Stanbridge, Joanne
Year: 2012
Complete Citation:
Stanbridge, Joanne. The extraordinary music of Mr. Ives: the true story of a famous American composer. Boston, MA: Houghton Mifflin Books for Children, 2012.Source: Book
III. Book-Length Studies
A. Biographies
Starr, Larry
Year: 1977
Complete Citation:
Starr, Larry. “Charles Ives: The Next Hundred Years — Towards a Method of Analyzing the Music.” The Music Review, Vol. 38, No. 2 (May 1977): 101-111.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Swafford, Jan
Year: 1996
Complete Citation:
Swafford, Jan. Charles Ives: A Life with Music. New York, NY: W.W. Norton, 1996.Source: Book
III. Book-Length Studies
A. Biographies
Year: 1996
Complete Citation:
Swafford, Jan. Charles Ives: A Life with Music. New York, NY: W.W. Norton, 1996.Source: Book
III. Book-Length Studies
A. Biographies
Tadday, Ulrich
Year: 2004
Complete Citation:
Tadday, Ulrich. Charles Ives. Musik-Konzepte, Neue Folge, 123. Munich, Germany: Edition Text + Kritik, 2004.Source: Book
III. Book-Length Studies
A. Biographies
Taruskin, Richard
Year: 2009
Complete Citation:
Taruskin, Richard. “Hearing Cycles.” In On Russian Music, 1st ed., 340-356. Berkeley, CA: University of California Press, 2009.Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
Tibbe, Monika
Year: 1971
Complete Citation:
Tibbe, Monika. “Musik in Musik.” Collagetechnik und Zitierverfahren. In Musica 25/6 (1971): 562-563.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Treider, Leo
Year: 1974
Complete Citation:
Treider, Leo. “Methods, Style, Analysis.” In Report of the Eleventh Congress Copenhagen 1972, Vol. 1, edited by Henrik Claim, Søren Sorensen, and Peter Ryom, 61--70. Copenha-gen, Denmark: Edition Wilhelm Hansen, 1974.Source: Conference Proceeding/Publication
VI. Topical Studies
G. Music Theory Analyses
White, James T.
Year: 1942
Complete Citation:
White, James T. Charles Edward Ives. New York, NY: James T. White Co., 1942.Source: Book
III. Book-Length Studies
A. Biographies
Wood, James
Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.Notes: Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Wooldridge, David
Year: 1974
Complete Citation:
Wooldridge, David. From the Steeples and Mountains. New York: Alfred A. Knopf, 1974. Republished as Charles Ives: A Portrait. London, United Kingdom: Faber & Faber, 1975.Source: Book
III. Book-Length Studies
A. Biographies
Woolridge, David
Year: 1975
Complete Citation:
Woolridge, David. Charles Ives: A Portrait. London, United Kingdom: Faber & Faber, 1975.Source: Book
III. Book-Length Studies
A. Biographies
Zierolf, Robert
Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element in
Ives’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses
no author listed
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-tone User.” The New York Times. December 1, 1962, 17.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 2009
Complete Citation:
“Creó El Compositor Charles Ives Una Técnica Innovadora.” Notimex, October 19, 2009.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 2010
Complete Citation:
“Continúan vigentes técnicas que incorporó Charles Ives a la música.” Notimex, October 19, 2010.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses