Tonic Chord and Lacan's Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2 (2011): 353-398.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses